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"Lyrical and full of mirth, this filmmaker wonders out loud in her first film: 'How do I make myself at home in a landscape made foreign to me?' Wilkinson looks at her self - black - and ponders in the white landscape called Canada how can she 'enjoy the flowers' as she cartwheels with great panache through fields of them. What kind of relationship to the land can she have in a place where she sees herself but where others constantly ask: Where are you from? Wilkinson's existence vis a vis the land seems to lie somewhere in between the extreme long shots and the close-ups that make up the film, giving at once the feelings of intimacy and estrangement." - Marian McMahon

Nick, a high school basketball player who is fired from his after-school job at a video store when his boss is informed of his HIV status. As the information spreads, some of Nick's friends immediately reject him because they incorrectly assume that he is gay; however, some of his other friends rally around him and start to work on an educational video about HIV and homophobia, inserting the film's educational component as they interview real people living with HIV about the disease.

Soho, an aspiring young woman of about 30, lives on the fringe with all those who, like her, believe that one day they will be a famous writer, a star dancer or a famous director. While waiting for that day, they take up yoga, positive thinking, or various forms of electronic macramé. One hot summer evening, Soho meets 18-year-old Choubie, the other generation with a bright future ahead of her. At 102o, in the shade, in a suburban basement, Soho realizes that she is no longer young, almost poor, and that meditation has not opened the doors of any paradise, even earthly.

The sixtieth day of a contractual confinement. Two men and a woman are under continuous observation. The characters, like the images, are engulfed in a dazzling light. They lose their contour and reveal their vulnerability and turpitude.

A bedridden female vampire needs to suck the blood of victims to regain strength.

Elder depicts forms of life that have grown increasingly out of touch with the body, and attempts to elicit and experience of the delight that results from reconnecting with our natural being

A short, 'intimate' documentary that attempts to investigate the inner sensualities that make all our bodies beautiful. It investigates our physicality as human beings, how we use our bodies and how conscious we are of the potentials of the flesh.

Just as he does every morning, a man is preparing to jump into his car and head off to work when the remote control gizmo refuses to cooperate.

This educational documentary shows a nine-year-old boy who is both visually impaired and gifted, in an inclusive school setting.

This documentary sets the focus sharply on the often maligned and misunderstood world of sadomasochism. It gives us a glimpse into the life of The Marquesa, a dominatrix who guides us through the S&M community and its rituals and motivations. The Marquesa explores and examines her own relationship to S&M, and to the submissives that make the scenes possible. The video dismantles the myths and fallacies surrounding the practice by a straightforward and frank discussion.

An evening in 2004 in Montreal. As meat becomes extremely scarce, a trio of smugglers face some conservation problems.

A bedridden man is entertained by a friend with pornographic 'mad-libs'.

A portrait of male mid-life crisis as told through the story of a frustrated poetry teacher--and sometime madcap radio deejay--who's fond memories of watching Roy Rogers on TV is activated when an old childhood buddy drops in for a visit.

Labelled "Canada's most dangerous female offender," Marlene Moore, known as Shaggie, took her life inside the Prison for Women at the age of 31. Janis Cole constructs a personal memory about her lost friend.

A very serious instructional piece about Father Kneipp's turn of century research on water therapies. With the help of cold water and a trained professional, you could be cured of all your illnesses!

Norman McLaren was a cinematic genius who made films without cameras, and music without instruments. He produced sixty films in a stunning range of styles and techniques, collecting over 200 international awards, and world recognition. In Creative Process, director Donald McWilliams demystifies the process of artistic creation. Drawing on McLaren's private film vaults, a gold mine of experimental footage and uncompleted films, McWilliams explores McLaren's methods, including his celebrated "pixillation" technique, and his daring forays into animated surrealism.

Spanning over a decade, from 1984 to 1996, Shooting Indians: A Journey with Jeffrey Thomas is an ironic documentary journey full of quiet insights and surprising twists. Starting the film as a foreign student in 1984, Kazimi begins to unravel the hidden history of the land that he has chosen as his home. At one level, Shooting Indians is a portrait of Jeffrey Thomas, an Iroquois photographer. The film explores the influences on his life which led him to his career. It was the work of an American photographer from the turn of the century, Edward Curtis, which forced Thomas to closely examine how Indigenous peoples had been photographed in the past. Thomas views Curtis’ monumental work as a “mountain which must be crossed.” On another level is the irony of an Indian from India making a film on a North American Indian and this is woven throughout the fabric of the film.

A choreographed interpretation to the music of Henry Purcell's opera.

In this artistic exploration of the life and work of writer Henry Miller, filmmaker Joe Kishton skillfully weaves clips of films and interviews of Miller with the music of Laurie Anderson. From Miller himself we hear of his difficult relationship with his parents, and of his need to create, even (or especially) when his message abrades social mores.

Harland William's 1999 stand up special

Seasonal movements and bittersweet moods of young adults faced with the realization of mortality, movement and the passing of things.

Red Riding Hood is tried for the murder of The Wolf.

Rosemary House's first film, shot in her backyard, addresses "sex, death and crazy women" in 11 minutes.

The art of M.C. Escher (Dutch printmaker) never fails to facinate and astound. M.C. Escher: Sky and Water 1/M.C. Escher : l'air et l'eau 1 mixes traditional and computer animation -- accompanied by a stunning soundtrack -- to playfully explore and deconstruct the optical illusion within one of the artist's most famous works. A fitting homage to a master on the 100th anniversary of his birth. A film without words.

Frogs, birds, lizards, a snake, alligators, and a lot of insects inhabit a pond; everyone's ready to eat. Two tenacious lizards catch the same fly, inciting a protracted tug-of-war.

Made-for-TV movie spinoff from the Canadian television series Katts and Dog, airing in the US as Rin Tin Tin: K-9 Cop.

A non-linear surrealistic horror film documenting a man's broken descent into isolation, body mutilation, paedophilia and murder.

This documentary focuses on the goose hunt, a ritual of central importance to the Cree people of the James Bay coastal areas. Not only a source of food, the hunt is also used to transfer Cree culture, skills, and ethics to future generations. Filmmaker Paul M. Rickard invites us along with his own family on a fall goose hunt, so that we can share in the experience.

Three Filipino families struggle to rebuild their lives in Canada after years of separation. The third part of a trilogy on the impact of labour migration, including Brown Women Blond Babies and Modern Heroes Modern Slaves.Every year thousands of women enter Canada as domestic servants, the majority of them from the Philippines. Leaving their own children and families behind, they can spend many isolated years cooking, cleaning and caring for others. Sending much of their wages back home, they dream of the day their families can join them.

"In '(ab)NORMAL' the relationship spectrum, from paranoid avoidance to smothering and overwhelming attention, is traced through four pixilated sketches." - Toronto International Film Festival

A documentary about single mothers by choice.

You Are the Only Song is a live concert video from Hamilton Place, Ontario previously released as "The Final Concert". The program is a remarkable tribute to an artist who averaged 200 shows a year, half of them for charity.

Biographic film about Canadian author Ernest Buckler.

A man counting sheep as he sleeps. I have never seen sheep as I sleep. The sheep relax the man, he falls into a deep sleep. You are wide awake, moving through the man, maybe sleeping counting sheep. The alchemy, the dream, the scene. (CB)

What I Remember is a melancholy recollection of two stories of first love. The narrator relates two anecdotes from her youth, seemingly unrelated, but linked by both their sweetness and tragedy. What does she remember about first love? Awkwardness, embarrassment, secrecy, and abandon. The moral of the story? Once you fall hard, you better duck.

John documents part of his extensive collection of cheap, miniature plastic toys by pouring out sorted bags containing them onto a table under the camera, then scattering them to form compositions of colours and textures, paying special attention to certain toys among the masses of them. With a normal shooting speed and in-camera editing, it moves at a fast pace and the toys pile up, but John pushes them aside, and soon makes room for more in the middle. In a recording made on sound film after shooting, or in a live narration, he describes each scene and tells stories to the toys, and sometimes creates “sound effects” with plastic.

The reality of life before, during, and after the signing of the North American Free Trade Agreement (NAFTA), and the profound effects the economic agreements between big business and government can have on human lives. Filmed over a three year period in Canada, the United States, and Mexico, this documentary poses a sobering question: In this global war of cut-rate economies, are people on the losing side?

As much as hair is directly linked to appearance, displaying personality and belonging to a group, it is also intimately linked to being. How many spiritual rites, practiced here as elsewhere, testify to this. The being and the appearance...we are faced with a troubling duality when we know that the hair can affirm, with as much intensity, one as the other. "...it is precisely this duality that I want to illustrate, by cutting of course "Les cheveux en quatre", to evoke as with Les seins dans la tête, fanfasms, obsessions and beliefs related to these parts of the body..." says the director.

A psychiatrist tells his story to a police detective investigating a murder. He went to Bulgaria in search of his wife's past and met a beautiful young doctor who introduced him to a patient with amnesia.

A funny, raw, and occasionally violent chronicle of the last two weeks of Carol Banks's career as a cop in Parkdale, Toronto.

This film follows the aftermath of the Oka crisis, which brought Indigenous rights into sharp focus. After the barricades came down, the Royal Commission on Aboriginal Peoples was created, and travelled to more than 100 communities and heard from more than 1,000 representatives. For two-and-a-half years, teams of Indigenous filmmakers followed the Commission on its journey.

A contemplative account with personal introspect regarding self-worth, sexuality, and coming to terms with being HIV positive.

Cassandra Jones is a young woman from Toronto with a very active imagination and unique view of the world. Feeling trapped by life in her low-income community, and unable to relate to her brother Patrick, a petty criminal, or her overly pious mother, Mary, Cassandra decides to leave Toronto. She applies and is accepted into an exchange program between Quebec and West Africa. When she reaches her Quebec destination, a pig farm, she encounters, Sylvie Leblanc, a woman in need of change, her husband, Luc Leblanc, a man afraid of change and Abdoulaye Diallo, her African exchange counter-part, a man who regrets his decision to seek change. Because none of her expectations are met, Cassandra quickly becomes unhappy on the farm. Her presence creates plenty of tension, much of it humorous. A surprising conclusion comes about after a roller-coaster series of events.

Two Canadian women return to the Netherlands to recount the terrifying ordeal they experienced as children at the hands of the Nazis, and to connect with the individuals and families who risked their lives to save them.

Mennonite communities in Southwestern Ontario serve as inspiration in the design of tools and practices of sustainable development for developing countries.

Richard Locke was the star of the Gage Trilogy, ground-breaking feature length gay porn films made in the late seventies. This tape is a document of an erotic performance intercut with statistics of HIV transmission in North America.

A man (Snow himself) rises from his desk, puts on his scarf and coat, says goodbye to a woman typing at a nearby desk, and leaves the room.

The story of Morris Saxe, one man whose actions left their mark not only on the business and agricultural life of Ontario, but on the conscience of Canada. The determination and generosity that made Saxe "a man of conscience" are examined through the eyes of his grandson. Born in 1878, Saxe founded the Federated Jewish Farmers of Ontario. He rescued 79 Jewish orphans from Europe and brought them to Canada.

Beginning with Noam Chomsky's response to a college student who role-plays "Jane U.S.A."--someone who naively believes she lives in a democratic society in which she can create her own destiny--the viewer is presented with a cross-section of typically lively Chomsky encounters. Central to a functioning democracy is the necessity of free access to information, ideas and opinions. But what should be our democratic right turns out to be limited and shaped by the biases of insitutions and ideologies within the mass media. Chomsky shows how governments, corporations and other elites manufacture the consent of the public to serve their interests.

As we know well by now, no one knows better how to frighten Miss Clavel than Madeline. But this time, in the process of clowning around, she almost dies except for the intersession of a very charming dog. This dog, named Miss Genevieve, becomes the hero of the day, taking up residence at the school much to the school trustees' chagrin. Of course, by then, the girls are totally attached to her and there's much sadness when she's forced to leave. But not for long, for soon Miss Genevieve returns with puppies enough to go around.

Five centuries after the genocidal "discovery" of America by the Europeans, the Indigenous peoples of Guatemala and Bolivia question what their future holds.

A young boy struggles with bed-wetting. He is pleased to awaken one night to a dry bed, but terrors await him on his trip to the bathroom in the middle of a dark and stormy night.

Fifty years after the Holocaust, the world allowed another genocide to take place, this time in Rwanda. In April, 1994 the international community, including the U.S., sat by and watched as 800,000 Tutsi men, women and children were massacred. The killings took place under the eyes of UN peacekeepers. Today, Rwanda remains torn by ethnic killings. Shot over three years, CHRONICLE OF A GENOCIDE FORETOLD follows several Rwandans before, during, and after the genocide.

"Panic Bodies is a 70-minute, six-part exploration of the ways we experience the body's betrayals: disease, decline and death. The film is a panorama of emotionally charged recollections of strange relatives and estranged siblings, staged recreations of fast-fading pasts and personal mythologies, and reflections on the anxious states created by the body's fragile claims on time and space. It's about being a stranger in your own skin. Panic Bodies perfects the phantom quality of any good work about mourning, but it is not reducible to that. It is also enlivened by the intimacy that comes from having made a spectacle of personal secrets." (Kathleen Pirrie Adams, Xtra)

The urban on-line dictionary defines queercore as “Gay-themed, underground, independent music; usually punk rock (Team Dresch, Pansy Division, The Butchies, The Need, etc.)”. See for yourself.

Based on a story by Iranian Sadeq Hedayat, the life of a dog from his prime to his death. The dog's life is a metaphor for Iran—and perhaps for any nation—and its loss of identity.

The K9-4 is a merry group of musical dogs that rap and rock their way through this colorful Christmas cartoon. In it, Fetch, Licks, Rollover, Bones and Roxie journey back to their hometown for a special Christmas Concert, and a very special reunion for Rollover.