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Diamonds Are Brittle

Bernard Noblet is a modest bank clerk with a passion for billiards. His fiancée Juliette, a schoolteacher, dreams of one day living the high life, and his best friend Roger, a little-known inventor, is equally despairing. After careful consideration, a solution emerges: a cleverly organized hold-up will enable them to live in luxury for the rest of their lives. Bernard soon makes the acquaintance of Bettina and her mother, Madame Ralton, professionals in the "heist" business.

Diamonds Are Brittle

4.8 1965
Oh, diese Bayern!

After 50 years of service, the district usher Johann Peter Neusigl is supposed to get awarded a Royal-Bavarian medal of merit. Since government director Steinbeißl has announced that he wants to witness the awarding ceremony in person, district magistrate Kranzeder decided to splash out. He organises, with his wife Amalie, a banquet in their parlour, although both of them rather begrudge Neusigl the award. But after all, it is necessary to cut a good figure for the dignitaries. As the government director arrives, after a few incidents during his journey, belated, the event, however, has already degenerated into a boozy carousal which culminates in a scuffle.

Oh, diese Bayern!

10.0 1960
The Blood of the Walsungs

The siblings Sieglinde and Siegmund von Arnstatt are inseparable. Their arrogant manner is particularly felt by Sieglinde's fiancé, Lieutenant Justus von Beckerath. Siegmund jealously watches over his sister, with whom he falls into a frenzy of emotion during a performance of Richard Wagner's opera "Die Walküre." Beckerath realizes that he will never be able to break into the incestuous intimacy of the twins. Finally, Siegmund and Sieglinde give themselves over completely to their sensual intoxication...

The Blood of the Walsungs

8.0 1965
Hernals

Documentary and pseudo-documentary procedures were filmed simultaneously by two cameras from different viewpoints. The material was then divided into phases of movement. In the montage each phase was doubled. The techniques used in this process vary. Also the sound was doubled, again using different techniques. Two realities, differently perceived according to the conditions of this film, were edited into one synthetic reality, where everything is repeated. This doubling up destroys the postulate: identity of copy and image.

Hernals

10.0 1967