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This is Cinema

Ben is a university professor who is struggling with the loss of his wife and child. A match with a student on a dating app leads to possible complications at work, where he is also forced to fight for his job after his grief has led to a downturn in his productivity. Matters are made more complication by the unexpected arrival of his brother-in-law, Dennis, who brings with him Radhika, a homeless woman who has run away from an unhappy marriage. Meanwhile, Latoya tries to balance her studies at Ben’s university with near full-time work, while her sister Dami gets sucked into a world of dealing drugs to students as she tries to realise her ambitions as a musician.

This is Cinema

NR 2021
TR333

Their hybrid forms and body parts a patchwork amalgamation of different tree types, this tree is a climate adaptative response, a lifeform born out of resilience and hope. As the spirit inhabiting the tree emerges to converse with the viewer, they share with us their experiences of ecocidal generational trauma, urging us to reflect around the ways all the beings on the planet are deeply interlinked, and to honour our collective responsibility towards one another. Using a blend of 3D animation, found footage, and a musical score based on data sonification, ‘Rainforest Canopy’ uses the speculative to recast the ecological crisis, asking ‘Why is this important?’ from a multispecies and affective gaze.

TR333

NR 2021
Atlas

Meet Atlas: a two-tonne hunk of metal programmed solely to chop trees. The year is 2090: most labour-intensive jobs have been efficiently mechanized by robots, and in Atlas’ case, wood logging. However, being a robot tasked solely as a lumberjack is no easy feat. Being one of the first of its kind, there are a few bumps in the system; despite his seemingly large build and powerful tools, he still finds himself in unfortunate scenarios that lead to his death. Never fear though as luckily for Atlas, his programming is uploaded to The Cloud, snapping back to normal in an instant. Until there is a problem with the system...

Atlas

NR 2021
UNINVITED

The world's first horror movie for and by machines. An emergent Network Organism scans and breathes in the world for the first time through millions of virally abused CCTV cameras. Zoom. Enhance. Rekognise. Fear. Nothing makes sense. Data cannot be (p)arsed. Machine Learning Nothing. Hallucinogenic and locked down, vulnerable and oscillating between instability, lust and aggression the Monster strains to define its own existence and distributed agency. Birth of a nation and auto-requiem. And you are, Uninvited.

UNINVITED

NR 2021
re:exposure

The film is a reflection on exposure, of skin to sun and of film to light and the environmental, ecological, social and hereditary factors that impact the aging process. Textures of the skin filmed in extreme close up appear in single or short frame bursts and, accompanied by percussive sounds, create a fast paced rhythmic journey around the surface of the body. This film is then seen at a later stage, as a filmstrip manually reexamined on a light box, alongside spoken analysis of the exposure times. Then, old photos of my mother, and her mother, on the beach, are seen in close-up. The DIY analogue film processing method gives this material a burnt brown look while the inclusion of “mistakes,” such as fogged and scratched sections, emphasize the sense of exposure and damage to skin and to film material.

re:exposure

NR 2021
Unisono

The work is a visual and sonic hypnotic journey that has 'experience at the centre of it'; It consists of a combination of synthetic and digital elements blended seamlessly into each other: CGI landscapes blend with real-life drone footage, as well as macro shots of rock surfaces carved by water blends with simulated geological erosions; real-life camera motion blends with dazzling digitally captured live camera motion, stroboscopic real-time lighting is responsive to the music and overlayed on top of real-life footage.

Unisono

NR 2021
Heavy Haulage in Action- A Steel Giant On The Road

50 meters long, 6.5 meters wide and 4.5 meters high - a 130-ton giant, consisting of a drive station for conveyor belts and transport vehicles, has to be brought to the site 13 kilometers away. The route: an obstacle course! Power lines lead to a forced stop. Tight curves and steep descents require filigree work. A real tough job for heavy haulage professional Randolf Peters. Schleenhain in Saxony, around 40 kilometers south of Leipzig. Here, lignite is mined in open-cast mining on a large scale. If a digging point is exhausted, the heavy equipment must be relocated to the next excavation site. Since the drive station with its enormous dimensions does not simply fit on a normal low-loader, Randolf Peters relies on two SPMT (Self Propelled Modular Transporter), so-called self-propelled vehicles, which are driven by radio remote control for the transport.

Heavy Haulage in Action- A Steel Giant On The Road

NR 2021
Penn-ar-Bed

Penn-ar-Bed, a moving image piece, is based on the loss of culture that comes with the loss of language. Focusing on the insular Celtic language Breton, the work is a reflection of the deprivation of heritage that happens when an orally transmitted culture is heavily discouraged, almost to the point of extinction, by the government. In part a fictional collective memory, in part an attempt to reconnect with my family history, the film is Brittany as I have come to know it as an adult.

Penn-ar-Bed

NR 2021