Discover Movies

3,462 Matches Found

Ablakon

A city with its problems. A gang of abandoned children provide for themselves and pose as heroes. The police are on their backs day and night. They are enterprising, energetic, and full of fresh vitality. Despite the fact they are rejected by their parents and ignored by the world, they form among themselves a powerful example of solidarity. Ablakon is something of a different order. He is an adult delinquent and a swindler. Posing as a businessman, he has deceived a countless number of people. When he and his accomplice return to the village, his extravagant behaviour is mistaken for a sign of success. Following his example many young people leave for the city. But they will soon understand their mistake...

Ablakon

5.8 1985
RR

RR uses musical models as a paradigm. The central part of each section of the film is based on a transcription of a Bach composition for two voices. The two screens underscore this paradigm insofar as one is always the simultaneous reflection of the visual development of the other, regardless of the position of the reels (left or right): a visual representation of the inversion technique of a theme that is often used in music. The use of mirroring deliberately side-steps the question of the reality of representation. It no longer has any importance, now that we’re in the domain of the reflected image, of imitation. The two images reflect one another in a constant back and forth, mimicking to a certain extent the development of the (fake) pans that comprise the film. The pans metaphorically evoke, if only superficially, the keyboard.

RR

NR 1985
Rencontre avec Assia Djebar

For the France 3 show, Mosaïque, Sarah Maldoror met Assia Djebar on Sunday March 29, 1987 on the occasion of the publication of her book Ombre Sultane. She discusses the status of the traditional woman in the Arab Muslim world: "The woman is always on the move, she is never anchored. To the extent that she is always in the process of repudiation, she is in the process of leaving. With Ombre Sultana, I wanted to make the reader feel that these women from elsewhere are like her, even if the reader is Western.

Rencontre avec Assia Djebar

NR 1987
She's a Very Nice Lady

Two New York women, Kristin and Doreen, live a black and white life, but in color of Gene Tierney, a star of 40’ Hollywood melodrama, while listening to the old songs of Marilyn Monroe. They go from one extreme to the other (from dream to reality, from day to night, from black and white to color), and so travel symbolically through this timelessness. Kristin disappears and Doreen is lost is the big city. Her meetings with Marcel, a filmmaker, then David, a sculptor, accomplish nothing, and she is destroyed by daylight. But her Memory of Gene Tierney triumphs over night and death, and Cinema can continue.

She's a Very Nice Lady

8.0 1982
Falkenau, the Impossible

Documentary stems from 1945, when infantryman Sam Fuller, member of the U.S. Army's "Big Red One," helped liberate the Nazis' Falkenau death camp. Fuller shot footage of his commanding officer's marching Czech locals, who denied knowing of the genocide, out from town to view the horrors of the death house. 40 years later, French documentary filmmaker Emil Weiss brought Fuller, who became a famous film director after World War II, back to the death camp to tell the story of the camp's liberation. Fuller's original footage is incorporated in the film.

Falkenau, the Impossible

7.3 1988
Comédie d'été

Adrien does not see eye to eye with his patrician father about much. It is 1912, and the old man still believes in the old rules which strait-jacket "men of class." He believes that the elite have the right to conquer where they can, that they should refrain from publicizing their improprieties, and he is rabidly pro-military. Adrian, kicked out of his military school for his own improprieties (and hiding that from his father), is naturally drawn to Vicky a beautiful divorced woman and friend of the family who is staying at their mansion. The family tutor, a man of ordinary background (with some ideas which seem radical in this household) is similarly smitten. On the basis of their shared attraction, the two men form a friendship. Meanwhile, the object of their affection finds it diverting to toy with them.

Comédie d'été

5.0 1989
Une robe noire pour un tueur

The "black robe" in the title of this suspense film belongs to a female lawyer, Florence Nat who has just lost a case in which she defended Simon Risler, a man wrongly accused of murder. Risler escapes before he can be put in prison, and seeks help from attorney Nat in finding the real killer, partly by going after the police inspector who framed him in the first place. A retired surgeon, in the process of setting up a drug rehab clinic gets involved in solving Risler's case, and soon the solution seems to be pointing to high-ranking figures with every desire and ample means to keep the truth well-hidden.

Une robe noire pour un tueur

5.5 1981