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Documentary film about the therapy facility ‘Violetta Clean’, founded in Berlin in 1983, the first inpatient therapy facility in Germany for drug-addicted girls and women.

A sequence of nine individual biographical sketches with a prologue and epilogue on Golzow and the long-term observation. Deepening of the preceding chronicle. The Golzow people in the present, from which retrospective views of the previous life and the life conflicts of the individual are given.

Karl Gass compiles film material to document the Pogromnacht in 1938.

In the space of a short 65 minutes, a woman enters the luxury apartment of a wealthy man with an eccentric fascination for the female form and is paid both for her sexual favors and for lying there naked and letting him examine the aesthetics of her body. For most of the hour, as the concise narration of Marguerite Duras' novel on eroticism and aesthetics fills the aural gaps, actress Marie Colbin's form fills the visual gaps. But unless viewers consider the feminine eyeball or microscopic views of skin exotic and worth lingering over, the eroticism lies more in the imagination than on the screen. In fact, the female body lying on the bed, taken away from the spirit that animates it, is really just a corpse -- raising the question, exactly what is the "malady of death?"

Walter Bannert's life-affirming film depicts the passionate love affair between an apprentice and a student from a middle-class family. Julia Stemberger's first film role also marked her breakthrough as a character actress. 16-year-old toolmaker apprentice David falls in love with Susanne, a politician's daughter of the same age. Their happiness doesn't last long: Susanne becomes pregnant, and David must compete in a boxing match against a seemingly superior opponent.

The 1930 Hollywood-produced anti-war film "Nothing New in the West" is one of the great works in film history. But like hardly any other cinema classic, it was ostracized, shortened, censored, altered in image and sound and banned. The documentary deals with the eventful fate and especially the censorship history of the film classic.

Cloaked, cowled figures wander in patterns to rhythm instruments. First transmitted by the Süddeutscher Rundfunk in Germany on 8 October 1981. "Between the two parts there is an intermission of 100,000 years." -S.B. during the rehearsals.

A man sits at the table and eats his meal...with rather unusual effects.

Because her mother has to go to New York on business, little Helen is once again left in the care of Ada Harris. Helen's father, the industrialist Costa, takes the opportunity to take his daughter to Monte Carlo, where he lives with his mistress, without being asked. Ada sets out to bring the "kidnapped" child back to London and in the process finds herself targeted by the police as a kidnapper...

After the essay "On Marionette theatre" by Heinrich von Kleist. The film focuses on Kleist himself, torn apart, searching for knowledge, for identity, trapped in his loneliness and self-absorption, jumping over walls, making grimaces, cruelty, suffering.

After a nuclear war, what is left of society creates a special police force to ensure that it doesn't happen again. However, things don't go exactly as planned.

An intimate portrait of filmmaker Peter Pewas.

Made with an eye to the autumn of 1980 when the German parliamentary elections took place, The Candidate examines Germany’s history past and present and Franz Josef Strauß, the man who, as the CDU/CSU candidate, aspires to be elected to the most important political office in the land.

Story concerns two friends, Freya and Irmtraut and their relationships with the same man, Traugott, who finds it impossible to choose between the two women.

Turbine Potsdam was one of the GDR's most successful women's soccer teams, thanks to the hard work and dedication of the players and the strict coaching of Bernd Schröder. This documentary includes interviews with the team and footage of their practices and competitions.

Documentary about the industrial region of Borinage in Belgium

A young woman strolls through the night, then boards a train. Seeking closeness to others she chooses an unusual method by searching through people’s luggage.

Someone wants to buy Gortswill, while a student decides he wants to spend the night at the cursed castle. But the devil has his hands in the game and the night will be, The Night of Horror! Part 2 of the Das Buch Der Blutigen Geschichten Trilogy

Bored with her stuffy village life, teenager Susanne decides to run away to the bright lights Frankfurt, while her boyfriend does his military. Caught in the swamp of drugs, prostitution, violence and human trafficking, Susanne experiences the dark side of the big city.

A satire about corruption, about big and small crimes: The noble clochard Maxwell, the unsuccessful film producer Harry and the unemployed actress Wally are anything but kissed by luck. But that changes when the three get in the way of a corporation, who, with the help of bribed politicians, tries.

Berlin Kreuzberg at the beginning of the 80s. Lawyer Hanna, daughter of a good family and working as a scientific social worker, gets caught between two sides. Her conservative fiancé Konrad wants to avenge the murder of his friend Theo on the Turks, but she loves a young Turk and wants to help the foreigners with their problems. There are also gray wolves and right-wing radicals, there is xenophobia and pressure creates counter-pressure - rebellion, bomb attacks and prison riots are the order of the day. An almost predictable catastrophe is on the horizon.

Gibbi Westgermany is the name of a former sailor with a Mick Jagger look—leather jacket over the bare chest—who roams the Hamburg neighborhood St. Pauli homeless. His destination is a snack bar in St. Pauli run by his mother. But it is not the safe haven he is looking for.

An abusive boyfriend learns that his current lady has a taste for longpig.

An old patriarch at the gates of death, who has been married five times, reunites his family and indulges in a sadistic game with them.

Wallraff hid for two years as Ali Levent Sinirloglu, working various jobs as a Turk. His experiences were shocking, and he documented them with a video camera, aided by director Jörg Gfrörer. The footage, along with additional recordings, was edited into a 106-minute film from about 100 hours of material.

Short documentary about polar bears

Young Elisabeth goes on a country trip with her mother, her friends Reinhard and Erich, their parents and the pastor. While the adults prepare a picnic lunch, the three youngest members of the group are asked to look for berries for dessert. The dutiful Erich eagerly collects them, while Elisabeth and Reinhard set off together in search of fruit. They find a hiding place they had built years ago. Although they still love each other, Elisabeth is sad. Reinhard will leave the next day to study in another city and will only visit her rarely. She doesn't know how she will go on living without him. She picks him a water lily as a memento and he gives her a goldfinch in a cage.

Nine very private encounters with different people of the post-war generation and their memories of childhood and youth. Among others, the guitarist and singer Peter "Caesar" Gläser and the actress Christine Harbort. Roland Steiner asked his contemporaries about - "What we remember ...". All interviewees are as old as the state they live in. Nine CVs from the GDR are described. They have different professions, from skilled worker and scientist, nurse and saleswoman, actress or rock musician, even a minstrel is included. They remember what shaped them: Family, school, birthdays and hot summers, the happy moments and their own failures.

In MY WIFE IN FIVE, Schlingensief composes tracks and takes to a shimmering cinematic music piece. The playlist changes constantly between the styles, as if this record had a jump – Irving Berlin's This Is The Army, Mr. Jones, an Ave Maria Variation and Jacques Offenbach's world-famous Infernal Galop can be heard. Equally to the music the pictures also have scratches. The music film MY WIFE IN FIVE was created during a sound seminar by Christoph Schlingensief with students of the Hochschule für Gestaltung Offenbach. It already contains all forms of cinematic means and alienation, which he later used in his theatre and opera productions.

This experimental film is constructed from still photos of the violent protests in response to then-US President Ronald Reagan’s visit to (West) Berlin in 1982 and illustrations by the French artist Gustave Doré.

Four young people—a Turkish woman who has escaped a forced marriage, a Japanese musician, an anarchist, and a male prostitute—retreat from the outside world in an abandoned shipyard and develop a kind of love-hate relationship with each other. At times oppressively realistic, this milieu study of "lost" urban youth loses much of its impact due to its overly complicated script.

Valeria hates commissioned photos such as passport or wedding photos because, in her opinion, they are dishonest. She looks for honest faces. Valeria scares the customers with them, so she has to earn her money as a waitress. She begins to have doubts about her own pictures because they are not accepted. In the café, she is offered a job with a fashion photographer. Through their acquaintance with Valeria, Paul and Poupoune realize that their projections have little to do with reality.

Documentary about guest workers in the Ruhr area. Part of the seven-part film cycle "Prosper/Ebel. Chronik einer Zeche und ihrer Siedlung".

Martin Hugentobler is "full of oil" when he gets home. You could also say he is "full to bursting". But this time, for once, there's a good reason: he and his three fellow Jass players have been playing the lottery for years, always with the same numbers. Finally, their perseverance is rewarded: five correct numbers mean a thousand francs each. However, this time Martin's wife Leni has filled in the slip instead of him - and made a mistake. A stroke of luck, because the "wrong" number helps the Hugentobler family win the main prize - one and a half million.

The film describes 24 hours in the life of two friends, strangers in a big city. Unemployed and without a penny of money, the prospects are more than bad, mainly because their stomach is growling. Fernando, the Chilean, has reached the low point of his mental state, and it would all be really hopeless if his friend Timur, the Turk, did not find a way out again and again.

A top-level meeting of the Eastern secret services is taking place in Prague. Martin, an agent who knows all the tricks of the trade, is tasked with obtaining the minutes of the conference for the West German intelligence service. And he does so via Zimra, his former lover. She is now the right-hand woman of the GDR intelligence chief. A life-threatening assignment, but Martin accepts it. His condition: Zimra is to be taken to the West. The ageing West German spy chief accepts. He has only one goal in mind: to finally defeat his opponent in the East. He coldly plans to use Martin and Zimra for his purposes...

Brilliant and hilarious punk mockumentary, containing faked interviews with young "antisocial elements" from Berlin.

A poignant film essay about 'superfluous people' facing up to a moment of crisis in their lives.

A man migrates from Poland over Germany into the US.

Jewish and Christian music merge in this film about one of the oldest choirs in Germany, the choir in Magdeburg Cathedral, which has been performing together with the head cantor of the Jewish community in West Berlin, Estrongo Nachama, since 1980. The choir already existed when Walther von der Vogelweide celebrated Christmas here; the cathedral has survived devastation and wars, most recently the bombing of Magdeburg in January 1945. The choir sings "Oh, how the city lies so desolate, which was full of people". The choir now rehearses and sings together with Estrongo Nachama.

With its numerous interviews, the film is an inventory of current forms of resistance. It shows the strength, but also the weakness of the momentary disputes. The story, the practice and the discussion are described in the film – an exciting affair.

During World War II, Switzerland severely limited refugees: "Our boat is full." A train from Germany halts briefly in an isolated corner of Switzerland. Six people jump off seeking asylum: four Jews, a French child, and a German soldier. They seek temporary refuge with a couple who run a village inn. They pose as a family: the deserter as husband, Judith as his wife, an old man from Vienna as her father, his granddaughter and the French lad, whom they beg to keep silent, as their children. Judith's teenage brother poses as a soldier. The fabrication unravels through chance and the local constable's exact investigation. Whom will the Swiss allow to stay? Who gets deported?

Between 1962 and 1966, sex murderer Jurgen Bartsch cruelly tortured and killed four children in an old air raid bunker in Germany. This documentary examines the personality of the killer who died in 1976 during voluntary castration surgery at the age of 30. Vilified by the press for his heinous crime, Bartsch also became a case study for famous found criminal psychologists like Alice Miller (who maintains that no one abuses without being abused as a child, and murderers tend to have their own childhood abuse denied by the adults around them). Bartsch never met his birth parents, he was raised in a clinic and later adopted by a cold, unaffectionate couple. By the age of 15, he tortured and killed his first child victim. This informative, fact-filled documentary provides enough details for viewers to come away with a broader understanding of the nature of the criminally insane and society's role in their formation.

With 'AUGENBLICK' (the 'space of an instant'), Franz Reichle has given us a highly unusual work. During turbulent times, two young people find each other, fall in love, fight and ultimately separate. They are looking for new directions and ways of life, taking things one day at a time and squeezing the fulfilment of their desires out of every moment. The 'space of an instant' is surprising in form and style: Reichle positions himself against conventional ways of seeing, and takes an almost anarchic approach to the rules of drama. His point of view is shaped by interior processes: sensations, rather than events, are portrayed in the images appearing on screen. One of the few films which attempts to expand the language of the cinema. Urs Jäggi in Zoom-Filmberater, March 1986.

A Film by Peter Krieg. From a Marilyn Monroe robot to the ethics of artificial intelligence, Machine Dreams explores humanity's love affair with machines and computers.