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Muto Bontie

A remake of the American film Ruthless People. Sean Lau plays a rich, fast-food chain owner named Lam Chak-chi. Mr. Lam hates his wife but married her so that he could inherit the fast-food chain from her father. He decides he will kill his wife, but before he gets his chance she is kidnapped. Shortly after, the kidnappers demand ransom money or else they will kill his wife. By telling the police one thing and the kidnappers another, he hopes to get rid of his wife, keep the cash and come out of it all without being suspected of any wrongdoings. However, things don't go the way Mr. Lam expects. Lau Ching Wan also plays his twin brother, who is one of the kidnappers.

Muto Bontie

8.0 1996
The Figures from Earth

Five hundred years ago, to practice witchcraft, a bat elf forces her sister, Siu-chu to lure strong men so that she can suck their blood. A priest stops Siu-chu from killing two guards by using his supernatural powers. After fighting, both parties are wounded. To help the guards cope with bat elves, the priest gives them string instruments, swords and thousand-year-old snow pearls. Unexpectedly, the guards swallow the snow pearls and it takes them five hundred years to resurrect……

The Figures from Earth

8.0 1990
Mad Stylist

Wong Hei is Dee, a nice guy who was pushed around as a kid. Back then he had a compatriot in May, who protected him by threatening other kids with her predilection for cutting up animals. Years later, Dee tries to become a hair stylist, but he just can't get it right. He trembles, messes up, and loses jobs. Furthermore, his mean co-workers pick on him. One day, when he gets framed for messing up, May shows up again, except now she looks like Hilary Tsui. The two find that their special bond remains, and then they go and kill people. Dee kills and dismembers the bodies, but not before coiffing them up with his latest Dennis Rodman 'do. One day, a retarded girl (Annie Man) witnesses Dee disposing of a body. He's instructed by May to off the girl, but he ends up taking a liking to her. It seems that he sympathizes with her vulnerability. May doesn't feel the same and you can see this conflict coming a mile away. Michael Wong and Kent Cheng are the cops who try to crack the case.

Mad Stylist

7.0 1997
Wonder Girlfriend

comic book illustrator Simon Loui loses job and girlfriend is pissed off about him. So he gets drunk and wishes upon a star ... just as a spaceship is flying overhead, and an alien buzzes out and follows him home. Using his comic drawings on the walls as a guide, the alien assumes human form (to become Jacqueline Law) and calls herself Mah-Hey. Girlfriend gets understandably upset and walks out. Artist and Mah-Hey get jobs in a new firm, where she gives him support and help to succeed where he failed before. In between, Mah-Hey drinks water by the large bucketload, occasionally helps artist win fights, and looks into his dreams while he sleeps.

Wonder Girlfriend

9.0 1993
The Way Of The Lady Boxers

Wong Wai-yip spins this cheapie action flick about a Hong Kong female ubercop named Li Tong (Sharon Yeung Pan-pan). As the film opens, Tong ventures into China to hunt down a band of villainous drug traffickers. Though she has been reluctantly paired up with her Mainland counterpart Chiang Hung (Sibelle Hu Hui-chung), Tong prefers to work alone, traveling incognito as a camera-happy tourist. Chiang dutifully tails her erstwhile partner, eventually saving her life from a high-kicking assassination attempt. Later, when the baddies catch up with Chiang and her, leaving her for dead, Tong saves her partner and agrees to hunt down these black-hearted villains together. Cult 1970s kung-fu star Carter Wong also makes an appearance in the film.

The Way Of The Lady Boxers

7.0 1992
Diasporama: Dead Air

An average of 60,000 people emigrated from Hong Kong each year in early 1990s. An absolutely personal and biased sampling of this diaspora from an insider/outsider perspective just before the 1997 handover. Based on the personal experiences of individuals from Hong Kong in 1990s, Diasporama is an experimental documentary that addresses issues of the diasporic condition. In a series of intimate interviews that explore the relationship of the personal and the political, Yau Ching confronts notions of nationhood, identity, and post-colonialism. Inserting her own face and voice as a form of mediation, the artist herself becomes one of the subjects.

Diasporama: Dead Air

8.0 1997