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Dharti

Bharat (Rajendra Kumar) is a patriotic young man for whom patritism does not stop anywhere. He comes to know of the tyrancy of the present ruler's Diwan (Ajit) and he and his colleagues (Soodesh Kumar, Rajendra Nath) rebel. They kidnap Princess Chitralekha (Waheeda Rehman) unknowingly, and call her Jwala. Meanwhile, Bharat's dad (Balraj Sahni) who is the Inspector General, does not approve of Bharat's rebellious nature and decides to arrest him on sight. Bharat's mom (Kamini Kaushal) is torn between the love for her husband and her son. Bharat determination against the Diwan is so strong that he decides to bomb-blast a railway train transporting the Diwan, knowingly that his own dad is also travelling on that train. Will Bharat break his mom's heart by killing his dad and the Diwan? Good acting scores by the entire caste make this movie worth watching. Lyrics by Indivar.

Dharti

7.0 1970
Trimurthy

The film stars Rajkumar, Jayamala, R. Sampath, Balakrishna and Vajramuni. Rajkumar plays 3 different roles in the film- A police inspector Vijay, a hippie vagabond Shekhar, Servant Sheshagiri and the main protagonist Sridhar. The movie was the debut movie of Tamil director C. V. Rajendran in Kannada. The film is divided into 3 stories – Thrimurthy, Undoo Hoda Kondoo Hoda and Aalaagaballava Arasaagaballa. The movie was Parvathamma's first production venture under Poornima Enterprises banner. It was also her maiden distribution venture.

Trimurthy

10.0 1975
Muqabla

Sheru (Shatrughan Sinha) and Vicky (Sunil Dutt) are two gangleaders. After a series of complications and mishaps both realize that they will be better off being friends and helping the poor and needy. They also fall in love with two separate women, one of them is Lacho (Reena Roy). When these two turn good guys, the bad guy's leader Banwanri (Ranjeet) gets angry and vengeful. Fortunately, for our two heroes get support from a honest police inspector (Premnath). Then Sheru finds out that Lacho really loves Vicky and his son, this embittered them both against each other. And the two again resume their old rivalry and hatred for each other.

Muqabla

7.0 1979
Bhagat Dhanna Jatt

When Laali, who loves Shyamu, refuses to marry Kalidas, recommended by her aunt, her naive brother, Dhanna, and Bhabhi, Bhagwanti, are asked to leave and till a barren piece of land. When Dhanna is unable to grow anything, he decides to take the assistance of Thakara, none other than Bhagwan Shri Vishnu. He approaches Pandit Tirlochan in order to take the Diety to his residence. Tirlochan cons him by giving him a rock instead, and he brings it home, refuses to feed himself until and unless the Thakara shares his humble offerings. As a result, the entire community, including Laali and Bhagwanti, think Dhanna has lost his mind.

Bhagat Dhanna Jatt

10.0 1974
Meri Biwi Ki Shaadi

When he experiences chest pains, hopeless hypochondriac Bhagwant checks into the hospital for a checkup and overhears his doctor discussing the diagnosis of a terminally ill patient with an associate. Assuming he is the one scheduled to die, he asks his friend to help him find a new husband for his wife Priya so he'll know she won't be alone once he's gone. He locates Priya's old college beau Fernandes. Meanwhile, Priya mistakes her husband's machinations for an attempt to cover up an extramarital affair and throws him out of the house.

Meri Biwi Ki Shaadi

8.0 1979
Sampatthige Savaal

The movie is based on the play Saahukaara written by B. P. Dhuttharagi. The film was a musical blockbuster with all the tracks composed by G. K. Venkatesh considered evergreen hits. Rajkumar became popular as a playback singer with the track Yaare Koogadali from the film which became an instant hit among the audiences. He would then go on to sing regularly for his films. The film was remade in Telugu in 1975 as Thota Ramudu starring Chalam, in Tamil in 1975 as Pudhu Vellam starring Sivakumar and in Malayalam in 1976 as Themmadi Velappan starring Prem Nazir.

Sampatthige Savaal

7.8 1974
Aparna

Aparna, the only daughter and the apple of her mother's eye is engaged at a young age to her childhood friend, Ajay. After her mother’s death, her father remarries, and her stepmother begins to mistreat her. Desperate, Aparna flees with the help of Baren, a local goon with a good heart. She stays with Baren for safety and becomes involved in his group, though she urges him to turn his life around. Baren vows to protect her. One day, Aparna meets a stranger who turns out to be Ajay, and they are reunited. Baren is eventually arrested for his crimes but ensures Aparna's safety.

Aparna

NR 1972
Rodon Bhara Basanta

Shipra is a poor woman who is molested and killed as she witnesses corruption. The police and lawyer Somnath take up the case and slowly dig into it. He traces the corrupted policeman and comes to know that Karuna, the head lady of the orphanage where Shipra used to live is equally involved in female trafficking. However, when he sees Karuna his world is turned upside down. Karuna is Shukla, Somnath’s long-lost wife. Circumstances had led her to become a puppet in the hands of the gangsters. However, she is to keep mum about the entire conspiracy, lest they kill her only daughter. Somnath gives assurance to Karuna to speak the truth. She does that and, in the end, the entire gangster network is caught. Karuna’s daughter is proved to be Somnath’s daughter. They get together again.

Rodon Bhara Basanta

NR 1974
Anjaam

Wealthy Dinanath is the new owner of a mansion, which is looked after by Totaram and his wife, Maina. He soon discovers that there is a room kept under lock under key, and no one has ever been inside. He is in for more surprises when the previous owner's wife, Vidya, decides to come and live there, and shares the story of her life - how she loses her husband, Thakur, and how her son, Sunil, became a fugitive from justice - but has little explanation to offer for the ghostly female figure that haunts this mansion.

Anjaam

9.0 1978