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A Visit from Miss Prothero

Arthur Dodsworth has recently retired. He lives alone except for his budgie and memories of his late wife Winnie. One afternoon his nap is interrupted by the doorbell; his former secretary, Peggy Prothero, has come to visit. A brash, charmless woman who seems to take no pleasure in anything but putting people down, Miss Prothero wants to fill her old boss in on all the changes that have taken place at work since he left. Dodsworth isn't very curious, and as the visit wears on it puts a little strain on his politeness and patience. Miss Prothero doesn't enjoy it much either, but lingers on as there's a bombshell she wants to drop. The docketing system Dodsworth introduced thirty years earlier, which revolutionised the firm, has been scrapped by her adored new boss Mr Skinner. The crowning achievement of Dodsworth's career has just become obsolete, and she wants to tell him all about it.

A Visit from Miss Prothero

7.0 1978
Mass, or Monument for a Capitalist Society

Mass was made during Sjöström’s years at the film department of the Royal College of Art, in cooperation with the London Filmmaker’s Co-op. Random or staged shots of people and settings in urban London are arranged and abstracted, double-exposed and solarized. The result is a dense texture filled with layers and associative dimensions. Mass is a film attempting to convey, by strictly filmic means, the cooped-up feeling of the individual in the grey mass of the city. The absurd concrete city landscape is visualized through the unspoilt and naked eye of the camera in a concentrated mosaic of images and sound.

Mass, or Monument for a Capitalist Society

NR 1976
Taoism: A Question of Balance

In this landmark 1977 documentary, narrator Ronald Eyre journeys to Taiwan to explore the vibrant and complex world of Chinese folk religion. Facilitated by the pioneering team behind ECHO Magazine—Linda Wu (吳美雲), Huang Yong-song (黃永松), and Yao Meng-chia (姚孟嘉) —the film captures a rare and precious glimpse of 1970s Taiwan, a time when ancient spiritual traditions remained deeply woven into the fabric of daily life. From the thunderous temple festivals and the mystical trances of spirit mediums to the quiet ancestral rites in family halls, "A Question of Balance" examines how the pursuit of the "Way" (the Tao) provides a sense of cosmic harmony amidst a modernizing society. It stands as a definitive visual record of a vanishing era, showcasing the enduring power of Taoist belief and its diverse pantheon of deities.

Taoism: A Question of Balance

NR 1977
Peter Shaffer

Writer Peter Shaffer talks about his plays, his life and the theatre. 'I think the live experience in the theatre is very important when you can see shocks and murmurs going through the house. It has a communal nature. A great play or a great production is a revelation, this is the function of all art, it doesn't have to be solemn - it's a moment, a leap of excitement inside oneself, which can be attached to a moral insight or a laugh, and it comes bolting out like rabbits out of a hedge.'

Peter Shaffer

NR 1976
Ulster - Whatever Happened to the Moderates?

Can John Hume’s campaign of civil disobedience challenge the political status quo and take violence off the streets of Northern Ireland? In Hume's opinion there was no military solution to the problems that beset Northern Irish society. Instead, we here see him promote passive resistance, including the instigation of a rent strike. He believed that through such protests the silent majority could make their voice heard. However some believe Hume is a man who pleads pacifism, but whose actions "keep the pot boiling".

Ulster - Whatever Happened to the Moderates?

NR 1971
To Tea

To Tea, made in Holland (at the house of the Dutch avant-garde filmmaker Franz Zwartjes), is a slowed ‘Alice in Roomland’.A guide to sensual contact between two women. Their contact is arrived at through an arrangement of slow tactics. As the light of day goes the bodies come closer, and the piano melody floats in a distant hall. Once my Hungarian art teacher said: “If you exaggerate the objective lines you reach a stronger subjective expression.” So here the strange tea party gives over to touch. – S.D.

To Tea

7.0 1970