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Feliz Suicidio

Diego, a young man with addiction problems, considers ending his life, but his great fear of dying prevents him from doing so—until he sees a television advertisement for "Happy Suicide," a service that organizes suicides for couples. When he arrives at the location, Diego meets his partner, Saúl, a good-natured clown; both are eager to end their lives. What they don't expect is to find that they have only been given one bullet, so they begin to debate who deserves to die more.

Feliz Suicidio

NR 2025
Hermes

Part of the Adaptasi Cycle. A transhumanist .work that explores the boundaries between the human, the technological, and the divine. The work is inspired by cyborg theory and presents a futuristic underworld where death and transfiguration merge with botanical, biomechanical, and digital elements, from a queer perspective. With a dreamlike aesthetic and a hybrid of cinema and performance, Hermes redefines identity and technological progress, creating a new folklore and representing the implications of the uncanny valley and the relationship between eternity and AI.

Hermes

NR 2025
O meu nome é Camba

A journey to discover the life and work of Julio Camba (Vilanova de Arousa, 1884 – Madrid, 1962), one of the most popular Spanish journalists of the 20th century. In this documentary, we travel through memory, the testimonies of biographers, experts, journalists, actors, actresses, and friends, as well as readings of articles written by Julio Camba in the different cities around the world where he lived and worked: Buenos Aires, Istanbul, London, Paris, Berlin, Rome, Lisbon, and New York.

O meu nome é Camba

NR 2025
Light Machines

A series of sunsets filmed over the course of a year are traversed by rays of light that permeate the Super 8 film through a structure of intentional light leaks. These create overexposed images that, in turn, intermingle with virtual sunsets and landscapes, creating a continuous flicker between natural and artificial light. The film is based on the idea of “light machines,” understood as devices capable of controlling and transforming light. Several of these machines are used in this film: the camera itself, filters, 3D lighting, flashlights, and crystals, which serve to materialize a constant contrast between structural control and the unpredictability of capturing flashes of light.

Light Machines

NR 2025
La Bienvenida

Miguel and Lucía are two children who spend the afternoon in the village as usual, playing and bothering the neighbors, but their daily routine is interrupted by the arrival of a new, unknown visitor to the village. The children try to find out who this visitor is by playing at being spies as they follow him around the village, but Miguel is convinced that he is hiding something. In the middle of their investigation, the stranger arrives at Lucía's house, and there they realize that this stranger is her father, whom she never knew.

La Bienvenida

NR 2025