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Eclipsed

Five extraordinary women, who have formed an unlikely sisterhood, struggle to negotiate power, protection and peace as they try to survive. Drawing on reserves of wit and compassion, these defiant women ask: when the fog of battle lifts, could a different destiny emerge? Nominated for six Tony Awards, including Best Play, Eclipsed has been called “rare and powerful” by The New York Times and “a must-see production” by New York Magazine. “Riveting… A gut-wrenching saga told with poignancy and wit.” — Variety

Eclipsed

NR 2020
Sweet Autumn

Maggie, a successful entrepreneur, returns home for a will reading and discovers she’s inherited half of her aunt’s famed maple candy business. What she doesn’t understand is why Aunt Dee’s maple supplier, Dex, inherited the other half. Her return also coincides with the town’s Sweet Autumn Fest, and through a series of letters Aunt Dee left, Maggie and Dex search for the reason behind her aunt’s final wishes. As she and Dex grow closer, Maggie must decide if the life she built is the one she wants.

Sweet Autumn

7.1 2020
The Witching Hour

O, a creator who has become lost within his own creation. As Death arrives at 3:33 am—the witching hour—to claim him, O is forced to confront the flaws in his work and his own mistakes. Through a series of flashbacks, the film reveals O's influence on the world he built, using various characters from different eras to maintain his followers' worship. The narrative explores themes of creation, legacy, and the consequences of a creator’s flawed intervention in their own work, ultimately suggesting that his removal is the only way for the game (a metaphor for life) to be truly fixed.

The Witching Hour

10.0 2020
Wagner: Tannhäuser

Anew production of Tannhäuser, which was premiered on 26 July 2019 and presented the Bayreuth debut of conductor Valery Gergiev, as well as the house debut of young soprano star Lise Davidsen. Tobias Kratzer’s staging presented Tannhäuser as a wildly contemporary parable of art and freedom which was praised as “novel” and “wrenching” (New York Times) and received exceptional press acclaim. hey were joined by mezzo soprano Elena Zhidkova’s Venus (“scene stealing”, according to Opera Today), baritone Markus Eiche’s Wolfram and Stephen Milling’s Landgraf.

Wagner: Tannhäuser

NR 2020
Bulletproof

Bulletproof explores the complexities of violence in schools by looking at the strategies employed to prevent it. The film observes the longstanding rituals that take place in and around American schools: homecoming parades, basketball practice, morning announcements, and math class. Unfolding alongside these scenes are a collection of newer traditions: lockdown drills, teacher firearms training, metal detector screenings, and school safety trade shows. Bulletproof asks what these rituals reflect back at us, looking beyond immediate causes and responses to mass shootings in a cinematic meditation on the array of forces that shape the culture of violence in the United States.

Bulletproof

8.0 2020
The Last Ice

For centuries, Inuit in the Arctic have lived on and around the frozen ocean. Now, as climate change is rapidly melting the sea ice between Canada and Greenland, the outside world sees unprecedented opportunity. Oil and gas deposits, faster shipping routes, tourism, and fishing all provide financial incentive to exploit the newly opened waters. But for more than 100,000 Inuit, an entire way of life is at stake. Development here threatens to upset the delicate balance between their communities, land, and wildlife. Divided by aggressive colonization and decades of hardship, Inuit in Canada and Greenland are once again coming together, fighting to protect what will remain of their world. The question is, will the world listen?

The Last Ice

8.6 2020
A Taste of Christmas

When Natalie learns her cousin Francesca must cancel the Christmas Eve opening of her new Italian restaurant, Natalie’s heart goes out to all of the guests who were planning on attending. Since no one should be alone on Christmas, Natalie decides to make the opening happen any way she can. However, the attractive but pessimistic Chef Stefano believes it’s impossible – there are only three days until Christmas! But Natalie insists that problems are just opportunities in disguise and soon she convinces Stefano that they can do it. At first, these opposites do not attract, but feelings begin to change when they find themselves working side-by-side. With Stefano’s help Natalie learns that cooking, like Christmas, isn’t about perfection…it’s about sharing it with the ones you love.

A Taste of Christmas

6.0 2020