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Robot Three

Fictional story following the lines of a Frankenstein type horror movie: A grim scientist, when two of the robots he has created fall in love, orders his third robot to destroy the male one. The female robot subsequently seduces her creator scientist into drinking from a poisoned cup, and makes her escape..... Robot Three was awarded the Victor Saville Trophy (for most outstanding film) and the Alfred Hitchcock Cup (for best Fiction Film) at the 1952 Scottish Amateur Film Festival.

Robot Three

NR 1951
The Swiss Spaghetti Harvest

This episode perpetrated the great Spaghetti Harvest Hoax on April Fool's Day 1957. The filmed report appeared to show a Swiss family harvesting their annual crop of spaghetti which was growing on trees on their farm, talked about the efforts to eradicate the Spaghetti Weevil and discussed the selective breeding that had been required to produce spaghetti of a uniform length. Many viewers believed what they saw and contacted the BBC to enquire how to grow their own spaghetti tree: the advice that they were given was "place a sprig of spaghetti in a tin of tomato sauce and hope for the best".

The Swiss Spaghetti Harvest

NR 1957
Painter and Poet No. 2

A trip into a surreal winter garden, a voyage on a stormy sea, a grisly homecoming – there is something for everyone in this “experiment in words, music and paintings”. Four films were made in this series for the BFI’s Telekinema at the Festival of Britain, combining some of the best contemporary illustrators and artists with a diverse range of verse. The readers are also of some pedigree, with Michael Redgrave, Stanley Holloway and Eric Portman adding their names to the bill.

Painter and Poet No. 2

8.0 1951
An Artist Looks at Churches

On the shortest journey you pass a church or two. Out of the 20,000 churches in Britain, the artist, John Piper, whose work contributes to the glory of England's churches, selects and describes a church built in each of the last nine centuries, from Norman times to the present day. Accompanied by the music of Peter Racine Fricker, he reveals the beauty and riches of architecture, decoration, carving and sculpture aged in mellow stone and weathered glass; the art of the wood carver and the sculptor, and in doing so finds that through the centuries the portrayal of the human face and figure has been an unfailing source of inspiration to all who have brought their talents to the service of the Church.

An Artist Looks at Churches

NR 1959