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A film by Lionel Soukaz

The aging villain Émile Morland talks his old friend Aristide into helping him with to kidnap the son of a millionaire.

Evidence by Caroline Champetier, a director who skilfully illuminates the great filmmakers (Jacques Rivette’s La bande des quatre , Philippe Garrel’s J’entends plus la guitare , Jean-Luc Godard’s Soigne ta droite, and Leos Carax’s Holy Motors ), directs and highlights in a sequence shot, in sumptuous black and white, a pregnant woman in the prosaic ritual of bathing. This "ingenious photographer", according to Agnès Varda, films the obviousness of the body, of gestures and lingers on the little things to take hold of a whole, as in the false triviality of Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles by Chantal Akerman with whom she also collaborates in Toute une nuit.

A company wants to make a play about Mont Valerien resistant fighters who were shot by the Nazis and the French collaborators.

Under this title are three reports made in the suburbs of Amiens on immigration in France: 1. Le Droit d'aimer - 10 min 2. In the series Les Cris du pigeonnier supervised by Vautier: Brigitte, José et les autres by Marilise Frasson-Marin 3. La Fine Equipe

Anielle is raising her 17-year-old son, Olivier. The boy is badly hurt in a motorcycle accident. It's Dr. Soltier, a customer of the garage, who intervenes. His diagnosis is severe: only an immediate operation can give him a chance to survive.

This brief interview film, released in 1970, is one of the last given by Ho Chi Minh, and one of the rare ones in colour.

In this highly symbolic romp, a young rebel and his girlfriend are on the outs with their conventional parents and are trying to be part of the political movements sweeping Europe, decrying consumerism and boring old things like civic chorales, etc. They run away to the mountains, get bored and hungry, in addition to being harassed by the local authorities, and return to their parents. There, the young man commits an act of murder and symbolically showers his girlfriend in expensive doo-dads.

In "psychanalyse", a two part documentary, the psychoanalyst Jacques Lacan answers to questions submitted by his son-in-law Jacques-Alain Miller under the direction of Benoit Jacquot. The Office de Radiodiffusion Television Francaise (ORTF, the french public TV) broadcast this program. This documentary and its text became famous because this is the only televisual experience practiced by Lacan. A fair amount is made of the fact that Lacan was renowned for his powers of seduction and what effect this had on transference in the clinical setting. According to some of the interviewees, he could be irresistibly seductive, so much so that some thought him "monster".

Because he dishonored the daughter of a mafia boss, Ernesto must leave Rome and take shelter with his uncle in Paris. There, he thinks of only one thing: to seduce girls.

Dismissed following an unfortunate initiative, financial advisor Benoît Lepape decides to work for his uncle, a union activist. His capitalist methods will surprise at first, but quickly bring in a lot of money.

I saw people flee in fright before the force of Chromaticité I, during which I remained fastened to my seat, in the clutches of fear. The last image, the screen turns white: I glance at my neighbour, immobilised just as myself. (Bernard Weidmann, Rhizome Hérétique, 1980)

The story of a hotel boss that, from time to time, observes the couples in the rooms and even films them.

March 16, 1978. The Amoco-Cadiz supertanker tanker sank off Portsall, a small port in northern Finistère. This film sets out to demonstrate the misleading information campaign that followed the accident as well as its disastrous ecological consequences. René Vautier denounces the ridiculous measures then taken by the governments, the financial interests, the traffic of oil tankers and those of the tugs and the role of the media complicit in this policy. Faced with this, the anger of the Breton people and local elected officials who were never consulted.

Exploration of bodies. Point, counterpoint. A black glove goes in search of a red glove.

In a French seaside town, at a boarding house for civil servants recovering from surgery and maladies, the six male residents' lives change dramatically when two women arrive: Catherine, lively, sexually liberated, willing to kiss, dance, and sleep with the men, and Leonie, reserved, formal, conservative. Leonie finds herself attracted to Leon, a Belgian who was a mercenary in Katanga in 1964, wounded and carrying psychological scars as well. The other men continually play practical jokes on Leon, some of them cruel. As Leon courts Leonie, his horrid mother brings him emotional distress as do his memories of war. Can the two of them get past these obstacles?

Following "The Two of Us", Claude is now 21 years old. Content with his life, he has a girlfriend Tania and he aspires to become an actor. When he receives his draft notice, a friend convinces Claude he can get out of military service with his connections in Paris. When the connections fall through, Claude is sent for basic training outside Paris before being shipped off to Algeria. His stops in Morocco and Algeria are uneventful as far as military action goes. He returns home with few bad memories of his army life ...

Warhol-inspired. A parade of the future protagonists of the "Cinéma" and "Cinéma Opéra" theaters in Lyon.

Documentary on the life of Hubert Aquin. Alive, he was a dazzling and extraordinary character. Dead, he is already legendary. From his legend, everything is both true and false. Neither biography nor critical work, this film is an evocation of his universe.

At the turn of the century, an unusual woman refuses to become an object to be desired or played with. Instead she wants to succeed on the stage of politics in the Third Republic.

Innocent young Marianne works in a ski resort high in the French Alps. One night she agrees to go on a date with Bob, a young guy on vacation. Bob excites her in ways that her oafish boyfriend never could.

Shot while he was preparing Un Flic, Melville carefully leads Labarthe through the trajectory of his career, from his daring debut The Silence of the Sea to his great successes of the 1960s, Le Samourai and Le cercle rouge. Labarthe also details the development of the Melville “myth: the dark glasses, the trenchcoats, the Ford Mustang, and his general tough-guy demeanor. This documentary first appeared as an episode on the French television series "Cinéastes de notres temps".

A live performance by Pink Floyd at the Pop Deux Festival de Musique in St. Tropez, France, August 8 1970: including the following songs: "Atom Heart Mother" – 13:46 "Embryo" – 11:23 "Green is the Colour" / "Careful with That Axe, Eugene" – 12:21 "Set the Controls for the Heart of the Sun" – 12:07

1970s France. In this modern Parisian city suburb, the paths cross of two neighbours living on the same landing, Georges and Claude: one burying his mother, the other about to marry his daughter. Two family events which, on that day, are going to have to co-exist as best they can!

Early portrait of Ossang in Courant's ongoing "Cinématon" series.

A woman marries into a family of insane psychopaths in this bizarre French horror film with strong sadomasochistic overtones.

Second film on the experimental school of Bonneuil.

Filmed in May 1971 in Niger, this short documentary records a possession ritual performed by the Simiri people in response to a locust invasion. The ceremony centers on the beating of the archaic drums Tourou and Bitti, used to invoke spirit forces through music, dance, and trance. Shot in a single continuous take, the film documents a concentrated moment of collective ritual practice, reflecting Jean Rouch’s first-person ethnographic approach and direct participation in the event.

Nobles try desperately to cling to the crumbling aristocracy in the days following World War I. The Count (Jean-Claude Brialy) and his Countess Mahe (Sylvia Fennec) delight in throwing lavish costume balls. The couple develops a friendship with a young boy who delights in the parties thrown by the noble couple. Love soon blooms between the Countess and the boy as she searches for something more than a string of endless parties and social affairs. The masquerades are an attempt to freeze time and hold on to the nostalgia of a bygone era. For fear of losing her, the Count allows the Countess to continue her love affair.

On May 23, 1971, a French expedition led by Robert Paragot successfully climbed Makalu via its west pillar. Makalu is one of the five highest peaks in the world, located in the Himalayas on the Nepalese-Tibetan border. Jean-Pierre Janssen and Lucien Bérardini filmed this expedition, where Robert Paragot spoke about the expedition conditions, life at altitude, and his state of mind as expedition leader. On the return to base camp, Jean-Pierre Janssen interviewed Lucien Berardini, Georges Payot, Jean-Claude Mosca, François Guillot, and Jean-Paul Paris, all of whom played a key role in bringing Bernard Mellet and Yannick Seigneur to the summit. Expedition members: Robert Paragot (expedition leader), Georges Payot, Yannick Seigneur, Claude Jager, Jean-Claude Mosca, François Guillot, Bernard Mellet, Lucien Bérardini, Jean-Paul Paris, Robert Jacob, Jacques Marchal (surgeon).

Sandro, a detective, finds his wife strangled. His girl-friend Tiffany, who works as photographer, makes a "Blow up" from a photo, what Sandro finds beside the victim. Sandro and Tiffany are looking for the woman on the photo, Laura. They finds her in a Night Club in Rome...

What father doesn't care for his daughter unconditionally? It's a real question for Roland de Mailly, a divorced father who, in spite of himself, is subjected to the extravagances of his beloved daughter. By turns religious, hippy, extra-lucid, circus performer, will she overcome her father's love?

Portrait of Nicole-Lise Bernheim

Victor, grocer and tyrannical boss, never stops telling his family about his seafaring past, although they never believe him. When his nephew wins a model-boat contest and is commissioned to build a full-scale boat, Victor tries to make his mark.

Two women and a transvestite gay man cross paths in this French Canadian drama. The transvestite is preparing for a drag-queen beauty pageant, and has decided to present himself as Cleopatra. Of the two women, one was just fired from her waitressing job and seeks to go back to work at the nightclub where the beauty pageant is to be held. The other woman's mother has just won one million food stamps.

The furniture factory in which all the young guys in this film work is also full of older workers who make fun of their long hair, which for them is a badge of their independence. The boss, particularly, thinks long hair on men is dirty. When they refuse to cut their hair, he finds an excuse to fire them. The meaning of long hair is felt particularly deeply for one fellow, a painter, who, when he succumbs to his fathers' pleas that he cut his hair, turns his paintings to the wall and burns himself to death.

Eleven years ago Fernando Tobajas, a man of a certain age, decided to live in the bathroom, in which he created a small apartment, and never leaves it. Tobajas has given up everything except vanity, and his contacts with the world are reduced to visits from friends and messages sent through the toilet inside aspirin tubes in the hope that someone will receive them and know about his existence. Arabel Lee, a beautiful girl, finds one of those messages.

A network of spies affects the lives of people in and out of the organization in this espionage drama. Dominique is the neglected wife of a spy who tracks him down at a Paris antique shop. Finding him with a female spy, the enraged wife shoots both of them. Dominique hides out on a boat while the police investigate the murders, and international spies scramble to recover some missing microfilm. Helen is the spy boss who orders a hit man to go after Dominique.

After the death of one of his clients, a Swiss industrialist decides to call his brother to transport the corpse to Switzerland. The journey will not be easy.

Rien ne va plus is a series of comedy sketches of disparate quality, on the social, cultural, and political foibles that make the French, French. Various settings and character types are given a once-over, including pseudo-intellectuals, punk bikers, right-wingers, and patrons of a low-end cafe.

A crusader gets lost with his horse in the desert and stops to die. He ponders over the recent events, the pillaging of villages, and the four women who followed them to rob whatever was left.

This film shows the instruments of the Vichy government's propaganda among young people and, more specifically, the images distributed in the form of ABC books, posters, newsreels or propaganda. It shows the speech of Pétain, Georges Lamirand, general secretary for youth, Marcel Déat, founder of the National Popular Rally and Jacques Doriot, founder of the French Popular Party.

Marcel L'Herbier has always been attracted to the theme of ghosts. Its first short, of 1918, took the title of "Phantasmes" and, in its filmography, worshiped this dream aspect. Four years before he passed away, he made this anthology of the fantastic French film? from 1895 to 1975.

In 1960, Marc and Philippe are counselors at a summer camp in the French countryside. One night, Marc finds Philippe dressed and made up as a woman, and from now on, he will keep on humiliating Philippe.

1957. For several months, Henri Charlègue, the ex-director of the newspaper "Alger democratic", banned, has been living in hiding. Suspected of belonging to the FLN, he is actively sought by paratroopers.

Maurice Béjart answers an interview about choreographic creation; it shows ballets and improvisations. The film was screened for the 1970 Directors' Fortnight, at the Cannes Festival.

Ali in Wonderland unveils the condition of immigrant workers in Paris in the 1970s. It is a cry of anger against exploitation and racism, uncompromisingly raising the role of the French state, the media, capitalism, and colonization in this system of domination that crushes those who suffer it. In this experimental essay on the condition of Algerian migrants in Giscard's France in the mid-1970s, every aesthetic choice has a precise and legible political motivation and gives body and voice to a figure completely absent from the experimental cinema of the time: that of the immigrant worker. Abouda is one of the children of immigrants seen in the film, and not a simple activist serving a cause, which is why the emotion of her experimental gesture, which she throws in the viewer's face, springs from a ferocity inscribed in her body, from an insatiable anger that inhabits her gaze.

Robert #1 is played by Charles Denner, while Robert #2 is played by Jacques Villeret. Beyond their common name, the two Roberts are as different as night and day. Oh, there is one more resemblance: both Roberts are lonely, and both hope to meet suitable mates through a computer dating service. As they await the arrival of their new dates, Robert et Robert become fast friends. Of the three favorite film subjects of writer/director Claude Lelouch--romance, crime, and politics--Robert et Robert falls firmly into the first category.

Once upon a time, in the middle of the last century, a great warrior named Babatou. Nigerian jumper from the region Dounga Gurunsi invaded the country and settled there. The brave prisoners were integrated into the army, women espoused. For fifty years, the adventurous young people from Niger Babatou went to live in the epic.

This is my first film based on the unity of the photogram, started in the fall of 1975 and finished at the very beginning of the following year. What to do after Sharits, Kubelka, Kren? How to continue their contribution to cinema? Refusing to accept a cinema where the randomness of images would be the rule, I imagined myself inspired by the musical model. [...] I imagined starting from a fixed photograph that was the vision of my window and building from this image chromatic variations that would select parts of the image. The film was written entirely with the help of a score and was inspired by Steve Reich's repetitive music composition models. [...] - JMB

Yves grows up with his attractive blonde aunt. Her affair and the handling of his awakening sexuality make him a voyeur, and witnessing her murder at the hands of her brutal husband turns him into a sex killer as an adult.

Through many interviews, sketches, some reports, many varied documents, a survey on the relationship of the individual to work.

18-year-old small town Aline arrives in Paris and is employed as house servant in Robert and Ulla Marbois' home. Robert takes a fancy towards Aline and they begin an affair.