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Up to the South is ostensibly a documentary on the south of Lebanon exploring the conditions of the time it was shot, the issues behind those conditions and their representation both in the West and in Lebanon itself. Within this we were trying to tackle two other concerns. One being the terms (and positions) inherent in the discourse surrounding the issues, i.e. terrorism, colonialism, occupation, resistance, collaboration, experts, spokespeople, leadership, the land, etc., and the other being the history and structure of the documentary genre specifically in regards to the representation of other cultures by the West in documentary, ethnography and anthropological practise and the problems/agenda involved from the perspective of the subjects viewed and the practitioners practising. Up to the South challenges traditional documentary formats by positing representation itself as a politicized practice.

The Cola Conquest tells the story of Coca-Cola - the 'sublimated essence' of all that American stands for - and the century-long competition with its rival, Pepsi-Cola. Challenging, fast-paced, irreverent, serious and funny by turns, it explores the delicious paradox at the heart of Coke: How did an innocuous soft drink come to wield such enormous power and assume such significance in so many people's lives? What does it tell us about who we are and what we are becoming?

AnOther Love Story was produced to dispel the myths around HIV & AIDS for women in general, lesbians in particular. The video illustrates how relationships are affected when one or both partners must begin to grapple with the possiblity of HIV infection. It also educates women on safer sex practices in an entertaining, non-threatening way.

Moving the Mountain is a 1993 Canadian documentary film on the effects of the head tax and Chinese Exclusion Act in Canada. The film debuted at the Toronto International Film Festival in 1993 was co-directed by William Ging Wee Dere and Malcolm Guy, written by William G.W. Dere and produced by Productions Multi-Monde of Montreal.

One of three films in the “Hall Trilogy” with lots of local talent. Two women with roots in Newfoundland find themselves trapped together on a stalled subway train.

In his first film, A Prayer for Nettie, Donigan Cumming had placed Albert at the heart of the posthumous tribute to Nettie, his former model. One year later, he composed Cut the Parrot, a new requiem intended for Albert, who also died amid total indifference. As in his previous film, the film-maker gathered a series of eulogies in honour of the deceased from the people, some close and others not so close, who were emotionally affected by his death. But this film differs from the previous one in that it seems to be based not only on respect but also on an intense anger. Several times Donigan films his own face and angrily tells about how he was informed of Albert's death or about his visit to the morgue to identify the body. From then on the principle behind his cinematographic quest seems clearly exposed: no life, however marginal it may seem, should end in such a way, without any consideration.

Madeleine Dansereau was the first woman jeweller in Quebec. She started her career at the age of 47, just when doctors diagnosed her as having breast cancer. Her best known achievement was the Emblem for the National Order of Quebec. Her daughter, Mireille, reveals their relationship over the past twenty years, using as a backdrop her own work as a filmmaker.

The story begins in a Russian sauna where very buff naked cadets fan birch branches on each other to stimulate their circulation. The story is of a seduction of a Russian soldier that may or may not go well.

"'Brownsnow' presents a fascinating combination of two artistic visions: Carl Brown's and Michael Snow's. The form of this expressionistic documentary on Michael Snow's artwork is a complete melding of Carl Brown's rich manipulation of the photographic image with the fundamental concepts of Michael Snow's aesthetic vision. Brown's strengths as a portrait photographer are also well-translated to the filmic medium as he situates key commentators on Snow's artwork (Dennis Reid, R. Bruce Elder, Jonas Mekas, Peggy Gale and Regina Cornwell) in various dramatic Canadian landscapes. Like an abstract expressionist painting in motion, Brown's brilliant work as a colourist deftly employs photographic chemistry to create textures and rhythms that vary across each scene and, in actuality, from frame to frame." (Susan Oxtoby)

Michel Sénéchal gave up fishing to please his wife Yvonne. Gone are the trawlers and the waters of Newfoundland. Hello to the Duclair ferry, of which he is commander. One evening, while he is cheating his boredom with a bottle of rum in the streets of the city, he is challenged by the advertisement of a traveling circus that invites you to discover "the mermaid Elsa, the one, the only, the true.

An old fashioned waltz. Flirting with horror cinema, here is the portrait of an aging New Brunswick population, unfolding like a found footage object equally elegiac as it is nightmarish.

A Year with Céline Dion, hosted by Julie Snyder, recounts in songs, striking images and never-before-seen interviews the most important year of the singer's life.

A philandering wife and a sleazy womanizing con-man team up to off a troublesome father-in-law in this acid-tinged French Canadian black comedy. Leon, the con-artist makes his living cheating Catholic bingo players by hosting bogus religious pilgrimages. He is involved with a woman, but that doesn't stop him from getting involved with the frustrated Sophie who hates living in a tiny apartment with her lazy husband, her ever-gloomy teenage daughter and her husband's demanding, self-centered father, Emile. Sophie is so desperate to escape and start a new life that she convinces Leon to help her kill Emile who allegedly has $150,000 tucked away. The murder is to occur during one of Leon's pilgrimages. He convinces his son Paolo, an ex-con, to assist. Despite their careful planning, nothing prepares the would-be killers for the surprising result.

Follow Team Canada ‘87 from the very beginning to the final moments when they defeated the Soviets in the Canada Cup. Experience the painful struggles to put the team together, the dressing room tension between periods, and the complex, strategic thinking of coach Mike Keenan. Join the team as they battle through the tournament, and slowly come together for the climactic three game final series.

From the bottom of the Baie aux Feuilles, itself in the hollow of Ungava bay, at the summer solstice, a filmmaker is on the lookout. His camera scans the tundra, looking for a herd of muskox stubbornly refusing to be targeted - even by a documentary. A film which illustrates the thoughts of a humanist who is insatiably curious.

In this animated film our hero, Wally the Safety Dog, continues to suffer a host of injuries as he instructs his master in the rules of playground safety. This is the second film in which Wally provides a proper example to young adults, parents, and caregivers in the area of child safety.

Canadian peacekeepers are stationed in Cyprus to help diffuse tension between Greek and Turkish Cypriots.

BRAKHAGE explores the depth and breadth of the filmmaker’s genius, the exquisite splendor of his films, his magic personal charm, his aesthetic fellow travelers, and the influence his work has had on generations of other creators. While touching on significant moments in Brakhage’s biography, the film celebrates Brakhage’s visionary genius, and explores the extraordinary artistic possibilities of cinema, a medium mostly known only for its commercial applications in the form of narratives, cartoons, documentaries, and advertising. BRAKHAGE combines excerpts from Brakhage’s films and films of other avant-garde filmmakers (eg, George Kuchar, Jonas Mekas, Willie Varela, Bruce Elder, and others); interviews with Brakhage, his friends, family, colleagues, and critics; archival footage of Brakhage spanning the past thirty-five years; and location shooting in Boulder, Colorado and New York.

Family offers a candid look at CBC Radio in action and the unique cast of characters who make up Canada's coast-to-coast radio family. The film brings home the enormous complexity of producing across six time zones, with the mandate to deliver quality programs, often live, throughout the country. Accomplished filmmaker Donald Brittain was able to capture critical moments of live radio in progress and documents the history and development of CBC Radio.

"Rodrigue Jean gives voice to people who have nearly drowned. The story of their disaster and the lessons they have drawn from it make us think that life is born of water and flows somewhat like a river. We are born in a state something like a spring. This spring becomes a stream, we travel through forests, winding our way around obstacles to finally arrive at the river where our water merges with other water, like a new and clear consciousness. There is a proverb which states that great rivers are made up of small streams. In this way we all contribute to something that is greater than us and which carries us along to something even greater still." Herménégilde Chiasson

The cod fishery off the east coast of Newfoundland was a way of life, the backbone of society -- until it collapsed. A review of the history leading up to the crisis and the subsequent call for a moratorium of the northwest Atlantic cod fishery.

Tantoo Cardinal stars as Alive, the mother of Jack and Samantha. Her children are learning about their past and, in particular, the Treaty land Entitlement settlement that their First Nation has just completed. This is a story that shows the path that previous generations have foretold and how they laid the foundations for the present generation. We also examine the conflict that land claims have created and how they can be solved. Jack's friend Jeff, a non-Native, is caught between the two groups and must learn what the land claim is and how it can be solved everyone's best interests. This is a story that is being repeated as First Nations Continue to develop and take their place within Canada. Source: 1999 imagineNative Catalogue

So you want a cool boyfriend. Someone with talent-a painter, musician, sculptor, whatever. He probably just needs a little help and you're going to be the one to save him. Listen up, girls! It's not going to be the way you think it is. So before you give up your life to support his, tune into this report from the frontlines.

Benjamin, a 10 year-old boy, lives with his mother Charlotte since his dad, Christophe, left. Charlotte is expecting a child from Henri, but is hesitant to tell her son, whom doesn't know about his soon-to-be stepfather. The day of the Epiphany, Benjamin accepts to go help his grandmother Flore prepare the house for the holiday, since the family celebrates Christmas on January 6th also. The boy has prepared a nice gift for his young cousin Simon, suffering from an odd congenital disease. The night of the party, many surprises await the attendees.

A video designed to challenge existing models of AIDS treatment in our society. Using a collage of elements as well as techniques from video and performance, the themes of mourning, urgency and healing are explored in a poetic and highly charged video. Got Away in the Dying Moments suggests natural alternatives to the current treatments and attitudes that constrain our hearts and minds with respect to the AIDS crisis.

Tom Green once again delivers comedy that foams at the mouth with his second salivating release. Last spring's Something Smells Funny was the surprise salvo of the season and this one should be no different. Since then Canada's favorite son, whose U.S. cable show now draws more than two million viewers a week, has signed a movie deal with a major Hollywood studio and has graced the covers and insides of every hip publication and TV talk show. Tonsil Hockey is packed with outrageous full frontal assaults as Tom sticks his tongue way out there at and into our cozy preconceptions and going so far as to play tonsil hockey with sidekick Glenn Humplik. But, if you don't like this jam, just get the puck outta here!

The issue here is "Black Women" and the beauty industry; and women in general as objects. Beauty is not what we are, it is what we are sold. Beauty is a commodity. Black Women are further taught that no matter how hard they try they can never buy into this market, because to be black is not to be beautiful. The women in the tape share their experiences in trying to be beautiful.

In this moving drama, three young Canadian women embark upon a journey to face and lay to rest their painful pasts. Though Kirsti (Jhene Erwin) is twenty-one and living independently as a college student, she remains haunted by horrible memories of being raped by her stepfather Harold (Jim Kinney). He also performed this vile act on her little sister Jessie (Melissa Hood). Unable to bear the psychological anguish, Kirsti decides to confront her abuser and so visits her mother (Diana Tabak) only to find that Harold and his son Jacob (T.J. Grist) are at their fishing cabin up north, the very place where the attacks first occurred.

The formation of the Iroquois Confederacy presented by a First Nations grandfather explaining the significance of the Great Peace to his granddaughter.

Horror-thriller involving ghosts and a psycho stalker.

This campy, experimental drama uses Freudian theory and the film noir genre to rewrite the story of Nancy Drew and comment upon the notion of 'false memory syndrome', which was raging at the time. Created during an artists' residency at The Western Front in Vancouver, it includes hilarious cameo performances by some of Vancouver's most renowned media and performance artists, including Hank Bull, Eric Metcalfe, and Lori Weidenhammer.

Every child's favourite adventure story comes to life in a lavishly illustrated poem by Robert W. Service. Using camera-animated artwork by Yukon artist Ted Harrison, this production is designed to introduce the rich world of Canadian literature in an entertaining way and give students a good foundation for the appreciation of art.

A short documentary depicting the tense, often brutal events of the summer 1990 confrontation between Mohawks and the Quebec Provincial Police and the Canadian Armed Forces at Oka, Quebec.

Re: Entry is a film in which fear and anxiety are transplanted with techniques of relaxation. This cross-connection gives birth to a field of unexplored emotion. Through the colour and the movement, we move on this wave of feeling released, by nature, the nature of time, of terrain familiar and not so, and as the film progresses our conception of unrealized or felt vision becomes less solid, more fluid. A retention of water. (Carl Brown)

The confrontation with death and finitude....Death animates the sense of the intimacy of life whose measureless flow is a danger to the stability of things. (RBE)

This one-hour children's television special is the story of a young girl who slips into an enchanted world of trolls and dragons and finds herself on stage in a magic theatre during a performance by some of the biggest names in children's entertainment: Robert Munsch, Fred Penner and Rockapella.

Inventor Joseph-Armand Bombardier and the beginnings of his passion for engineering.

When her parents leave her behind for the first time, Madeleine sees them off with tears in her eyes. Fortunately, her grand-mother is there to coax her out of her sadness. Grandma's house is full of surprises, including a chest full of costumes perfect for dress-up. Together they play and bake. Slowly, Madeleine discovers that Grandma seems to know exactly how to have fun. Adults will reminisce about cherished moments shared with grandparents and reflect on the nature of memory. Younger children will be delighted by young Madeleine's adventures.

In the gutter and other good places The award winning film documentary In the gutter and other good places by Christine Richey is a multi-spectral view of three Calgary dumpster diving bottle pickers. The film traverses the ordinarily drawn stereotype of the homeless "pickers" of Calgary, and provides another compassionate standpoint on the choices and circumstances that have embodied their current predicament. Richey selects three very different street people for her story all with their unique backgrounds. Challenging assumptions about street people and their image to society, we are introduced first of all

The ancient myth of the phoenix, the legendary bird with the amazing power of self-regeneration, is reborn with a modern twist. In this animated adaptation of a story by Sylvia Townsend Warner, we follow Lord Strawberry's search for the fabled bird. He finds it in the deserts of Arabia and brings it home to his aviary. Upon Lord Stawberry's death, however, the phoenix ends up as a sideshow in a fairground. This spirited satire of human foibles, with its timely message about our treatment of nature's creatures, will appeal to young people and adults alike.

In the near future, a regular virtual pimp show customer has a special love affair with a young woman he created himself, leading to disaster.

An adaptation of the Thomas Bernhard play of the same name.

This film tells the tale of young Wilma's romantic escapades with Christine, a woman from the "outside" world. Surrealistically set in the 1950s, the town of Eden is a place where the air is haunted with silence. Wilma has to choose whether to redeem herself in the eyes of her religiously obsessed brother James, her neurotic chain-smoking Mother, and her opprobrious Father, or escape Eden, a place where one can never feel quite clean enough.

A post-modern documentary about the meaning and nature of love from a gay perspective.

“Eternity takes the form of a letter about fighting disease and practicing loss, superimposed over haunting images of old teacups, people in boats and water.” San Francisco International Festival Catalogue, 1999

In the '60s, the Mushuau Innu had to abandon their 6,000-year nomadic culture and settle in Davis Inlet. Their relocation resulted in cultural collapse and widespread despair.

A 1995 David Quinton film exploring the British origins of Newfoundland outport furniture design.

An adaptation of Robert Lepage's stage play about lost love and considered suicide.

A documentary telling the story of Jim Egan, an outspoken champion of gay rights in Canada since the 1940s and 50s. Egan and his partner, Jack Nesbit, took the Candian federal government to court in a historic attempt to win legal recognition for same-sex partnerships. An intimate and moving portrayal of a relationship that spans nearly 50 years of gay history in North America.

In his crusade for literacy, principal Ray Brown enlisted the help of the community and broke through the cycle of illiteracy in a small Newfoundland fishing village. He turned the struggling elementary school into a place where students were eager to learn and instilled in parents a sense of hope for their children's future.

A documentary of an expedition to Churchill, Manitoba to film the Northern Lights.

"'Rote Movie' is part of a series of works examining aspects of the traumatic experience. It is an examination of decay and forgetting, where what both distance and time can bring to one's private feelings of belonging and home. Highly immersed in a fragmented and disjointed haptic space of its own materiality, this film stutters out its thoughts frame by frame" - Steven Ball, 'Mesh' 3, Autumn 1994.

The ferry command pilot delivers fighter planes to Britain during the Second World War, and plans her post-war career as Canada's first female flight school operator.