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The Ugly American

An intelligent, articulate scholar, Harrison MacWhite, survives a hostile Senate confirmation hearing at the hands of conservatives to become ambassador to Sarkan, a southeast Asian country where civil war threatens a tense peace. Despite his knowledge, once he's there, MacWhite sees only a dichotomy between the U.S. and Communism. He can't accept that anti-American sentiment might be a longing for self-determination and nationalism. So, he breaks from his friend Deong, a local opposition leader, ignores a foreman's advice about slowing the building of a road, and tries to muscle ahead. What price must the country and his friends pay for him to get some sense?

The Ugly American

6.6 1963
Symbiopsychotaxiplasm: Take One

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

Symbiopsychotaxiplasm: Take One

6.9 1968
Giant Rumble

In this gritty tale of gamblers battling in the samurai era, Okawa Hashizo gives perhaps his greatest performance as a gambler returning to his home town. Swearing allegiance to his fiancée’s father, a decent boss, he had taken to the road after a gang fight until things cooled down. While honing his sword skills in his travels, everything in the town had changed and he descended into a virtual hell of violence. Opponents were being slaughtered by a former samurai ‘Bodyguard’ played by Tanba Tetsuro at the height of his amazing career. While these two master swordsmen are fated to meet, before that can even happen they must survive one of the longest, bloodiest swordfights in movie history!

Giant Rumble

6.0 1964
Batman Dracula

Batman Dracula is a 1964 black and white American film produced and directed by Andy Warhol, without the permission of DC Comics. The film was screened only at Warhol's art exhibits. A fan of the Batman series, Warhol made the movie as a homage. Batman Dracula is considered to be the first film featuring a blatantly campy Batman. The film was thought to have been lost until scenes from it were shown at some length in the documentary Jack Smith and the Destruction of Atlantis.

Batman Dracula

4.6 1964