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L'Ennemi dans l'ombre

The director of the French Ministry of the Interior summons Serge Cazals, an Interpol agent, to unmask the leaders of an organization that sells military intelligence and has just made a name for itself with the assassination of Secret Service ace Georges Dandieu. Cazals is soon spotted by his adversaries and dangerously threatened. Through an intermediary in the organization, he obtains a telephone number that leads him to various leads, but to no avail. He then decides to set a trap, with the help of his friend Violaine.

L'Ennemi dans l'ombre

7.0 1960
Judy and Liza at the Palladium

This classic show was one of Judy's last appearances at the historic Palladium Theatre in London. This unforgettable night also marked a young Liza Minelli's first public stage performance with her legendary mother. Witness Garland's exquisite talent as she performs the most-loved songs of her career while a budding Liza Minnelli more than holds her own offering a glimpse of the performative talent that would eventually launch a stunning career of her own.

Judy and Liza at the Palladium

7.0 1964
A Devil Under the Pillow

Anselmo is a young anthropologist who is tormented by jealousy, and although his wife Camilla does not give reasons, keeps a close eye on her. After consulting a psychiatrist, the doctor says the problem is him and not his wife. So he plots to verify, once and for all, if his suspicions are true. By chance he meets an old friend, Lotario, who seems the ideal person to carry out his plans. What Anselmo does not know is that his friend is a real womanizer who ends seducing his wife.

A Devil Under the Pillow

4.5 1968
Love Meetings

Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.

Love Meetings

8.3 1965
The Last Witness

Director Wolfgang Staudte who left East Germany in 1953 to make movies in West Germany, takes a few swipes at the West German judicial system in this fairly effective courtroom drama about the murder of a four-month-old baby. Police almost immediately arrest the mother Ingrid who is the mistress of the father, a rich business VIP married to another woman. His position and wealth keep him insulated from suspicion. A hot-shot lawyer has to overcome the unaccountably biased perceptions of the police, the judge, the prosecutor and almost everyone else in the judicial system. The defence lawyer, driven to an extreme, knows he has to find the real killer or his client will be convicted.

The Last Witness

6.4 1960
Los atracadores

The film is divided into three parts: 'Restlessness', 'Violence' and 'Death', to explain the motivations, evolution and defeat of three young misfits from Barcelona who end up being robbers. The way of crime is an easy way for them: a boy and a worker without a job or benefit are induced by 'el Señorito', the son of a rich lawyer. Together they form a band. Hard and violent, the film is made with a clear intention of social criticism and research of realism, culminating in a final scene that raised quite controversial.

Los atracadores

5.0 1962
Night Out

Saturday evening. We have a date with friends and Pierrot has finally obtained his mother's slightly worried authorization. He runs down the indefinite staircase of the immaculate H.L.M., planted firmly in the mud of the suburbs, to meet up with the others. The others are older than him on the whole, but what they have in common is the desire for something to change, this weekend, and for things to get moving. This is especially true for those with scooters who, in close ranks, can scare pedestrians, hug cars and taunt the marshals. Pierrot will be taken in rump like the girls, Thérèse behind Jacquy, Monette behind Christian.

Night Out

10.0 1961
Die Gejagten

In the forest of Hablikon, the administrator Reichle is found shot dead. He had gone hunting with three other respected citizens of the community. Detective Sergeant Müller takes charge of the investigation. The first suspect is the nephew of one of the hunters, who was also at the scene at the time of the shooting and was on parole from prison. With no clear motive, Müller focuses his attention on the honorable and irreproachable fellow hunters. Their clean facade begins to crumble during his investigations. Village doctor Amsler, banker Meier, and architect Häuptl all had something to hide. Reichle knew about their private and business misdeeds. Müller also learns from Alvine Dünki, the dead man's lover, that money from the community coffers was used for the four men's entertainment. The murderer is convicted after the crime is reconstructed.

Die Gejagten

8.5 1961