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Do Right and Fear No One

A portrait of a woman’s life between 1915 and 1975. In Jutta Brückner’s documentary, her mother looks back at the 60 years of her life, talking about her father’s early accidental death, the constraints faced by a lower middle-class family of five, her training as a seamstress, marriage to a bookkeeper committed to social democratic ideals, the privations of war, and not least of all, her later realisation that fear may have caused her to miss opportunities … An ingenious collage of picture and sound accompanies the mother’s narrative, a tapestry of proverbs, pop songs, marching music, and the noise of war. Hundreds of photographs – most selected from August Sander’s (1876–1964) project “People of the 20th Century”, alongside newer photos by Abisag Tüllmann, among others – lend the individual vita of the director’s mother a kind of ontological validity. Images of labourers and office workers, excursions and marches, imbue what we hear with references that transcend the personal.

Do Right and Fear No One

6.3 1975
Der Panzerkommandant

Tank commander Sergeant Tessen does not believe that his crew can become a successful collective and requests his transfer, but he finally withdraws his request due to a young boy to whom he carelessly promised a tank model. However, this would first have to be made by the crew members. New difficulties arise, even though everyone agrees to keep the soldier's word of honor. The spell is only broken when the tank gets into a dangerous situation during an underwater journey and the four of them have to prove themselves together.

Der Panzerkommandant

NR 1970
Der junge Mönch

Bavaria has become an arctic, hostile environment; at the site of the former state capital, a huge geyser is now gushing through the ice sheet. Miraculously, the home village where the young monk Herbert lives has been spared from the catastrophe. Now he propagates his religion, in which a chocolate Easter bunny is worshipped and whose central commandment is "God must not be bitten". In a surrealistic style, images from Iceland and Munich are mixed with images of the Easter bunny and the Pope.

Der junge Mönch

10.0 1978
Declaration of Love to G.T.

Dr. Gisa Tonius, a physicist in her thirties who has a nearly adult stepdaughter, cherishes the desire to have her own child. Suddenly, a big interdisciplinary research project threatens to significantly change Gisa′s life. Uncertain whether to look for professional or private fulfillment she asks her family and friends for their opinions. They all have different views on the point at issue. While her husband is afraid of losing her to her profession, her professor thinks that because of her talent she has an obligation towards science. In the end, Gisa reaches a decision: She wants to have a baby as well as take on the research project.

Declaration of Love to G.T.

5.2 1971
Der Komödienstadel - Der Geisterbräu

Xaver Bogenrieder, landlord of the Unterbräu, is laid to rest. At the funeral feast, the pretty widow Wally is courted by the pharmacist, the post office secretary and the professor. Now the brewmaster, who has long been a silent admirer of the widow, sees his moment. To show Wally who really loves her, he hatches a spooky plan together with the shepherd Sixtus. The deceased bridegroom must go around as a ghost, then the false suitors will stay away. Unfortunately, the gravedigger has the same idea, without the one knowing about the other. From then on, the small community has no peace, because it is haunted...

Der Komödienstadel - Der Geisterbräu

7.0 1979
Oh, diese Tante

Heinz is a well-stocked veterinarian in Klückow and his Jana in quite firm, although not always present hands. And now - as Aunt Alma is slowly getting rid of the concern for her beloved nephew - Dr. Kröpelin finally got his chance: he makes a marriage proposal to Alma. She would not be averse if it had not been his "bloodthirsty" hobby, the hunt. A get-together on the high seat is still not a desirable prospect for Alma. But the more she refuses, the tighter Kröpelin bites into his intention to marry her anyway, whatever the cost.

Oh, diese Tante

7.7 1978
Unsere Pauker gehen in die Luft

In Hamburg, the general manager of Merkur Insurance is full of praise for his top-selling agent, Harry Weber. As a reward for his services, he grants him his heart's desire: a pilot's license. Naturally, the flight school is located in an idyllic small town that the insurance company hasn't yet developed. The head of the Bergen Gymnasium located there is Oskar Weber, Harry's twin brother, whom he lost touch with 20 years ago. Everyone now considers Harry the strict headmaster, and who would refuse him the good advice to sign a contract with Merkur? Until the two brothers finally come face to face, they trigger the most confusing situations, which culminate in a joyful happy ending with a lap of honor followed by a crash landing.

Unsere Pauker gehen in die Luft

5.8 1970
Der Pfingstausflug

A melancholic enjoyable journey by an old couple who escape the dreary everyday life of a Berlin retirement home for a day: at Pentecost, Margarete and Heinrich come up with the idea of visiting their nephew, whom they believe to have invited them to dinner. So they set off on their own, and although they don't always know where they are or why they have actually set off, they have a wonderful day. Even if the police find them and bring them back before they reach their destination.

Der Pfingstausflug

8.0 1978
Monika

A documentary about Monika Töpper, a young woman in Gebersdorf, Thuringia, who has cared for her two brothers and elderly father since her mother’s death in 1970. Trained as a porcelain maker instead of the nanny she once dreamed of becoming, she channels her creative spirit into her craft yet yearns for a “big” life beyond her village. Noticing her leadership, the factory’s Party secretary recruits her as an FDJ candidate; she wins a seat on the district Health and Social Welfare Commission. There, Monika champions the needs of a local nursing home, fulfilling one of the great tasks she once only imagined. Torn between duty to her family, her budding political role, and her boyfriend’s ambitions, she realizes that to pursue true fulfillment she must eventually leave Gebersdorf—yet for now remains its devoted daughter.

Monika

NR 1975
Du und ich und Klein-Paris

When Angelika moves to Leipzig, she is forced to rent a room at Mrs. Häublein’s for a start, since her parents will not follow until a few months later. Fellow tenant Thomas, a philosophy student, is not at all enthused about his new, pretty housemate. Because of Angelika he has to move into a smaller room. Furthermore, he is annoyed at her many male acquaintances, without sensing that his aggression might be prompted by jealousy. When Angelika’s father comes for a visit, he asks Thomas to keep an eye on his daughter. Thomas takes this assignment very seriously and finally realizes that he has fallen in love with Angelika.

Du und ich und Klein-Paris

4.6 1971
Dialogue

“Won’t make it today, hope you don’t mind.” A casual call, the husband will be late again, not to be expected before eight. He is an officer in the National People’s Army, still young, but with a lot of postings under his belt, always accompanied by his wife. She has resigned herself to her fate, while he flourishes enviably in his profession. Róża Berger-Fiedler spends most of the time by his side, following him in brisk cuts from appointment to appointment. Talking is required and demanded constantly: to representatives of the Soviet armed forces, young recruits, subordinates. Words come easy to him, but not everything runs smoothly.

Dialogue

NR 1978
In the Name of the People

In this German film, inmates guilty of a prison murder are put on trial before a court consisting of other inmates. The trial is given the full formal treatment it might receive in a civilian setting. The key point in this film is that these are the actual murderers admitting their actual crimes before a judges' panel consisting of their peers: actual prisoners at the same institution. Having no force of law, the trial proceeds without reaching a conclusion. That is something the viewer is asked to provide. This movie won a Silver Bear from the 1974 Berlin Film Festival.

In the Name of the People

7.0 1974
Wenn jeder Tag ein Sonntag wär'...

The owner of a travel agencies decides to took a holiday with his family. He combines business with pleasure and undertakes a tour of inspection of some of his enterprises. Incognito he arrives with his family at the Castle Hotel on the Wörthersee. But the hotel manager has been warned of the impending visit and means to give the important guest the red carpet treatment. Unfortunately he does not know him personally and so takes the wrong man for the incognito inspector. Neither of the two men enjoy the mix-up and the poor hotel director has to live through some uncomfortable hours before he manages to pour oil on the troubled water.

Wenn jeder Tag ein Sonntag wär'...

6.2 1973