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Hour and Twenty

On Christmas Eve, emotionally distant mother Manuela's six-year-old Iván disappears from a mall. As two Guardia Civil investigators pursue the case, Manuela is driven toward a more unsettling possibility: she may be losing her grip on reality. With no evidence of a kidnapping, the case escalates when authorities uncover her criminal past — and no one claims to remember ever seeing her with a child. As time tightens, Manuela must prove her innocence before it’s too late.

Hour and Twenty

NR 2026
God Forgives Everyone

Arturo is a lonely, gluttonous, and disillusioned Sicilian real estate agent. His mundane life finally finds its spark through his one true passion: Sicilian pastries. It’s over a tray of cannoli that he meets his soulmate, Flora. She is everything he ever dreamed of—beautiful, witty, and brilliant. To top it off, she’s a pastry chef. However, a divine obstacle stands between them: God. While Flora is a devout, fervent Catholic, Arturo abandoned his faith as a child. Desperate not to lose the woman of his dreams, he decides to "fake it 'til he makes it," pretending to be a man of deep conviction. Guiding Arturo on this chaotic journey toward truth, faith, and Flora’s heart is an unlikely mentor and friend: Pope Francis himself.

God Forgives Everyone

6.5 2026
Eugene Onegin

“Eugene Onegin tells a love story that doesn’t work”. This is how Ralph Fiennes sums up the plot of Pyotr Ilyich Tchaikovsky’s opera, inspired by Pushkin’s work. A jaded young dandy, Onegin sets shy Tatiana on fire at first sight. Overcoming her reticence, she writes him a passionate love letter. Alas, he brutally refuses, giving her a lecture on morality. However, years later, after a duel, he falls in love with the young woman who is now Prince Gremin’s wife. Will she yield to his advances? Fascinated by Russian culture and attuned to the dramatic intensity of Tchaikovsky’s music, Ralph Fiennes is directing his first opera. If he chooses to use pictorial simplicity to evoke the Russian countryside or a ballroom, it is all the better to emphasise the emotions of the characters, as complex as they are modern.

Eugene Onegin

NR 2026