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“How I wish you were here...” – the filmmaker’s family during the era of Coronavirus. A personal portrait of Javier Robles’ loving parents dealing with lockdown.

Twenty-five years after one of the most high-profile mining tragedies in the history of our country's labor market, we accompany a group of miners' widows from Asturias and the Czech Republic.

A couple is having sex when he says "I love you". She is shocked instantly. He, scared, withdraws what he said. Then a discussion begins in which the guy is unable to fix the situation and, in the end he ends up on the stairs naked. At that moment the police appears but the help that the police officer provides is of little use to the guy in this case.

Documentary about the life of Nancy Cárdenas who was the pioneer of the LGBT movement in Mexico.

A sonic journey through Basque punk rock and the turbulent past that defined its sound, chronicling the rise of the gaztetxe movement.

A documentary filmmaker investigates a strange crime that occurred 47 years ago, until the reasearch work is interrupted due to the restrictions imposed after the appearance of Covid-19.

An account of the life and work of Spanish journalist Manu Leguineche (1941-2014), an indefatigable nomad who, after living through decades of countless adventures and enduring hardships, wars and catastrophes traveling the globe, achieved his goal of discovering the harsh reality of the world, and its immense beauty, to his legions of readers.

In La Nave, Colombian artist and first-time filmmaker Carlos Maria Romero (aka Atabey Mamasita) translates the meaning and spirit of Carnival de Barranquilla during a year in which gatherings were forbidden. Through clandestinely filmed performances with members of many different communities—indigenous, trans, queer, rural, Afro-Colombian and radical outsiders among them—Maria Romero recreates northern Colombia’s largest cultural event as an essayistic performance film, demonstrating how Carnival is a lifeblood to its many diverse participants.

Clara and Luis have an argument. It’s not the first and it’s always over the same issue. Clara’s job interferes with Luis’ desire to have a family.

A young couple in Havana struggles desperately to find a place in the crowded city where they can be alone and unseen. Combining video essay, fiction, and documentary footage of Cuban streets, What’s Mine is Yours is a darkly humorous, frenetic look at the way dense urban life confuses our desire for intimacy.

After infinite paths of dust, mists and hills; inhabit the heirs of David Thoreau’s philosophy. Three generations who felt the call into the wild, walk in a rhythmic way in the same direction: the reconnection with nature.

Peng Ruan filmed himself obsessively from the moment he arrived in Europe from China. The camera became his best friend as he shot a total of 60 hours of amateur footage that captures his life over a period of six years. Film students in Barcelona edited this raw material to create a candid portrait of a man who doesn't act as if his situation is better than it is.

Luis, a 20 year old boy, comes to a psychologist's office to overcome a trauma that has been hidden and tormenting him since childhood. In the last sessions the psychologist creates a new methodology, in which Luis's hidden memories are used to help him overcome a trauma he has been tormenting since childhood.

Julia wasn’t a happy woman. She made an important decision to change her life.

Evangelio mayor is almost entirely shot in the building which was being renovated in Madrid between 2019 and 2020 to house the Josete Massa LGTBIQ+ public residential care home for the elderly, the first of its kind in the world. The film takes advantage of the site under transformation to stage two things. The first is the lucid and harsh testimony of Ramón Barreiro, struck by AIDS in the early eighties and a survivor after many years of struggle and serious aftereffects. The second, a series of dialogues taken from the four Gospels, in which elderly members of the LGTBIQ+ community cite “the old words anew and in a new way”, as one of the notices which can be read at the beginning of the film states. Provocation is by no means the primary intention behind showing them; nor are they composed of irony. Rather, the film understands that the biblical text, as the basis for rituals and stories shared by generations, is a vast framework or grand code which can be harnessed dramatically.

A satellite time-lapse narration, using Google Earth facilities to travel worldwide.

Memories of a past relationship reveal the love and sadness between two soulmates.

The twelfth edition of the International Meeting of Collective Architectures was held in Palma de Mallorca, in the neighborhoods of La Soledat, Nou Llevant and Es Molinar, at the end of September 2019. The meeting focused on the imposition of false paradises and the description of the current mechanisms of urban transformation that expel people from their neighborhoods.

Permanencia portrays the old age and the memories of the youth of a seventy-seven-year-old man, who during the sixties was an active part of insurgent groups and of the most relevant social uprisings that took place in Ecuador.

Leonardo Antom, a forgotten manager, seeks to resume his career at all costs. Máximo Alcalá, a young singer-songwriter, fights against his identity conflicts. Our two protagonists will unite to reach a place in the music industry, as well as, we will discover the past of each one and how their triumphs turn into a search for satisfaction.

Between the color of memory and the texture of dreams, a search becomes a body. Summer is an island without references, a place without language in which the objects I touch take me just where I cannot find you.

My body, my films, my non-binary gender identity. What is my place in this world?

Andrés feels that the ambiguity and secrecy of his relationship with Mauricio is wearing him down. During one of the encounters they have in the hostel they turn to as a shelter, Andrés decides to raise these questions leading us to inquire into the different spaces their romance is built in.

Primario is a documentary that addresses Catholic Education in the City of Buenos Aires, during the first government of Carlos Menem. To do so, the director narrates in first person what he experienced in his Catholic elementary school between 1989 and 1995.

Sofia intends to make a film made of wishes of actors and actresses. Juan wants to do something on top of a tree, Ezequiel would like to act as a sailor or something like that, Francisco wants to be naked, Maiamar wants to do something mystical mixed with aliens and Walter chooses to get angry with Juan. In that game, everyone ends up lost in a strange time.

The living room curtain suffers an identity crisis on its tenth birthday.

All Is Grace is formed by five reels-units that explore the idea of repetition and in-camera montage and want to be a subtle study of the expressive qualities of the super 8 cartridge and an evocation of its ecstatic potentialities. Colour, light, texture, movement, repetition.

A boy is struggling when his sister goes missing unexpectedly. One of his friends invites him to dinner to cheer him up.