The story of Sebas Saiz is that of an adventurous character who has broken stereotypes since his beginnings in basketball. The Madrid power forward, trained in the lower categories of Real Madrid and Estudiantes, soon decided that he wanted something different for himself than what was expected of his sports career. At the age of 17 he left for the United States, where he triumphed in the NCAA and became friends with actor Morgan Freeman. But his most groundbreaking decision came after he returned to Spain and spent two seasons in the ACB. He decided to go play in Japan when he was only 25 years old, moved by the impressive economic offer that came to him from Japan and with the well-being of his family as his number one priority. There, not only has he shown that he can grow as an elite athlete in an emerging league, but Sebas has become captain of the Spanish National Team and has been proclaimed champion of the last Eurobasket.
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A group of artists from the LGTBIQ+ collective return to their hometowns aboard a pride float. A road movie that travels through the Spanish geography making visible the cultural clash with the most intransigent past.
Volver
Elisa and Manuel are going on their first date at a paleontology museum. Even though Elisa is not interested in dinosaurs, she'll soon find out how interesting they are being next to Manuel. Their fun will be disrupted by a guard that will chase them, making them realize that the museum is hiding more than they could ever imagine.
The Museum
El resto es porno
1PATUCO
In this work, the Cantabrian filmmaker recounts the difficult situation of loneliness in middle age. In addition to loneliness itself, Pacolini's film addresses issues such as unrequited love, deception, and lies.
Amando a Amanda
Miguel, a writer with little success in his literary career, shares an apartment in the center of Madrid with David, who still can’t get over the fact that his ex left him for a girl. To his own surprise, Miguel begins to fall in love with Antonio, secretly of course? But this is consuming him and he’s about to explode and, as if that wasn’t enough, his friend Julia follows them with the camera all day.
Complicados
Can Carreras
The toxic relationship between a lighter and 40 metres of 35mm film.
Fire don’t play with film
Pesadilla en Navidad
¿Va Usted a Firmar?
Reyes de Roma
Nunca
Azadi
The Games Animals Play
https://vimeo.com/878439652
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Iria and Satya land in a village in Seville with the objective of establishing an intergalactic contact between Uranus and Earth. The mission requires finding a spokesperson to whom to deliver the Delta-Tig Zero communications sphere. On their journey, they will discover that the planet is not as their studies reflected.
Uranites
A valuable object, or perhaps more, lost among the remains of a party. Trash, lots of trash, and two young people searching through it.
Como una aguja en un pajar
A man sits waiting for the subway. On the platform opposite, he sees a family. The subway passes by, blocking his view. When the train has passed, the man is met with an unexpected scene.
El paso
The Sound of Southside
AYER
A neighborhood anecdote that occurred during the pandemic inspires this reflection on the space of violence generated by the scope of hate as a social construct in its relationship with the image and its representation. Confronting the forms that the hatred with which we live takes on through the images of the assault on Rodney King, George Floyd and two immigrant women in Madrid and in the Barcelona metro, this bold work proposes different languages to represent, think . and interpret the textures of hate that surrounds us and the emotions they produce.
Oído odio
¿Preparados para el Tsunami?
“Lot’s Son” is structured in a series of blurry shots, often almost abstract that move along associated with the music, creating a flow of images that transports the viewer into a poetic-visual discourse of great intensity.
Lot's son
Archivo Markezini
Kokuruga
La playa de las Catedrales
The face of a girl faced with a brutal and violent reality.
Stripped
An ancient monster awakens from the sea. A ship moves between crystal waters in the darkest night witnessing God and the angels last battle.
Leviathan
A melancholic, erotic, ironic journey through the Peruvian Amazon, made with the guidance of Apichatpong Weerasethakul.
This Is Not Here
Archiveras del Humo. Un recorrido por Tabakalera
In a dystopian and indeterminate society, the Black Inquisitor is faced with the task of capturing a dangerous criminal known as Metaphor Poet, who uses his artistic-activist skills to commit crimes
The Last Story
A brutal murder in the vineyards of the vega winery ends the romance of two young lovers. the mysterious aristocrat ferran arrives to the village on carnival night thirty years later finding don carlo in town square and inviting him to taste a new batch of grand cru 1885.
Masquerade
Phantom Lady Over Madrid
Puyuelo
The key aspects of the team Casademont Femenino while they conquer the Copa de la Reina. With never-before-seen images of the players, the documentary tells the story of these women who have won ample social backing, becoming referents, and are now the protagonists of a victory that goes beyond the playing court.
Rasmia
What happens in-side? Is it my woman's body that thinks?
In-Side
A night exploration filmed at the ruins of the infamous Hell Fire Club, in the hills of Dublin.
hellfire33.mp4
Tres
El custodio de Bahía Honda
This is a film presents the Gallaecian-Lusitanian indigenous goddess Navia as the guiding thread that leads me to reflect on our emotions as well as on the redemption and death of love.
O amor é água que corre
Desig
Sentiment groguet. Cent anys d'història
What is art? How is the artistic process experienced? What is the true dimension of creation? Cristina García Rodero, a leading exponent of documentary photography, and her niece Patricia Gimeno, a dancer and choreographer, come together to answer these questions, or perhaps to raise new ones. A reflection on the need to move in order to survive and to create.
Es movimiento
Bienvenidos a la radio
España una, Portugal cero. Memorias de un prisionero de Guerras
Hasta que la vida nos alcance
Pensaba que siempre miraríamos juntos el mar
El Bosque Salvaje de Pardomino
Lena Lorenz. Golpe del destino
Two brothers, one trained in literature and the other in the audiovisual field, join forces to follow in the footsteps of their great-uncle poet Juan Bernier during the Spanish Civil War, before his foray into writing and the founding of the renowned literary group Cántico. The film, conceived as a sort of "road movie," follows the steps of the Cordoban poet through Spain during those turbulent years and the places he visited during that period.
Miles in bello. Juan Bernier en la guerra de los españoles.
Cambio e Integración
U.O.M
Shaggy is an elf who is in charge of making bows, they don't turn out very well and his classmates laugh at him for it. Very sad, he decides to take a break from the factory, suddenly he sees a bunch of mushrooms. He decides to eat one and is amazed. He decides to eat several and while he is high he doesn't know that he is actually destroying the factory. He comes to his senses, sees a gift and decides to make a bow with great fear, it turns out well and runs away before the police arrive.
Lazos
"People tell anorexics what to do, over and over again, but no one ever sits down to listen. If I met myself, I probably wouldn't say anything. I would let myself talk, which is something no one ever did for me." The testimony of seven women who constantly see themselves facing an illness that distorts them like a broken mirror.
Ante un espejo roto
El declive de los supermercados. Un modelo en extinción
After a series of unfortunate events, a dancer abandons her passion for dance, living a sad and monotonous life, until a big Belly Dance event is announced in her town, so she must take a look back at her past to make a transcendent decision for your future; accept the life she has or return to the dream she had abandoned a long time ago.
Alma
El Sueño de Sísifo
Estaremos Bien
In August 2022, my mother and I were shooting a portrait around the family farmhouse. With the intention of facing being looked at at the same time that we were looking, I proposed that we stand in front of a super-8 camera and record, frame by frame, every part of this shared portrait. In the resulting image, both spaces end up being confused. Something similar to the relationship that brings us closer, a reflection in the mirror of what we sense is being.