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Igor Stravinsky: The Paris Years Chez Pleyel 1920-1929

Igor: The Paris Years, one segment of a larger biographical program created for Channel 4 on the life and times of Igor Stravinsky, finds the brothers working in a slightly different vein than the one that would come to characterize their later work. This is the first section, which covers the pianist’s “French period” from roughly 1920-1939, and it details, among other things, his connection with Jean Cocteau (who, as a matter of fact, contributes voice work to this project). Filtered through gonzo and impressionistic puppetry (often bearing strong resemblance to the work of Terry Gilliam), the film takes an unconventional and often beautiful stab at the television biography special.

Igor Stravinsky: The Paris Years Chez Pleyel 1920-1929

6.2 1982
Ken Russell's ABC of British Music

A feat that fully matches its title, an alphabetical trawl through both the history of British music and Russell's own likes and dislikes, the latter summed up by a scene in which he takes a phone call and listens for a bit before concluding that 'it's either an obscene call or the beginning of Michael Tippett's Fourth Symphony.' Gleefully exploiting an already contrived format, Russell uses alphabetical coincidence as an excuse to throw wildly disparate material together: Elgar is fused with Elton John, Holst with Heavy Metal and Punk with Purcell.

Ken Russell's ABC of British Music

10.0 1988
Hidden Talents

Nellie (Pat Phoenix) is weak and bedridden in her aging, decrepit house due to a bad heart. Living out of her front room, Nellie is looked after by her son Harold (Tom Bell) who is going deaf and prone to eccentric and emotional outbursts following a motorbike accident some years previous. Relations are tense and fractious between Nellie and Harold, a state of affairs which isn't helped by Nellie's affectionate recollections of her estranged son Stanley (Tom Georgeson) who left many years before, taking with him Nellie's savings.

Hidden Talents

NR 1986
From Us To Me / Vom Wir zum Ich

This first co-production between the GDR and Great Britain is intended to contribute to an understanding of the situation and attitudes of millions of working people in opposing social orders. Using the example of shipyard workers, fishermen, the brigade and family of a trade union active cook and unemployed person of various ages and professions in Newcastle on the one hand and a brigade of crane operators of the Warnowwerft and fishermen of the Warnemünde cooperative on the other hand, insights into the way of life and attitudes of people of our time are to be conveyed.

From Us To Me / Vom Wir zum Ich

8.0 1988
Montenegro

Marilyn Jordan, an American, lives in Stockholm with her Swedish husband and family. Her behavior is bizarre, perhaps mad: she poisons the dog's milk and advises the dog not to drink it; she sets the sheets afire as her husband sleeps; she crawls under the dining table to sing. While detained at airport customs for carrying pruning shears, she meets a young Yugoslav woman and goes with her to a Gypsy enclave where she's fought over, takes a lover, helps with the sordid entertainment at a bar, and returns home more dangerous than before. The film also tells parallel stories of Marilyn's daughter becoming a junior homemaker as the young immigrant practices her striptease.

Montenegro

6.2 1981
3 Minute Heroes

"Hello. I'm Billy and I'm going to enjoy myself first." Saturday. Out on the streets, young people looking for fun. Billy, living for Two-Tone music. Adrian, only limping when he walks. Lectric, dressed to kill. Debbo, bored with stereotypes. Rhoda, bored with Elvis. Elvis, playing games. They move around the city in the day, making life happen wherever they are. They come together at nights to listen to their music. For as long as the song lasts, they're heroes. Three minute heroes.

3 Minute Heroes

9.0 1982
Looks and Smiles

Thatcherism and the Irish troubles provide the backdrop for this study of Mick, a well-meaning youth in Sheffield, who has, unlike Dickens' Pip, no expectations. Mick lives with his parents, works on his motorbike, looks for work, and every two weeks gets his check from the dole. There are no jobs. His best mate Alan joins the army to fix tanks and is sent to Belfast to quell Catholics. At a disco, Mick meets Karen, who works at a shoe shop and lives with her recently-separated mom. Karen misses her dad. She offers Mick emotional stability and a route to adulthood; Alan pitches the army. Does Mick have a future?

Looks and Smiles

6.7 1981