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We Want More Than Money

​​The film begins with the implementation of the Paulo Gustavo Law in São Manuel, a town of 40,000 residents in the countryside of São Paulo, to open a broader conversation: what happens when public funding reaches the cultural sector? And why is there still so much resistance to that? Through interviews with funded artists, cultural managers, policymakers, and spontaneous conversations with local residents, the film reveals a reality that goes beyond the borders of a single town, drawing a wider picture of the relationship between art, public policy, and everyday life. The documentary features historian Célio Turino, creator of the Pontos de Cultura program, and congresswoman Jandira Feghali, rapporteur of the Aldir Blanc Law. The screenplay is co-written by Turino and director bagadefente.

We Want More Than Money

NR 2025
Reborn Babies Don’t Cry

In the depths of the tropical metropolis, where nature contends with concrete and silence is ceaselessly broken by invisible propellers and honking horns, a ritual unfolds. It is not a religious ceremony, nor a convention of medical science. It is something more profound: it is a human attempt to domesticate absence. These beings, simulacra of life, are tended to with more care than many real souls have ever received. The gathering begins without spectacle, like a silent dance between the real and the imagined. These women — mothers, artists, devotees, pilgrims — are not pretending. They believe. At the heart of Ibirapuera Park, where Oscar Niemeyer once imagined futuristic curves for a nation under construction, vinyl bodies now lie, untouched by time. In this encounter, contemporary Brazil brushes against the edge of post-reality.

Reborn Babies Don’t Cry

NR 2025
what colours can we dream in this night filled with salt?

In his work, Julianknxx proposes radical listening: the past and the present brush up against each other, and history is not revealed as a static account, but as something that pulses, that is remade at every turn. At the crossroads of art and politics, his images and sounds remind us that our stories were never just the colonial narratives we were told – they are also what we keep singing, even when no one seems to be listening. Work developed during the LUMA Arles Residency Program and commissioned by Fundação Bienal de São Paulo for the 36th Bienal.

what colours can we dream in this night filled with salt?

NR 2025
Sacred Curse

"Mal Sagrado" follows Ciça, a washerwoman on the banks of the São Francisco River. Her life takes a mystical turn when the river answers her offering of flowers with a mysterious blue cloak, sparking a deep emotional connection. However, the same waters that provide her livelihood soon become the backdrop for a tragic event that shatters her world. Forced to confront intense grief, Ciça embarks on a journey of healing and identity reconstruction within the environment that sustains her. By forgoing dialogue, the film relies on a powerful soundtrack, silence, and physical expression to convey her internal transformation. It is a poetic exploration of resilience and reconciliation with nature, showing how profound suffering can eventually reveal paths to strength and renewal.

Sacred Curse

NR 2025