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Die Entführung aus dem Serail

Mozart's famous Singspiel after Christoph Friedrich Bretzner's work "Belmonte und Konstanze", DIE ENTFÜHRUNG AUS DEM SERAIL comes to life in the sumptuous setting of Topkapi, the Ottoman sultans' own Istanbul seraglio (palace harem). Belmonte finds his fiancée Konstanze and her English maid Blondchen, who were captured and sold by pirates, in the Mediterranean seraglio of the Ottoman pasha Selim. Belmonte's servant Pedrillo gets him engaged as builder. After Selim tried to enforce himself upon Konstanze, Pedrillo and Blondchen, his own sweetheart, prepare their flight, managing to get Osmin, the pasha's overseer, drunk. Yet Osmin and Selim's guard still capture them, already in the garden; however the touching display of true love melts the pasha's heart, so he lets them go.

Die Entführung aus dem Serail

5.8 1987
The Conversation

Stop-motion experimental short where two men communicate with one another, talk on the telephone, smoke cigarettes, and contort themselves. Produced 1987 and released in 1988 on the VHS compilation Fat of the Land, released via Factory Records video imprint IKON. "Here is the first tape of a new British cinema which should be seen by everyone who loves film. The official British cinema is truly dead, alive only in admens bought dreams. This is the way to go."- Derek Jarman

The Conversation

NR 1987
The Kamikaze Ground Staff Reunion Dinner

On August the 15th, 1945, after the official surrender of the Empire of Japan, Admiral Matome Ugaki led the last Special Attack Force pilots across the Pacific, to crash into American ships. Thirty-five years later, the men who serviced the aeroplanes are still meeting up for their annual dinner. Now settled into civilian jobs - dentist, baker, taxi-driver, insurance salesman - and with children and grandchildren, they bemoan the decay of traditional Japanese values. Hard liquor is imbibed, toasts raised to the memory of the heroic dead, and old rivalries resurface. The survivors' dissatisfaction with post-war life comes to a head when, in a moment of drunken inspiration, Tokkotai the airline pilot decides on a symbolic gesture to show that the kamikaze spirit lives on.

The Kamikaze Ground Staff Reunion Dinner

NR 1981
Les Contes d'Hoffmann

Seeking to exorcise the failure of his current love affair, the poet Hoffmann tells the tales of his three past loves - the doll-like Olympia, the high-class courtesan Giulietta, and the ambitious but delicate Antonia - and recalls how each was thwarted by the evil influence of his rival. In this production by the distinguished film director, John Schlesinger, with spectacular designs by Maria Bjornson and William Dudley, Offenbach's nightmare world is brought to life. The all-star cast is headed by Placido Domingo as Hoffmann: his three loves are Ileana Cotrubas, Anges Baltsa and Luciana Serra and the manifestations of his rival are sung by Geraint Evans, Robert Lloyd, Siegmund Nimsgern and Nicola Ghiuselev. The score, which includes such favourites as the "Barcarolle" and the "Doll's Song", is conducted by Georges Pretre.

Les Contes d'Hoffmann

6.9 1981
The Bed

The Bed opens with Jamie, a young man, looking round an old, deserted country house. Through flashback we see Jamie as a boy, scared out of his wits when his older sister and her boyfriend, left alone in the house to babysit Jamie for the evening, play cruel tricks on him. His sister makes believe she’s been sucked under Jamie's bed by a monster and her boyfriend pretends he’s been stabbed. Jamie has his revenge at the end when the couple, laughing at scaring Jamie half to death and frolicking on The Bed, are suffocated by its sheets and consumed by it. We come back to present day; Jamie looks at the empty room where the bed once stood then is called by someone outside: an ambulance driver beckons him down in a friendly voice. We assume it’s Jamie's day out from the mental asylum. The final shot is of the lighter part of flooring where the bed once stood disappearing once Jamie has left the room.

The Bed

NR 1982
The Black and Blue Lamp

Satirical and surreal play by Arthur Ellis, dealing with the manner in which the British police force has been represented on TV for four decades. In 1949 Tom Riley is arrested for the murder of PC George Dixon. As he awaits interrogation at the station he is mysteriously transported into an episode of The Filth - a 1988 police series where the hard men rule, where he is told by the local CID that he'll be confessing to the murder or else his genitals are getting cut off ! This black comedy questions whether the police have changed or is it the way film and television present them.

The Black and Blue Lamp

NR 1988
Raven Crag - Closing The Gap

In the late 1970s and early 1980s, Jill Lawrence and Gill Price, members of the women's climbing club Pinnacle Club, made the first female ascents of difficult routes, laying the foundations for what would develop in the 1980s. In 1984, in the Lake District, Gill Price and Jill Lawrence were filmed climbing Empire E3 6a at Raven Crag, Thirlmere, for a Channel 4 program, Lakeland Rock, with Chris Bonington, broadcast on Channel 4 on 25 May 1985. This event marked a turning point in British women's climbing, as few, if any, women appeared on television climbing difficult sport routes.

Raven Crag - Closing The Gap

10.0 1985