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Let It Be Known

Tamara Muruetagoiena, a human rights activist, wages a continuous battle for the truth to be revealed and for justice to take place. 40 years after the kidnapping of her family by ETA and the torturous death of her father at the hands of the Spanish state, she speaks to the camera about her traumatic experiences and the family tragedy: from the revolutionary tax, the kidnapping by an ETA commando unit for 17 days, to the subsequent family breakdown, persecution by the state machinery, political pressure, her parents' arrest, the trial, the torture, and finally, her father’s murder. At the same time, through this personal and heartbreaking testimony, she conveys her unwavering faith in truth and the power of dialogue as the foundation for conflict resolution.

Let It Be Known

NR 2025
Enredadas en el cambio

Ana, Sofía, Ivonnsabel, and Lisbeth are four enterprising women who will cross paths in different parts of Spain; Lugo, A Coruña, Madrid, Altea, Alicante, and Valencia are just some of the places where they will meet to exchange personal and professional experiences. They come from different backgrounds, but despite the distance between them, they face similar problems. Their stories intertwine, generating a vital process of transformation that allows them to become the best versions of themselves.

Enredadas en el cambio

NR 2025
Return to Xanadu

A young man caught in the vortex of addiction and chemsex through fleeting encounters and endless nights, his life becomes a kaleidoscope of intense emotions and dangerous decisions. His friend Marcos seeks to intervene directly, confronting him with the reality of his actions and their consequences. Other friends choose to distance themselves, feeling unable to handle the weight of the situation. Xanadu is a term used to refer to a place of luxury, mystery, or exuberance. It is used in the English-speaking world to name imaginary places or fantasy establishments. In Xanadu, Kubla Khan had a wonderful pleasure dome built.

Return to Xanadu

NR 2025
Mar de Fóra

More and more women are deciding to leave their countries of origin, fleeing violence and human rights violations, and embarking on the Canary Islands route, one of the deadliest in the world. During their migration process, they are exposed to greater violence simply because they are women. This double discrimination does not end when they reach European soil, where they also face prejudice and other types of structural violence that exacerbate their vulnerability. Mar de fóra seeks to portray this reality through the voices of the protagonists and people involved in their reception process in Canarian society.

Mar de Fóra

NR 2025
Fragments of

Fragments of orders pieces of 16 mm home movies that have been orphaned from their original reels. The film composes a puzzle or collage of images that invites reflection on memory and the documentary value of images through fragmentation and the alternation of black spaces and images. The film, made without a camera, integrates a set of discarded images into a new audiovisual piece, highlighting the materiality of the film itself through different elements and using sound as part of it.

Fragments of

NR 2025
Lola

Lola is a play about the memory of memory itself. Through the story of a teenager, it recounts the experiences of the Rodal Blanco family during the Civil War and the repression they suffered. Lola was 15 years old when, after the coup d'état of 1936, she saw her family and social world collapse. Without the protection of her mother or father, she was left completely alone with her little sister. They practically lived begging on the streets, and even so, they managed to keep their family alive in prison by sending them packages in the mail.

Lola

NR 2025