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A young woman strolls through the night, then boards a train. Seeking closeness to others she chooses an unusual method by searching through people’s luggage.

During World War II, Switzerland severely limited refugees: "Our boat is full." A train from Germany halts briefly in an isolated corner of Switzerland. Six people jump off seeking asylum: four Jews, a French child, and a German soldier. They seek temporary refuge with a couple who run a village inn. They pose as a family: the deserter as husband, Judith as his wife, an old man from Vienna as her father, his granddaughter and the French lad, whom they beg to keep silent, as their children. Judith's teenage brother poses as a soldier. The fabrication unravels through chance and the local constable's exact investigation. Whom will the Swiss allow to stay? Who gets deported?

Documentary about art theft during the nazi era.

A line-puller at the soccer stadium, apparently once an active footballer himself, breaks out in his chalk car and is confounded to discover that lines play an important role not only in his job.

Out of over 4,000 ordinance survey maps (scale 1:25,000) charting all of West Germany, 88 maps were selected by random generator. Then random intersections of two coordinates were determined. Between March 1979 and February 1980 I visited the places at these coordinates, going from south to north. If the random place was determined by with the help of the survey map in the landscape, then I set up the camera at eye-level and pointed it northwards. This first shot was followed by 23 other shots, with the camera turning 15 degrees to the right for each next shot. The length of the shots follows a simple pattern: in the beginning, the shots are 6-5-4-3-4-5-6-5...and so seconds long. Towards the middle of the film they become progressively shorter, reaching ¼ of a second before becoming longer again at the end of the film.

This film is the theatrical follow-up to a very popular German TV-series (also called "Anna"), about a young girl who wants to make it as a prima ballerina.

A portrait of the writer and former miner Günter Westerhoff

In Hamburg, the police are faced with a mystery after a series of burglaries: there are no clues at the crime scene except for a Japanese character. The characters are soon found all over the city. A retired detective and a journalist finally uncover a huge conspiracy that goes back to the Japanese Middle Ages.

After the essay "On Marionette theatre" by Heinrich von Kleist. The film focuses on Kleist himself, torn apart, searching for knowledge, for identity, trapped in his loneliness and self-absorption, jumping over walls, making grimaces, cruelty, suffering.

In 1833, the penalty for non-compliance is death! Andreas insists on his right as a free man and fights alone against the entire royal army.

Matthias Müller’s films are always about both the eternal and the volatile qualities of cinema. They exaggerate the unreality and clinical perfection of the Hollywood studio films of the 1950s, quoting its sets and colours (Home Stories, 1990; Pensão Globo, 1997) or even reconstructing them in minute detail (Alpsee, 1994). But, at the same time, these attributes, known in film jargon as the production values, are exposed to decay – a decay which on closer inspection proves to include wilful acts of creation. As his own lab technician, Müller is responsible not only for subsequent wear and tear, but also for the initial developing of his own film material.

A schoolgirl and her older girlfriend seduce the teacher in order to improve their grades.

Short film about animal training in a circus.

Television film

A Frenchwoman tempts a man amid unrest on a balmy island

Years ago, SONY advertised with the slogan “The mobile memory”. We fell for it. The memory faded. The starting situation for the film was this crisis: The half-inch magnetic tapes dissolved and could no longer be played, they squeaked when trying to get them to work. We called it the squeak plague. Our archive threatened to disappear. We started talking about the future. How is everything supposed to go on, the whole thing here? Also the question of video or celluloid and whether we still feel like it at all. If you ask a lot, you get a lot of answers. A fan-like montage of images and sounds about the future was created. In search of social reality, the volume is also an answer, but without patent recipes.

Short film about the eighth circle of hell as described in Dante's Inferno

Documentary film about a research project that is promising at its time, with which the prerequisites for the production of a new generation of computer modules should be created. Especially in the case of common user computers, the introduction of the "X -ray lithograph" in the semiconductor technology can lead to an even unmistakable upheaval. The film describes the research work and reflects on the importance of such a development insertion. An unusual documentation about a work that has little external in itself. - from 16.

With 'AUGENBLICK' (the 'space of an instant'), Franz Reichle has given us a highly unusual work. During turbulent times, two young people find each other, fall in love, fight and ultimately separate. They are looking for new directions and ways of life, taking things one day at a time and squeezing the fulfilment of their desires out of every moment. The 'space of an instant' is surprising in form and style: Reichle positions himself against conventional ways of seeing, and takes an almost anarchic approach to the rules of drama. His point of view is shaped by interior processes: sensations, rather than events, are portrayed in the images appearing on screen. One of the few films which attempts to expand the language of the cinema. Urs Jäggi in Zoom-Filmberater, March 1986.

Karl Gass compiles film material to document the Pogromnacht in 1938.

A bear escapes from the circus and befriends a girl.

Little Sabine has spent her childhood in an orphanage after her parents died in a car accident. When one of the women in charge at the orphanage, Edith, leaves to have a baby, Sabine runs away, because Edith was the only adult there she could trust. She then wanders through the city to find someone to take her in. She meets a lot of people on her journey, but she seems out of place everywhere she goes until, at last, she realizes that there is a special place where she belongs.

Kaiser, an unemployed civil engineer, receives a tempting offer to become managing director of Zielbau GmbH.

An outlook on working from home and how this could affect women.

1942. The members of the Voß family, mother, two daughters, a daughter-in-law, and a son-in-law, are living in a house at the river. A fellow soldier of son Paul, who fights at the eastern front, delivers his greetings and an embroidered Russian blouse for Emmi, Paul′s wife. Daughter Agnes, whose husband is also fighting in the war, receives a fur vest from the junior partner who is stalking her. Obviously, the vest is also loot from the eastern front. When the family receives news that Emmi′s husband has been killed in action, the war finally enters the house at the river. Emmi commits suicide while Agnes′s husband returns as a cripple from the war front. At home, he has to learn what a price his wife had to pay for the "Russian fur".

Only a short time left until Max Telligan's diary is finished. Hollywood is already interested in the book's film rights. US producer Terry Wilde makes the successful British author a lucrative offer. But shortly after the negotiations, the American is found dead at the airport and a fierce battle for the diary begins. Telligan's wife Harriet and daughter Marsha also feel the effects. Terrorists, the CIA and Scotland Yard suddenly take an interest in the book. But Telligan's beautiful secretary Liz Ferber defies all threats and saves the manuscript from shady characters and brutal intruders. Will she uncover the secret of the book?

The Time Machine is purchased from an antiques store by a physician from Berlin. Much of the script plays out in one room in the Berlin villa of Dr. Erasmus Beilowski. He and his well-educated friends have an intelligent discussion about the world and the future, with a view to the Time Machine. What to use it for?

Valeria hates commissioned photos such as passport or wedding photos because, in her opinion, they are dishonest. She looks for honest faces. Valeria scares the customers with them, so she has to earn her money as a waitress. She begins to have doubts about her own pictures because they are not accepted. In the café, she is offered a job with a fashion photographer. Through their acquaintance with Valeria, Paul and Poupoune realize that their projections have little to do with reality.

The son of actor Robert Drury is kidnapped, and a strange visitor arrives.

A woman travels to Italy and tries to make a decision.

"The Free Orchestra" is a group of young people who have various careers, and get together in their free time to make music. Improvisation and original hand made instruments mark the group's style. The individual members of the band are filmed at their daily work life and at one of their concerts. A collage of sounds arises, which conveys their life feelings and experiences, in a satirical and grotesque language.

The KALI-FILME are a compilation of 8 single short found footage films, which were composed of Hollywood war-, horror- and women in prison B-pictures, historical war documentaries and porno films. In the trivial films we find images of our own subconscious instincts, which are tabu in the official high culture. KALI is a mother goddess of the Hindu mythology. She is the birth giving mother and at the same time the killing and castrating woman. Since primeval times men do fear her power.

What’s a star in a movie? A black dot in the film negative. In the nineteen eighties I enjoyed painting on 35mm blank film and painted a negative. That means every frame was painted in reverse color - black became white, blueish green became red, yellow was to be sort of blue. The result: all colors are on black background - like in the windows in old cathedrals. The music was improvised after the film was finished by Jasper van’t Hof, vocals by Eva Mattes. The film was premiered in competition at the Berlinale 1985.

Shy Nina is still living with her grandmother in her mid-20s. The lovely grandmother gives her granddaughter a pile of money to finally make something of her life and hook up with a hot guy. That's what she does: she uses the money to make herself really chic. Meanwhile, Steve is crazy about the bombshell Kim, but at a party he falls in love with Nina and Kim is extremely jealous...

The time is the French Revolution; the place is the village of Travers, ensconsed in neutral Switzerland. Prussian aesthete Herman Beyer is on the verge of divorcing wife Corinna Harfouch. Radical writer Uwe Kokisch, Corinna's lover, hopes to find a way of smoothing out animosities. What follows, however, is a nonstop drinking binge. The film subliminally addresses the then-prevalent issue of a divided Germany. Whether or not it succeeds is unimportant; Treffen in Travers (Reunion in Travers) has proven to be a crowd pleaser wherever it has been shown.

In 1938, a young woman leaves Germany to search for her love, Erich, in Reichenburg, Bohemia. Erich is secretly fighting the fascists, so Hilde ends up becoming a housemaid in the home of a German joiner in order to carry on their relationship. The joiner's son notices the passionate love shared between Hilde and Erich. To him, the young lady embodies the feminine ideal. When Hilde receives news of Erich's death, she descends into an uninhibited lifestyle in an attempt to forget.

Follows the lives of students and their teachers based on the director's childhood memories. The events of the film take places in the actual boarding school called "Gymnasium Canisianum", founded in 1946 by a German catholic priest.

Observations of a man and a dog in a Hamburg street. Mass society did not arise because there are many people today, but because the media turned them into a mass. Death to the spectator would actually mean cutting off the water supply to this mill. Whoever destroys the masses, whoever removes this sense of humanity, has ended the media era.

A group of people meet on board an ambulance aircraft. They are all looking for a mysterious young man for different reasons. A "psychological-poetic" film that explores why people are puzzles to one another in the form of a game.

Documentary film about the Release Group Hamburg.

Two women communicate in a language of art, working men in a pub speak in their Viennese idiom, patients of a psychiatric hospital arrive at speech through improvisation – all these diverging portrayals do not merge into one another but communicate by their proximity.

One day the landlord Smirnov demands the widow Popova to pay an old debt which her husband left. She has no money at home and begs Smirnov to wait. The polite conversation turns quickly into an argument. Popova fetches the pistols. Smirnov realizes now that he’s in love with Popova. He confesses his love.

In the space of a short 65 minutes, a woman enters the luxury apartment of a wealthy man with an eccentric fascination for the female form and is paid both for her sexual favors and for lying there naked and letting him examine the aesthetics of her body. For most of the hour, as the concise narration of Marguerite Duras' novel on eroticism and aesthetics fills the aural gaps, actress Marie Colbin's form fills the visual gaps. But unless viewers consider the feminine eyeball or microscopic views of skin exotic and worth lingering over, the eroticism lies more in the imagination than on the screen. In fact, the female body lying on the bed, taken away from the spirit that animates it, is really just a corpse -- raising the question, exactly what is the "malady of death?"