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La vedovella

Susy, a call girl from Milan, receives a castle as a gift from one of her old clients, Baron Colletta di Sant'Omero. When she arrives, she is mistaken for the widow of the deceased squire and is immediately surrounded by the mayor, members of the town council, and other people who all aspire to take over the dilapidated property for little money, whose future is guaranteed by the industrial expansion of the Calabrian village. Susy realizes the situation and astutely takes advantage of it. She manages to obtain the unanimous vote of the city council against the expropriation of her land, and, having duped all her suitors, she devotes herself to Corrado, a technician at some important factories in the area.

La vedovella

9.0 1965
Living & Glorious

Leonardi's film about the Living Theatre is less concerned with a straight documentary presentation of the exile theatre group from New York, but rather is concerned with the specific atmospheric factor which is indicated by their name, and which constitutes the highly suggestive effect of their playing. Cutting, for Leonardi, is the most decisive aesthetic device. The result is a wonderfully composed furioso of pictures. The hand-held camera catches rehearsals, conversations without sound, bits of theatre and daily life actions (which, for Living Theatre people, is very often intermixed).

Living & Glorious

NR 1965
Scouting in Palestine

In 1963, accompanied by a newsreel photographer and a Catholic priest, Piero Paolo Pasolini traveled to Palestine to investigate the possibility of filming his biblical epic The Gospel According to Matthew in its approximate historical locations. Edited by The Gospel‘s producer for potential funders and distributors, Seeking Locations in Palestine features semi-improvised commentary from Pasolini as its only soundtrack. As we travel from village to village, we listen to Pasolini’s idiosyncratic musings on the teachings of Christ and witness his increasing disappointment with the people and landscapes he sees before him. Israel, he laments, is much too modern. The Palestinians, much too wretched; it would be impossible to believe the teachings of Jesus had reached these faces. The Gospel According to Matthew was ultimately filmed in Southern Italy. Mel Gibson would use some of the same locations forty years later for The Passion of the Christ.

Scouting in Palestine

7.2 1965