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Based on the comic by Mitsutoshi Furuya

In a fishing town by the Seto Sea, a student discovers a woman motionless on the beach and takes her back to his family's inn to nurse her, but he soon discovers than she is an extremist on the run from the police.

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A middle-aged office worker, Masao Okada (Eiji Okada), discovers that his worsening illness is terminal cancer. Shaken and resigned, he meets a mysterious man, Suzuki (Haruo Tanaka), who knows every detail of his life. Also a dying patient, Suzuki proposes a “game”: two men with little time left will live in suspense, wondering when and how the other might kill, using paranoia as a way to escape the greater fear of death. Directed by Yasuharu Hasebe and based on a story by Kyotaro Nishimura, this short TV film from "Horror Theater Unbalance" blends psychological dread with social reflection. Alongside Okada’s fragile romance with nurse Akiko (Masumi Harukawa), the story introduces a nihilistic subplot where a reckless young couple (Renji Ishibashi among them) engage in a fatal dare that ends in self-destruction — echoing the era’s sense of emptiness and contrasting Okada’s struggle to find meaning in the face of death.

Fujishita Kumi is an ordinary office lady. Longing to escape her poor fishing village for a life in the city, she came to Tokyo. One day while alone in the office, she's spotted rolling up her pantyhose by the window cleaner Kurata Katsuo. This was to be their first encounter. Completely enchanted by Kumi, Katsuo does everything he can to get close to her. Katsuo is a man with a terrible past. With the death of his coal miner father, his family was broken up and he was forced to follow in his father's footsteps laboring away in the mud. In spite of this, Katsuo still has dreams. He dreams of living in Resiporuko, a utopian fantasyland that exists only in his imagination. When Katsuo and Kumi finally meet they find themselves unable to communicate. Katsuo spends all his time talking about Resiporuko with a starry look in his eyes, while Kumi dreams of living the high life in the city. One day when the two travel to the seashore, they discover a wounded seagull.

When the aging leader of the yakuza gang Maeda-gumi decides to retire, many of the gang members have no confidence in the young man he has chosen to replace him. A fight for the succession begins.

Tom Canty, the youngest child of a very poor family living in Offal Court in London, sees one day Edward Tudor, the Prince of Wales. Coming too close in his intense excitement, he is caught and nearly beaten by the royal guards. However, Edward stops them and invites Tom into his palace chamber. There, the two boys get to know one another and are fascinated by each other's lives. They have an uncanny resemblance to each other, so they decide to swap clothes "temporarily". But things turn out differently.

Roman Porno from 1972.

Pink film distributed by Shintoho.

A Documentary on the Japanese baseball player Sadaharu Oh

BDSM-themed pink film distributed by Shintoho.

Chōdenji Machine Voltes V (超電磁マシーン ボルテスＶ Chōdenji Mashīn Borutesu Faibu?, Super Electromagnetic Machine Voltes Five) more popularly known as Voltes V, is a Japanese anime television series that was first aired on TV Asahi starting June 4, 1977. It was created by Saburo Yatsude (a pseudonym referring to a committee within Toei Company) and directed by Tadao Nagahama. Voltes V is the second part of the Robot Romance Trilogy of the Super Robot genre which includes Chōdenji Robo Combattler V and Tōshō Daimos. Like Combattler V, the series was animated by Sunrise and produced by Toei Company. The series was animated by Sunrise on Toei's behalf. This super robot along with the other two aforementioned super robots first appeared the USA as a part of Mattel's Shogun Warriors line of import toys, released in the late 1970s.

BDSM-themed pink film distributed by Shintoho.

The last (10th) Toho "Crazy film" in the Nippon Ichi series.

A banker and a high school girl start a brothel in the snowy countryside of Hokuriko.

Shot on 16mm film, this experimental piece is inspired by a short story by Ango Sakaguchi about a doomed romance set against the backdrop of blooming cherry trees. Michishita dispenses with the lovers and retains only the cherry blossoms. Caught from every angle, they bloom and fall, communicating a sense of enrapturement with this local and eternal cycle. The music is by Toshi Ichiyanagi, a major figure in postwar Japanese music.

Yuzo Kayama does skydiving.

Japanese horror movie from 1973.

A theatrical version of episodes 13 and 14 of the TV series. Against her insistence, Yuuki is drafted by the Tokyo Mets as the first woman player in the baseball league.

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Nikkatsu Roman Porno

A young Japanese man finds himself in the company of a strange, effeminate gay man and a girl with a seedy sexual history and who even now is pregnant again. They share a predisposition for drug use and spend time together in an old house. He refuses the advances of the gay man, who then commits suicide. When a gang administers a beating to him, his father re-enters the scene and takes him home, along with the girl. However, the girl has decided to have her baby, and she goes to live with its father.

Overcoming her relationship with a man, a woman finds love with another woman.

Yoji Himuro (Hayato Tani) is a ruthless bully terrorizing the classroom with his buffoons. New teachers (Kunie Tanaka and Mari Atsumi) get assigned to tame him down, but they fail miserably. Yoji continues his no-respect rampage until the school principal brings in a new student, an American educated karate expert Noboru Ohinata (Yuki Meguro), to counter Yoji’s terror!

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Expansion remixes the images of Matsumoto’s Esctasis into an more colourful psychedelic short.

Short movie featuring Pink Lady

A high school girl yearns to have her first sexual encounter.

At Any Place 1, 1975, film, 16 min, color. Casted over the sky, images of people are suggested as shapes of clouds

Ken's older sister Yoko, who has raised Ken like a mother, decides to move to Brazil with an older man.

When Hakaider starts his own evil organization, Dr. Komyoji's android Kikaider 01 awakens to protect Japan from the forces of evil.

Yumi worked at a small snack bar called Bacchus, tucked away in a corner of the city. Before long, she had gathered her own entourage—three men named Takeshi, Ken, and Toru. Convinced that the true essence of youth lay in taking risks, Yumi’s boyfriend, Takeshi, dreamed of taking the helm of a yacht and sailing off to unknown lands. Ken, a factory worker from a small-town workshop, fantasized about creating a guerrilla radio station that played nothing but the new rock sounds—the shared language of youth. Meanwhile, Toru, a college student who proudly styled himself as a revolutionary. The trio began saving money as if to make their dreams tangible. They entered an endurance contest but they were eliminated. With a goal of raising 3 million yen by the following summer, their prospects looked bleak. In the days that followed, each arrived at the same conclusion: they could exploit Yumi’s exceptional beauty and striking sexy physique by launching an alluring honey-trap scheme.

First film of "Mysterious Thirteen Nights" series.

Pinku from 1970.

A youth movie starring Miyoko Asada that depicts a cute and lovely 16 years old girl who lives a bright and refreshing life with her purity. She helps at a boarding house in Kamakura where she met Hideki Saijo. Script is written by Shiro Ishimori and directed by Shigeyuki Yamane.

A wife works two jobs to support her husband who is cheating on her.

A teenage drama film about Makiko Hayashi, a top student who is aiming to get into University of Tokyo, together with a group of other students. She befriends one of the school's misfits, Yoshiyuki Mizuno, which starts to change her life. The film follows the way Makiko Hayashi's life changes throughout the time, from a model student with high ambitions, to someone who is uncertain enough about her future, that she feels the only way out is to start anew.

The twelfth shogun, Ieyoshi, embraces Oruri day and night under the care of Fujioka, a guest attendant at the O-oku. However, Fujioka's senior, Kumoi, who recommends Oseki to him, is not amused at all. The scene between Fujioka and Kumoi was symbolic of the battle between women in the O-oku. Fujioka hears from Orui that she is pregnant and rejoices that she has nothing to fear if she bears the Shogun's child. Meanwhile, Kumoi comforts Bure, who is a lesbian, and asks Oseki to help her get a call from the shogun.

Comedy directed by Mio Ezaki.

In post-war Japan, a publisher goes to visit her former teacher for help on a modern translation of a legend about a mummified Buddhist monk who was revived and who, centuries later, turned into a sex demon who terrorized a village in pre-modern Japan.

Pink film from Toei Central.

Pinky violence film

Toei yakuza film.

Short pinku

Ippei was born at the cost of his mother's life. This fact haunts him, he felt a longing for Japan's ancient hot springs and embarked on a journey to find his ideal bath. The pinnacle of baths was the bathhouses with female bathers during the Keicho and Kan'ei eras. Men would drink sake with female bathers, push them down, and moan as they did so. Bathing also had an aspect of women's pursuit of beauty. Beautiful women try out various forms of bathing. Ippei's pilgrimage introduces various hot springs and engaging in sexual acts with the hot women he encounters. He experiences various bathing scenes, including Turkish baths and secretly filmed geishas bathing.

Set in Kawasaki in 1925, Challenge at Dawn is based on the Tsurumi Riot Incident, which actually ocurred in Yokohama that year and was sparked by corruption and yakuza involvement in the construction industry.

Pinku from 1971.

The hoodlum group goes to a hot-spring resort town to earn money.