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A Modern Coed

Eric Rohmer directs this short documentary that narrates the presence of women in French universities as of the time of its release -- 1966. During the film's short run, the narrator continues to point out that during the advent of World War II, only 21,000 women attended college and made only a 30 % of the student body, a number that by the 1964-1965 school year had passed the 120,000 mark. Instead of opting to live according to what was expected of them, now they were joining the work force, trading in aprons for lab jackets and becoming professionals even after getting married.

A Modern Coed

5.6 1966
Les Mordus de Paris

Paris is a city where effervescence is dangerous for city dwellers, who have become nothing more than "nervous machines". Two eminent psychiatrists, one French and one American, decided to administer a sedative to all Parisians, proceeding by arrondissement, which they injected in single, double or triple doses. Soon, the whole of Paris was injected. Calm, good humor and kindness returned, but 11 refused to be treated and remained the only Parisian not to have been treated.

Les Mordus de Paris

NR 1965
The Ghostly Rental

At the end of the 19th Century, young Fanning finishes his studies in theology at the University of Cambridge. During a walk through the countryside, the boy, inspired by the lecture of romantic novels, discovers an abandonned house, from which an old man is coming out. He returns to the house regularly without ever seeing its mysterious inhabitant. Fanning finally surprises the old man while he is sitting on a bench at the cemetery and manages to gain his confidence...

The Ghostly Rental

7.7 1965
The Good Life

After twenty-seven long months spent in Algeria, Frédéric Simon, a young photographer is determined to forget this time of trouble. Now that the Army has finally discharged him he wants to live the good life. And at first, things go according to his wishes: not only does he marry Sylvie but they are invited by a wealthy man to Monte Carlo, where they spend a dream honeymoon. But back in Paris, hard times await them. Not finding work easily along with having to live in a cramped apartment make Frédéric bitter and unpleasant. When Sylvie becomes pregnant, he slams the door and finds consolation in the arms of Christine, an ex girlfriend, which he soon regrets. At last, the situation improves. Frédéric finds work and starts making money as a fashion photographer. But the good life cannot go on: one morning a policeman knocks at the young couple's door: the country wants Frédéric back in the Army.

The Good Life

6.4 1964
The Virgin's Bed

30 year old child enters the new city, riding on a donkey. He says he is the Savior. He has spent no time among men. He is trembling with cold. His clothes are soaked. His mother was overprotective ; his father conspicuously absent. He knows that he must face the mockery, refusal, ignorance and blindness of the men around him. They travel in gangs, in large numbers : soldiers, mercenaries or the like, on majestic, imposing horses. Everything is out of proportion to his thin, bewildered, innocent body ; he is the madman of the new city...

The Virgin's Bed

5.8 1969
Vite

In 1969, the painter-sculptor Daniel Pommereulle made his third film, this one financed by Sylvina Boissonnas. Although only a short, Vite was one of the most costly of all the Zanzibar productions. It features, for instance, shots of the moon taken by a state-of-the-art telescope, the Questar, that Pommereulle first saw while visiting Marlon Brando in southern California in 1968. In Rohmer’s La Collectionneuse, Pommereulle and his friend Adrien philosophize on how best to achieve le vide (emptiness) during their summer holidays. Three years later, Pommereulle would transform the word “vide” to “vite” (quickly), signifying his profound disenchantment with the aftermath of the revolution of May ’68. —Harvard Film Archive

Vite

4.0 1969
The Sufferings of a Wounded Egg

A surrealist saga in four parts: 1.) The credit sequence in which title cards show successively larger foetuses pulsating on the screen until the baby is born and cries. 2.) Etoile-directly referring to Cocteau, Lethem shows an adolescent sucking a starfish and then giving birth to a smaller starfish. A statement of inadequacy. To give birth involves an emasculation and a loss of vitality. 3.) Corps-two images of a man on a couch groping for each other, watched by a mysterious peeping Tom. As the two superimposed images come together, the heavy breathing subsides…the statement that the birth of desire is a self – realisation. 4.) Hymen – The decaying body of a girl is shot through green filters, and the final image reveals her vagina crawling with maggots and overlain with a crucifix. A representation of Catholicism preventing the free expression of desire.

The Sufferings of a Wounded Egg

3.0 1967
Sweet Ecstasy

Olivier, a handsome but callow and moody young student, picks up an enthusiastic actress during a theatre rehearsal, and is introduced to her acquaintances -- a group of jaded rich kids who spend their time storming around the Riviera harassing passersby, throwing wild parties and following all the latest trends. When sexy Elke gives him the eye, he leaves the actress in the lurch and joins the gang for a decadent party aboard a yacht. However, Elke's wanton ways and Olivier's inexperience do not mesh, and in a snit, he accidentally sets the yacht afire. The gang wreaks its vengeance by luring him into a dangerous contest of bravura on a construction site.

Sweet Ecstasy

4.1 1962
Marie of the Isles

In 1635, Jacques du Parquet, the nephew of the well known explorer Belain d'Esnambic, enters a tavern in Dieppe, and falls in love with the daughter of the bartender, Marie Bonnard. He knows his noble family would disapprove such a marriage; besides, he is nominated for the post of governor in Martinica. He promised never to forget Marie, but as time goes by, she will accept to marry a rich and unscrupulous man, Monsieur de Saint-André. When her husband is appointed to serve in Martinica as General Commissioner, Marie demands to go with him. At her arrival, all sorts of trouble arrive: pirates take action against travelers and goods, rotten deals set the two officers against each other, and finally jealousy settles to make things worse.

Marie of the Isles

4.0 1960
The Looters

Morgan, a lapsed burglar, is drugged and shanghaied on board a yacht by beautiful Colleen. When he comes to, the athletic young man learns that Colleen and her friends want him to break open the vaults of a Carribean island where a ruthless dictator has deposited a treasure stolen from his people. Despite the way he has been treated, Morgan accepts the mission. The group, supported by local resistant fighters, storm the fortress, but Colleen's father gets killed during the attack. The treasure is finally retrieved and is returned to the people. Morgan and Colleen will say yes to each other for better or for worse.

The Looters

6.4 1967