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Discovering Xizang 2026

This short documentary flim was shooted in January 2026. It showcases the latest experiences in Xizang, China, of nine youth from six countries across four continents: Nepal, the United States, Russia, Italy, Morocco, and Cambodia. The film highlights the nine young people's visits to cultural heritage preservation sites like the Potala Palace and Jokhang Temple, the development of photovoltaic power stations and green new energy, modern residential architecture and agriculture, ecological conservation efforts for snow-capped mountains, glaciers, and plateau lakes, high-speed rail and expressways, the transmission of intangible cultural heritage, and the ordinary yet fulfilling modern lives of everyday people.

Discovering Xizang 2026

NR 2026
Children's/Ground

Zun-Tou Elementary School stood adjacent to Taoyuan International Airport. Everything on campus seemed to revolve around airplanes and the airport... yet it was precisely this proximity that ultimately led to the school’s disappearance. Through the interplay of sound and image, the film reconstructs a single day at the elementary school, piecing together the contours of childhood within its grounds. At the same time, the school serves as a microcosm, reflecting the broader erasure of landscapes under the Taoyuan Aerotropolis development.

Children's/Ground

NR 2026
Now and Then

A college student, along with her peers in Japan, rally to change the country’s hostile immigration laws that have incarcerated asylum-seekers in deadly detention centers. Meanwhile, over a century since the 1923 massacre of Korean people during a massive earthquake in Imperial Japan, young activists today take on the torch to seek justice under a government that continues to deny this history. A filmmaker documenting these young activists on the ground begins to excavate the underlying history of discrimination that connects the massacre of a hundred years ago and the draconian refugee system in Japan. Through the process of listening to voices from the past and present, the landscapes in Tokyo begin to echo the unfinished business of the nation’s reckoning with its colonial history.

Now and Then

NR 2026