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Sanctuary

Looking at how the Creation stories of the Hopi, Nahua and Maya give them a special connection to maize/corn, synthesized in the statement, “We are corn”. There are many songs, displays and ceremonial practices that affirm this connection. Waaki looks deeper into the world community and how it is connected to maize/corn – what are the interrelationships that exist and celebrates the human capacity for tolerance and compassion in a time when people are becoming more intolerant of difference.

Sanctuary

NR 2019
John Wynn's Mirror Mirror

A psychological thriller about a mirror that has no respect of person; no matter what your social economic status. Dr. Roosevelt Jones is a successful Black pastor searching for the truth while living a double life with a Caucasian stripper. From the church boardroom and his large congregation, Jones' trail takes him to a gentleman's club where he is infatuated with another lifestyle. In spite of his obsession with a stripper, Jones always returns home to his wife Robin. The Jones' have been married for 20 years; however, they only have a business relationship.

John Wynn's Mirror Mirror

NR 2019
15 Minutes at 400 Degrees

Two years after losing his wife, John (Richard Riehle) finds solace in an unusual connection. John spends his free time engaging in an online relationship with a woman (Elizabeth Gillies) who makes him feel connected to his late wife by helping John recreate her recipes. When a masked robber (John Gemberling) appears during their session one night, a whirlwind of events unfolds. The disgruntled robber is caught-off guard by the webcam girl and, in a unique turn of events, they become forced to work in tandem to save John's life as the night escalates.

15 Minutes at 400 Degrees

NR 2019
Gauguin: A Dangerous Life

Gauguin’s vivid artworks sell for millions. He was an inspired and committed multi-media artist who worked with the Impressionists and had a tempestuous relationship with Vincent van Gogh. But he was also a competitive and rapacious man who left his wife to bring up five children and used his colonial privilege to travel to Polynesia, where in his 40s he took ‘wives’ between 13 and 15 years old, creating images of them and their world that promoted a fantasy paradise of an unspoilt Eden in the Pacific. Later, he challenged the colonial authorities and the Catholic Church in defence of the indigenous people, dying in the Marquesas Islands in 1903, sick, impoverished and alone.

Gauguin: A Dangerous Life

NR 2019