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Yeah! Yeah! Yeah! The Beatles in New York

The American documentary makers - The Maysles Brothers, were given exclusive access to almost every minute of The Beatles first American visit. The first 3 days of film footage shot in New York was rushed over to Granada Television in London who quickly edited the footage for a TV special called "Yeah! Yeah! Yeah! The Beatles in New York" which was broadcast on February 12, 1964 at 10:25pm. The majority of the footage in this UK special featured their arrival at JFK Airport; Arriving at their hotel room; Fans outside the Plaza Hotel; footage from inside their hotel room with Murray The K; Murray The K interviewing them on the phone from WINS radio station; Walking through Central Park for a photo session; Limo ride to CBC TV Studios; Ringo & Murray The K dancing at the Peppermint Lounge.

Yeah! Yeah! Yeah! The Beatles in New York

NR 1964
The Private Right

Following the end of the liberation struggle against British Colonial Rule in Cyprus, an EOKA rebel fighter travels to London to exact revenge on the collaborator who betrayed him and applied water torture. The film contains the first ever scenes of water-boarding showing the rebel being tortured supervised by a British intelligence officer. A dramatic search through the streets of London follows, culminating in a tense life or death confrontation. The film became a cause-célèbre in England, was critically acclaimed and discussed in the Houses of Parliament.

The Private Right

10.0 1968
Cineblatz

In Cineblatz, the viewer is subjected to a high-impact barrage of evolving images, at once comic and terrifying. Glossy magazines are cut up and reconfigured, newspaper pages are defaced with animated squiggles, comic-book superheroes fly out, over and through at superspeed. Pictures appear only to burn up or be torn apart, toys dance in ferocious stop-motion before melting into pools of plastic decay, a hammer plunges down on an image of the assembled House of Commons - all to a crackly soundtrack of treated shortwave static. It is a hyperkinetic panorama of 1960s popular culture in meltdown, where seemingly nothing stays still for more than a single frame, as the artist ejaculates ideas onto the screen faster than the eye can properly register. Lasting just three minutes, Cineblatz is exhilarating, orgasmic even--but also thoroughly exhausting.

Cineblatz

9.0 1967
The Last Cargo

The film is set in the early 18th Century and involves smugglers and preventative officers. The on-shore leaders of the smugglers are a rascally lawyer and his wife who organise regular 'runs' of contraband. Richard Merivale, a wealthy young boy, whose parents are believed to have been lost at sea comes to live with them. By his efforts and with help of local children who endure many exciting adventures, the gang are brought to justice and Richard is reunited with the father.

The Last Cargo

NR 1962
Raid Into Tibet

In May 1964, three British filmmakers traveled with the Khampa guerrillas over a 20,000-foot pass into occupied Tibet from the remote Tsum region of Nepal and captured dramatic footage of an ambush on a Chinese military convoy. The footage was smuggled out and edited two years later in London, and officially released in 1966 to critical acclaim. Shot by Oscar-winning cinematographer Chris Menges (THE READER, LOCAL HERO, THE KILLING FIELDS), this documentary short is an important historical artifact, representing the only known footage of armed Tibetan resistance fighters in combat with the Chinese.

Raid Into Tibet

6.0 1966