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A moving short documentary that tells the inspiring story of Cipriano González, a local hero from Toledo, Spain, whose dedication to those most in need transformed the community over nearly seven decades. From his humble birth in Mensalbas in 1936 during the outbreak of the Spanish Civil War to the founding of the NGO Socorro de los Pobres, this documentary weaves a moving story of altruism and unconditional love. Through intimate interviews with family members, NGO volunteers, and those whose lives were touched by his generosity, the film delves into the heart of a man who, moved by his own experience with poverty, committed himself to ensuring that "no one would go without a plate of food on the table."

The day Aminata was born, her mother, Duturna, saw her life change forever. Motherhood was not what she had expected or what she had been told it would be. She was forced to pack her bags and flee her home with her daughter in her arms. She was very young, alone, had no resources, and did not know for sure what the future held for her. Only one thing was clear: she had to save her daughter's life.

The class goes on a trip to spend the day by the sea. When Alicia disappears, the girls will discover that the world is stranger than it seems.

Year 2033. Adam is boxing through his virtual reality headset until he leaves the coverage area in an over-digitized and controlled world. Then, his senses connects him to a different and perhaps lasting reality.

An intimate night of sex contrasts with the reality of this relationship.

Neus, a young girl, sets out to have a good time at a party with her boyfriend Rocco, Gio and Enzo. However, what starts as an innocent party will end up being a terrible nightmare.

A short narrative film.

"Entre tu ojo y el mío" is a film made during the years 2023-24 from the obsession with confusing my father’s face with that of his pet, Theo. For a while I was observing the relationship that both had, coming to think that the distance between one animal and the other was not so great.

Bruno travels to America in search of a better future for himself and for the family he leaves behind in the Basque Country. His mother impatiently awaits his letters. He misses home.

Lucila, an 80-year-old healer, scans the forest and wonders: what will be left of us? Fires advance, and an ancient dream resurfaces.

The representation of the female figure in Jean Luc Godard's cinema reflects a duality between the context of the time and the author's cinematic language. This contrast reveals a profound reflection on gender roles and contemporary society.

Lady becomes hysterical after discovering her doormat has been stolen.

Based on an unpublished poem of the same name by Nuria Vil, *Delincuente* recreates an atmosphere inspired by the life of "La Maradona," the leader of a youth crime gang in 1980s Vigo. The author draws from quinqui cinema and various literary references of the time, which inspired her to use art as a means to reflect social changes.

Rita and Berta are thieves. In an old red car, they drive around the surrounding roads in search of the adrenaline rush they don't find in their daily lives. However, after every climb there is always a descent. Berta needs a change and has made a decision, one that could break her bond with Rita.

In a grey and monotonous neighborhood, two very different brothers, share a house where time seems to have stopped. Tomás, a young man with no aspirations, is immersed in his addiction to sports betting. His older brother, Frank, a grown-up young man with deeply rooted values, is dragged into this whirlwind of vices when he tries to help his brother.

A poetic micro short film about breaking the rumination cycle.

My mother always told me that I could be whatever I wanted. Through home videos recorded in my childhood, I talk about my education and my relationship with art. María, Catuxa and Aroa, three emerging Galician artists, complete this reflection while showing their work. This documentary opens a dialogue between the domestic archive and interviews, addressing topics such as freedom, women, rural culture and the importance of roots.

José is a street kid who enjoys the inseparable company of his two friends. The arrival of Rocío in town will encourage him to use his ingenuity to get closer to her, but also to reflect on "grown-up" issues.

An adult couple picks lemons in their garden. This silent film is an homage to Louis and Auguste Lumière's movies

Esmeralda is driving along a lonely road. The heat is intense. Suddenly, she gets a flat tire. While waiting for the tow truck to arrive, she has a conversation with a person in the back seat. The ghosts of her past return. Esmeralda begins an introspective journey that leads her to an emotional catharsis and a new understanding of herself. It is time to close the circle of her life.

The limits of the landscape are always the same, because they do not understand political borders, but geographical features. A line that separates the sea from the sky, mountainous waves that cut across the sky. Regardless of where you are, these limits follow the same pattern. This film proposes as a starting point the use of these limits to create a sort of landscape collage, to reconstruct the image of the landscape by combining space and time from the capture of the image; from the present, and not from the subsequent construction in post-production, hence the key role of the analogue image. (Laura Moreno Bueno)

The city appears still, yet nature challenges that perception. The ghosts of the communities that were enslaved in the Canary Islands emerge. They express themselves in a space where life and death blur, revealing open wounds and experiences that are enduring regardless of whether society remembers them. REVERREVER employs hybrid forms of language to construct a piece that delves into our relationship with the diverse ways of observing the past.