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Renoir and the Girl with a Blue Ribbon

This documentary follows three parallel stories. First, that of the masterpiece, The Little Girl with the Blue Ribbon, this melancholic Renoir work with the "musical face" described by Henri Michaux. The painting was constantly tossed around, shelved by its patrons, looted by the Nazis, found by the Monument Men, recovered by the family, sold to a controversial collector, before finally arriving at the Kunsthaus Zurich. We also discover the painter's biography, and the eventful life of his model, Irene Cahen d'Anvers. Born into the Jewish upper middle class, this free and divorced woman long disowned the painting and left it to her daughter, who was murdered at Auschwitz. Discover the tumultuous journey of this painting, its model, Irene Cahen d'Anvers, and its connection to the dark hours of the Nazi regime.

Renoir and the Girl with a Blue Ribbon

NR 2019
You Think the Earth Is a Dead Thing

Just one of the many far-reaching impacts of the slave trade on human history is on agriculture and horticulture. While the French plantation owners on the Caribbean island of Martinique had their gardens laid out, Versailles-style, their enslaved workers continued their tradition of using medicinal wild herbs. Nowadays these herbs represent one of several resources through which the people of Martinique counter the health and ecological ravage caused by the use of pesticides on the banana plantations. Farmers are reclaiming uncultivated lands to grow indigenous vegetables, without any industrial pesticides; they fight boldly for simple biodiversity.

You Think the Earth Is a Dead Thing

7.6 2019
Words of Bandits

Since the border between France and Italy was closed in 2015, the Roya valley has become the symbol of insubordination. Migrants stranded in Ventimiglia continue to pass, bypassing roadblocks and controls, helped by certain inhabitants of the valley. In this enclave where migrants hope to achieve a better future, the solidarity of the inhabitants has become an act of resistance. Through the story of those who are illegal to uphold fundamental rights, Paroles de bandits tells the story of this territory and so many others ...

Words of Bandits

7.5 2019
Tlamess

S is a young soldier in the southern desert of Tunisia. When S learns about his mother’s death, he obtains a week’s leave and goes back home. He will never return to the camp. In his popular neighborhood starts a man hunt after which S eventually escapes through the mountain. Few years later, F, a young woman married to a rich business man who has just settled in a luxurious villa, learns of her pregnancy. One morning, she goes out alone for a walk in the forest. She will never come back.

Tlamess

4.7 2019
Homeport

Samuel’s home port is in Gaspesia, eastern Quebec, in Saint-Maxime-du-Mont-Louis. It is winter and the fishing boats have been put into dry dock. Samuel makes the most of this respite to implement his career plan. He wants to buy the boat from Clément, who is retiring, and become his own captain. Samuel is ambitious and passionate. Despite the obvious difficulties represented by such a project today, the strengthening of regulations, quotas and diminishing resources, he persists with his idea. Few young people in his village have chosen to stay like him and even fewer have chosen to take over a traditional activity that is jeopardised these days.

Homeport

NR 2019
Natan, le fantôme de la rue Francoeur

In 1927, Bernard Natan, a Frenchman of Romanian origin (born Natan Tannenzapf) inaugurated the Montmartre film studios. A few years later, he took over the management of the Pathé company, which became Pathé Natan. Bernard Natan profoundly reorganized the company and ensured its success. But the Great Depression of the 1930s plunged the economy into turmoil and Bernard Natan fell prey to the extreme right-wing press. He was arrested in 1938, stripped of his French nationality and finally handed over to the Germans in 1942. Deported to Auschwitz-Birkenau, he died there shortly afterwards.

Natan, le fantôme de la rue Francoeur

4.0 2019
Solange et Jean Mounier, Véronique et le Centurion de Burzet

Every Good Friday, the inhabitants of Burzet, in Ardèche, repeat the Way of the Cross of the Passion of Christ. In 1992, the filmmaker Jean-Pierre Bozon filmed this ceremony at length and met the main characters in this seven-century-old Way of the Cross. Gérard Courant collected and edited the rushes from this filming and made five films. The second, Solange and Jean Mounier, Véronique et le Centurion de Burzet, is a meeting with Solange and Jean Mounier, interpreters of Véronique and the centurion of the Passion of Burzet.

Solange et Jean Mounier, Véronique et le Centurion de Burzet

NR 2019
Guadeloupe, from Summits to Ocean

There is a land nestled in the middle of the crystal-clear waters of the Caribbean Sea: Guadeloupe. From the summits of the island to the luxuriant forests, passing by rivers, swamps, beaches and mangroves, the diversity of landscapes and ecosystems offers a wide variety of spectacular panoramas. Even if it is very frequented by tourists and has many inhabited areas, the island of Guadeloupe is also the land of a discreet, almost invisible people: the animals. They knew how to find their place, near or far from humans. We know of their existence. We have sometimes seen them; we have often been close to them. But rarely really approached. From the summits of the island to the depths of the ocean that surrounds it, this 100% wildlife film takes us to the most remarkable animals of Guadeloupe.

Guadeloupe, from Summits to Ocean

7.0 2019
Viols de guerre, 70 ans d'histoire d'une arme taboue

War rapes. Mass rapes. These terrifying words now regularly haunt international news reports amid attacks and massacres of civilians. As a "collateral" weapon of war, mass rapes perpetrated alongside every conflict have destroyed entire generations of women, men, and children. From Berlin in 1945 to Syria in 2015, via Italy, Japan, Rwanda, Serbia, the Democratic Republic of Congo, Syria, and the Islamic State, 70 years of war rape, slavery, and sexual torture.

Viols de guerre, 70 ans d'histoire d'une arme taboue

8.0 2019
Looking for the Man with the Camera

Boutheyna Bouslama remembers her holidays in Syria in the summer of 1994: a boy offered her an armful of cherries. He was called Oussama. Twenty years later, his name appears in the credits of Return to Homs by Talal Derki, programmed in Istanbul. The childhood friend has become “the man with the camera”, a “media activist” documenting the demonstrations and their repression by the Assad regime, until his arrest in 2012. The filmmaker sets off in search of the man whose name features on the list of the 70,000 forced disappearances that have occurred since the beginning of the conflict.

Looking for the Man with the Camera

NR 2019
Becoming Alluvium

In this emotionally charged contemplation on the glory and the tragedy of the Mekong River, different levels of real and imaginary worlds are brought together. Khmer folk tales, local lore and stories about reincarnation are told through vibrant watercolour animations and observations of daily life. Imbued with a sense of ecological responsibility toward the agricultural realities of the Mekong delta, they reveal a poetic but nonetheless biting consideration of Vietnam's troubled history.

Becoming Alluvium

NR 2019