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Die Nacht von Lissabon

After fleeing from Nazi Germany, Josef and Helen Schwarz arrive in Portugal's capital in 1942, where a ship to America awaits them. But on the evening before the ship departs, Helen dies in the hotel. She had concealed the cancer from her husband so as not to burden their last days together. Deeply affected and disillusioned, Josef is drawn to the port of Lisbon. There he meets a penniless exile to whom he is willing to give the ship's tickets and visas, which have now become worthless to him, if he accompanies him that night and listens to his story.

Die Nacht von Lissabon

3.7 1971
The Indecent Profit

Criminal police and antitrust officials arrive at the headquarters of a plastics raw materials factory. They pored over files, seized materials, and discovered price lists, which were, of course, encrypted. Their suspicions of illegal price-fixing with apparent competitors, driven purely by greed, grew stronger and were ultimately confirmed, but they were unable to prove them. Bernd Schiedel, the company's sales manager and caught in the conflict between loyalty to his employer and the company, had initiated the operation himself by providing information.

The Indecent Profit

10.0 1978
Der Weg ins Nichts

In 1923, Judge Böhnsdorf and Inspector Dumke convict 22-year-old Fritz Bondersen of treason, accused of selling military secrets on the testimony of General Director Gotthardt, and sentence him to 15 years in a Zuchthaus. Despite his protestations of innocence, Bondersen can’t produce proof. Two years later, his fiancée Edith Volkmann, aided by journalist Günther Borchert, tracks down a French officer whose eyewitness account could discredit Gotthardt’s statement. Their quest to expose a massive fraud offers Bondersen a final hope for justice.

Der Weg ins Nichts

NR 1976
A Picture of Sarah Schumann

This Harun Farocki film shows the creation of a picture on which the artist worked for nine weeks. Sarah Schumann lives in Berlin and is a pioneer of the feminist scene. 1977 together with several other artists she organized the first large exhibition in which only work by women was shown. Sarah Schumann paints figuratively, that is to say she has developed a technique using layers of collage and painting worked on top of and into one another. Regarding a picture becomes an adventure. (harunfarocki.de)

A Picture of Sarah Schumann

9.0 1978
Ein unheimlich starker Abgang

Young Sonja is accused of murdering her boyfriend Manfred. The film reveals her background, which remains hidden in court: the half-orphan girl becomes pregnant by Manfred, has an abortion and is sent to a reformatory for it. Manfred gets her pregnant again and then leaves her; desperate and humiliated, she shoots him. In court she remains defiant and silent. On the last day of the hearing, a deus ex machina appears: the figure skater Hans-Jürgen Bäumler, Sonja's great idol, descends from the sky and floats with her over the roofs of Regensburg.

Ein unheimlich starker Abgang

5.5 1973
Proportions

Dóra Maurer once said that the central theme of her work is "movement and the conceptual and factual effects of shifts". As her extensive oeuvre since the late 1960s shows, movement and displacement are always related to systemicity and structurality. The starting point of a certain, previously established system and the subsequent discovery of unforeseen deviations and breaks in this double characterizes the process that Maurer has realized in a variety of ways from her early graphic works to what she calls shifts to the "quasi-pictures" of the 1980s and 90s, developed from spatial painting.

Proportions

NR 1979