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Ali in Wonderland

Ali in Wonderland unveils the condition of immigrant workers in Paris in the 1970s. It is a cry of anger against exploitation and racism, uncompromisingly raising the role of the French state, the media, capitalism, and colonization in this system of domination that crushes those who suffer it. In this experimental essay on the condition of Algerian migrants in Giscard's France in the mid-1970s, every aesthetic choice has a precise and legible political motivation and gives body and voice to a figure completely absent from the experimental cinema of the time: that of the immigrant worker. Abouda is one of the children of immigrants seen in the film, and not a simple activist serving a cause, which is why the emotion of her experimental gesture, which she throws in the viewer's face, springs from a ferocity inscribed in her body, from an insatiable anger that inhabits her gaze.

Ali in Wonderland

7.1 1975
Because The Mountain Was There

On May 23, 1971, a French expedition led by Robert Paragot successfully climbed Makalu via its west pillar. Makalu is one of the five highest peaks in the world, located in the Himalayas on the Nepalese-Tibetan border. Jean-Pierre Janssen and Lucien Bérardini filmed this expedition, where Robert Paragot spoke about the expedition conditions, life at altitude, and his state of mind as expedition leader. On the return to base camp, Jean-Pierre Janssen interviewed Lucien Berardini, Georges Payot, Jean-Claude Mosca, François Guillot, and Jean-Paul Paris, all of whom played a key role in bringing Bernard Mellet and Yannick Seigneur to the summit. Expedition members: Robert Paragot (expedition leader), Georges Payot, Yannick Seigneur, Claude Jager, Jean-Claude Mosca, François Guillot, Bernard Mellet, Lucien Bérardini, Jean-Paul Paris, Robert Jacob, Jacques Marchal (surgeon).

Because The Mountain Was There

5.5 1971
Eyes Full of Sun

Vincent, a twenty-five year-old intern, lives in Rennes with his mother and his eighteen-year-old brother Bernard. In order to cheer up Bernard who has just failed his baccalauréat exam, the father invites him and his older brother to spend a holiday in his villa in Morocco, where he lives estranged from his ex-wife. Vincent and and Bernard decide to get there by sailboat, accompanied by Geneviève, Vincent's fiancée. Vincent, who has never forgiven his father for leaving him when he was a child, remains hostile and withdrawn. Once in Agadir, they take part in a regatta during which Bernard gets to know Monika, a sexy uninhibited girl. But Monika is actually attracted to Vincent who, despite his dislike for any compromise of principle, finds himself torn between two women.

Eyes Full of Sun

5.5 1970
Cain from Nowhere

Cain has been traveling for a long time throughout Europe. Back "home" he knocks at the door of his parents' trailer only to be rejected by his hateful mother, who once again blames him for his laziness and once again compares him to his brother Abel, a successful businessman and a right guy, good to his parents and stuff. As for his father, now blind and crippled, he escapes his wife by being permanently drunk and he is of no help. In disgust, Cain runs away from the place and contacts Abel, the perfect son, to borrow money from him. But, although Abel tells him he doesn't mind helping him, Cain shoots him down with a gun found in his brother's car.

Cain from Nowhere

10.0 1970
Fidelio

Leonore disguises herself as a man, "Fidelio," to infiltrate a prison and rescue her husband, Florestan, unjustly imprisoned by the tyrant Pizarro. Gaining the trust of the jailer, Rocco, and his daughter, Marzelline—who unknowingly falls for Fidelio—Leonore’s courage is tested when Pizarro orders Florestan’s execution. In a climactic moment, she reveals her identity and saves Florestan just as the king’s minister arrives, restoring justice. The opera celebrates themes of love, sacrifice, and freedom.

Fidelio

8.0 1979