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The Way We Wait

Desperately building against the inevitability of time, a restless young woman is awaiting another upcoming loss. But maybe more important things never seem to be told. Soon after the director moves into her 22nd house, she gets a phone call that her Grandma, who lives far away, is in a critical condition. Elsewhere, a huge apartment made of sand is being constructed as the tide rolls in, while she belatedly tries to build a relationship with her Gran. As the camera sensitively observes how we wait for the upcoming days, the film embraces the fragility of life, full of uncertainty.

The Way We Wait

NR 2020
The Devil Had Other Plans (Act I)

A gut reaction to the Coronavirus apocalypse, made in the first weeks of isolation and confusion in March-April 2020, echoing the shocking, eerie and surreal experience of the pandemic. Reworking the classic Zombie public-domain film from 1968 'Night of the Living Dead' by a mix of deep-learning AI coloring technology, datamosh techniques, re-cutting and sound work. Visions of the invisible found in the horror film images get broken apart and reassembled to become a haunting kaleidoscopic experience.

The Devil Had Other Plans (Act I)

NR 2020
With Silver Bells

Commissioned for Art in Romney Marsh, "With Silver Bells" dives into Whitebread’s past and present interactions with nature using photograms and both her and her mother’s video footage to try and grasp how we as humans can rethink our interactions with non-humans. The work was created during Whitebread’s self-initiated residency on the Marsh, a place that she often returns to in her work both physically and mentally. Heavily influenced by Derek Jarman’s writings on gardening, Whitebread tries to open up a wider discourse on our role as humans on planet Earth. The film is an experimental video focused on unhinging our commonplace connections between language, images and perceptions of nature by exploring her own sensual and somatic feelings towards the Marsh, experiencing the geography as an important site of creative and ecological insight. Using photograms as a tool enables the artist to play with slow/non-human time and to imagine her own ecological existence.

With Silver Bells

NR 2020
March for Dignity

A small group of LGBTQI+ activists in Tbilisi, Georgia attempt to conduct the first Pride march in the country. They face overwhelming opposition from far-right groups, the government, and the Georgian Orthodox Church who have a history of inciting violent attacks on the community. With membership of the European Union, and anti-Russian sentiment firmly on the political agenda, Georgians are at a turning point in history where they must choose to fight for progress and human rights, or concede to greater Russian influence.

March for Dignity

1.0 2020
Simple as That

Jack, Sharon and Keith claim that they were attacked by a shotgun-wielding cowboy as they went to retrieve their football from a nearby house in their suburban neighbourhood. A naive, low budget Production Company pick up their story and attempt to make a documentary about their frightening ordeal. As the events of that fateful night are retold through a series of interviews and dramatic re-enactments, it appears there might be much less to the trio's tale than we first anticipated.

Simple as That

NR 2020
The Text Kit

Tiget, a 16-year-old black South London teenager, is worried a boy she met via social media has infected her with an STD. When trying to get a check-up she miserably fails to do the self-testing kit and ends up in the Sexual Health clinic, where the only person still there to see her is middle-aged grumpy Dr Mark Mackenzie. While her friends wind her up more and more via text about what she might have picked up, Mark is trying to get her out of the door as quickly as possible. Their consultation is interrupted by NHS messaging apps pestering Mark to get to the ward round and a test ordering system that doesn't let Tiger be checked for "everything". Anxiously awaiting the bedside test result for HIV, Tiger connects with Mark over the difficulties the digital world poses for both of them in different ways.

The Text Kit

10.0 2020
Sifting the Evidence: The World of the Bible

Dr. Chris Sinkinson presents in a thoughtful, accessible and engaging manner, demonstrating through on site location and interviews with experts, that archaeology affirms that the Bible is reliable and fits with important events that occurred in the ancient world. He cites Jerome who considered Israel the “fifth gospel” and his avid interest and expertise in the land and history is clearly evident. Indeed if we visit and study Israel, that will illumine and enrich our understanding of the Bible. Interestingly and additionally, when Blaise Pascal was asked by Louis XIV for evidence for the existence of God, he simply similarly responded, “The Jews, your majesty, the Jews.”

Sifting the Evidence: The World of the Bible

5.0 2020
Make a Silence: Musical Dialogues in Asia

The Hanoi New Music Festival 2018 was an historic event. It was the largest festival of exploratory forms of new music that has ever been held in Vietnam, and artists from countries across Southeast Asia and Japan came to Hanoi to participate. The film Make a Silence - Musical Dialogues in Asia showcases the diverse, multimedia performances that took place at the Festival, including sound art for theatre and video, underground music and free improvisation. Like the Festival itself, Make a Silence is a sensory feast of musical and visual exploration. Combining vivid artistic images, conversations with musicians and footage of concerts, the film meditates on transnational dialogue in the contemporary music scene in Asia.

Make a Silence: Musical Dialogues in Asia

NR 2020
Nazi in the Ghaeltacht

Kevin Magee investigates the true story behind rumours of a Nazi spy in Donegal in 1937. Investigative journalist Kevin Magee uncovers the work of Nazi party member and Irish scholar Dr Ludwig Mühlhausen. Mühlhausen spent six weeks in the Gaeltacht hamlet of Teileann in South Donegal in 1937, collecting folklore and improving his Ulster Irish, but that was not the only work he carried out while he was there. As Kevin reveals, in reality he was working as a Nazi spy, gathering information and passing it on to the Third Reich.

Nazi in the Ghaeltacht

NR 2020
Harvesting Giants- High-Tech For Farmers

Not only cheese spaetzle and Kneipp baths come from the beautiful Allgäu in Germany. The world's largest agricultural machinery has been produced in Marktoberdorf in Swabia since 1930. With 3,000 employees, the Fendt company is the German market leader in the manufacture of tractors, combine harvesters and harvesting machines. The WELT reporters follow the path of a “1000 Vario” tractor from construction to sale to the farmer and show how Bavarian high-tech makes life easier for farmers in this country and worldwide.

Harvesting Giants- High-Tech For Farmers

NR 2020
Ghazal no 884 By Bidel

This films follows the emotionally intense experience of Saghari staying in her mother’s room, sleeping on her death bed, and trying to experience her point of view by going through her mundane objects. "Ghazal no 884" by Poet Bidel Dehlavi is read by a friend, sent as a voice message on Whatsapp as soothing company to calm the grieving moment. Mirza Abdul-Qader Bidel (Bidel Dehlavi) was born in 1644 in (Azim Abad) Penta, India. The themes of his poems are influenced by multitudes of philosophies including Hindu, Sufi and Islamic traditions. Following the ideas of Ebn al-ʿArabī, he considered air (an aspect of nafas-e Raḥmānī, the breath of the Compassionate) to be the foundation of the world and spirit. Everything else –minerals, plants, animals –are viewedas the product of nature, which itself emerged from a single word brought into being through the articulation of “the breath of the Compassionate”.

Ghazal no 884 By Bidel

NR 2020
24 Hours of Le Mans Reviews

The 24 Hours of Le Mans (French: 24 Heures du Mans) is the world's oldest active sports car race in endurance racing, held annually since 1923 near the town of Le Mans, France. It is considered one of the most prestigious automobile races in the world[2] and has been called the "Grand Prix of Endurance and Efficiency". The event represents one leg of the Triple Crown of Motorsport, with the other events being the Indianapolis 500 and the Monaco Grand Prix. Unlike fixed-distance races whose winner is determined by minimum time, the 24 Hours of Le Mans is won by the car that covers the greatest distance in 24 hours.

24 Hours of Le Mans Reviews

NR 2020
Garment/Movement

In Garment/Movement, Lily Ashrowan explores space, physical response and time. Ashrowan depicts two women playing and performing amongst industrial debris, likening human arms and non-human levers in Hawick’s derelict Peter Scott mill, a site imbued with the past labour of women. A tense countdown booms out as the site’s discarded present is explored through the female body and entrancing gestures of the passing of time. Ashrowan challenges notions of play as simply jovial or as pastime, and fixes it firmly in real human experience, a method to understand the world.

Garment/Movement

NR 2020
I Can't Help

During the pandemic that is taking place as I write, and the circumstances of being in lock down, making a film about freedom seems like a brilliant thing to do. And through making this film I have found that freedom is found in a place that I didn't expect it to be. I thought that freedom was found on the hills and in the valleys of the national park near where I live, but when I really looked at myself and my thoughts on the subject, I realised that, for me, freedom comes from within.

I Can't Help

NR 2020
Fabula

"Fabula" is an experimental film by Jordan Baseman that asks questions about our dreams and dream experiences during the coronavirus pandemic of 2020. The film is narrated by the Harvard Medical School Dream Researcher, Dr. Deirdre Barrett. We hear Dr. Barrett discuss various dreams that she has collected through her research into Pandemic Dreams, their collective commonality, their significance and meanings, and their relevance to our times. Dr. Barrett also comments on the uniqueness of the Pandemic and the unusual dreams that have arisen as a result. The film was recorded entirely in London during Lockdown, using 16mm film and 6k digital film cameras. Time-lapse footage of clouds, are super-imposed with footage of the Thames and threaded through, layered with various shots lit by infra-red light. Fabula muses on our relationships with ourselves, one another, our environments and the meanings of our dreams while living with Covid-19.

Fabula

7.7 2020
business as usual : hostile environment

A working iteration of the project "business as usual : hostile environment". Originally co-commissioned with Glasgow Sculpture Studios as part of Event Scotland’s Year of Coasts and Waters, the project was conceived to explore Glasgow’s Forth and Clyde Canal as both a literal and poetic route through which to reflect on the role of waterways in the voluntary and involuntary movement of people. Reworking aspects of the new film at speed and in light of the Covid-19 outbreak, Whittle powerfully incorporates archival footage relating to the UK’s Windrush scandal as well as material highlighting the role of immigrants in the NHS as they tackle the virus, foregrounding how political and ecological climates intersect and shape one another.

business as usual : hostile environment

NR 2020