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Moonlight on the Highway

Writing for ITV's SATURDAY NIGHT THEATRE series, Dennis Potter introduced the notion that popular music expresses the yearning of the human spirit for a better world. A troubled young man, David Peters (Ian Holm), claims, "Once dreams were possible, that's what the popular songs told us." Rejecting rock music of the day, Peters is immersed in the tunes of Thirties crooner Al Bowlly (killed during the London blitz). He collects Bowlly memorabilia, publishes the Bowlly fan-club newsletter, and finds pleasure in lip-synching Bowlly records but his obsession with Bowlly masks certain darker events in his past.

Moonlight on the Highway

6.0 1969
The Longest Most Meaningless Movie in the World

"'The Longest Most Meaningless Movie in the World' is an underground movie made in the UK that runs to 48 hours long. No actual footage was shot for the project, which instead consists entirely of outtakes, commercials, strips of undeveloped film, Academy leader, and other filmic castoff material, creating a seemingly endless stream of newsreel and stock footage. It was the longest film ever made at the time of its release, but has since been superseded by many other films."

The Longest Most Meaningless Movie in the World

5.0 1968
Carnival Fantastique

Held over the two days before Ash Wednesday, Trinidad's famous carnival is the most anticipated event of the island's cultural calendar. Here Edric Connor shows us the sights, sounds and quirky customs of this glorious event. Filmmaker Edric Connor was a Trinidadian actor and singer who popularised Day Dah Light, the song that became an international hit for Harry Belafonte as Day-O (The Banana Boat Song). An actor in British and American films of the 1950s, Connor went on, with his wife Pearl, to set up the first theatrical agency for black British performers, the Afro-Asian-Caribbean Agency.

Carnival Fantastique

8.0 1960
Part-Time Wife

Insurance salesman Tom and his wife Jenny are struggling through the first years of marriage in a modest flat, on Tom's even more modest salary. By contrast Drew, Tom's old army pal, is a footloose bachelor currently running a car-hire firm owned by his rich uncle, who lives in Canada. Since Drew's uncle makes it clear that his nephew will only inherit the business when he's a respectable married man, his upcoming visit throws Drew into a panic. Having taken a fancy to the vivacious Jenny, Drew persuades her to masquerade as his wife – an arrangement that leads the trio into some highly complicated situations!

Part-Time Wife

6.3 1961
Blind Corner

Paul Gregory (William Sylvester) is an accomplished composer despite his blindness, and his beautiful wife Anne (Barbara Shelley) seems to be the perfect supporting wife. But unknown to Paul, she is having a passionate affair with Ricky (Alexander Davion), a struggling artist. Keen to support her artist lover and give them more time to make love, she persuades Paul to commission Ricky to paint her portrait. But Paul senses their affection for each other, and threatens to cut Anne off without a penny. Desperate to keep both her lover and Paul s money, Anne plots the perfect murder and asks Ricky to carry it out...

Blind Corner

4.9 1964
Trapped in the Tunnel

The film is set in the early 18th Century and involves smugglers and preventativ e officers. The on-shore leaders of the smugglers are a rascally lawyer and his wife who organise regular 'runs' of contraband. Richard Merivale, a wealthy young boy, whose parents are believed to have been lost at sea comes to live with them. By his efforts and with help of local children who endure many exciting adventures, the gang are brought to justice and Richard is reunited wit h the father

Trapped in the Tunnel

NR 1962
Primitive London

The sensational follow-up to "London in the Raw," "Primitive London" sets out to reflect society's decay through a sideshow spectacle of 1960s London depravity—and manages to outdo its predecessor. Here, we confront mods, rockers and beatniks at the Ace Café, cut some rug with obscure beat band The Zephyrs, smirk at flabby men in the sauna and goggle at sordid wife-swapping parties as we discover a pre-permissive Britain still trying to move on from the post-war depression of the 1950s.

Primitive London

5.6 1965
Face to Face: Tony Hancock

Tony Hancock engages in self-reflection, looking back at his childhood, his need to work, his health issues, and whether he could ever truly be happy. The program is believed to have played a role in his eventual downfall by amplifying his proclivity for self-criticism. During the interview, John Freeman posed probing questions about Hancock's life and career. Despite his admiration for the interviewer, Hancock seemed uneasy but responded candidly. Known for his inherent self-critical nature, it is frequently posited that this interview intensified that trait, ultimately contributing to his subsequent challenges. According to Roger, Hancock's brother, "It was the most significant misstep he ever took. I believe it all stemmed from that moment. Self-analysis - that became his undoing.

Face to Face: Tony Hancock

7.5 1960