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The film is divided into two antithetical segments ‒ The first is made up of a couple of fixed shots of the pianist, Carles Santos, playing Chopin's Prelude in C-sharp minor, Op.45. The second segment shows him listening to this own recording from a loudspeaker until he dons the headphones, therefore letting silence take over the film and consequently also over the audience in the movie theatre. The lenght of the silent shot is for the duration of the prelude.
Documents the life of the last generation of Selk'nam's. Their way of life, economy, rituals, chants, traditions, and their slow extinction after the colonization...
A group of doctors decide to carry out a hypnosis experiment with a dying patient. The consequences will unleash the forces of evil. Short film based on Edgar Allan Poe's story "The Facts in the Case of M. Valdemar".
Marginal/unemployed dude with heart of gold tries to make life better for crippled niece, unapproachable girlfriend, others.
"Oh––senseless acrobatics, cart-wheels in mid-air, unheard of songs they sing, distal the midnight vapors into wine––do pagan dances!"
A short film by Iván Zulueta.
The artist's voice-over saying "No, I wasn't happy" marks the beginning of the video-recording of this, her first art action, which consisted in the intervention to a traffic sign along a mile, specifically on Manquehue Street, in Santiago de Chile. A fundamental work within the history of 20th century Chilean art.
"...in the month of women..."
Analyzes the typical features of the punto, a Cuban musical tradition from the days of Spanish colonialism.
Short film by Spanish/Catalan film maker Pere Portabella.
Politically animated short film in response to Pinochet's coup in Chile in 1973.
The slow rhythm of regular breathing determines an analogous rhythm in the image: the fugue of a candle flame toward a virtual infinity generated by a lens with variable focal length. Each appearance of this vector (successive fixed positions of the zoom) corresponds to an equivalent interval of darkness, an identical number of unexposed stills. An attempt at metric cinema. The position of the flame varies slightly with each successive apparition and the displacement seems to stop for just a few seconds in order to introduce alternating stills in reverse order.
Will More arrives by boat to a "genuine Mediterranean island" and is welcome by "thousands of Chinese girls" who take him to their place and tell him a story about his "ego", which he must immediately look for. Thus he gets to a "wonderful palace", where he meets a hermaphrodite odalisque who materializes the image of his other self and offers him a new and even more fantastic story.
Ana Mendieta, 1975
The film presents the five members of the popular music group La Pandilla in a tangled comedy-musical plot, involving a stolen audio recording, during the summer of their group tour. Includes sequences within the same concerts, where the enthusiastic public is also shown. The plot is woven around this tour, alternating performances with funny incidents at a hotel in Condado where they stayed.
Lost Zulueta short
"Hold on to the end..." -HV
Zulueta short
Lost Zulueta short
A young man goes to a brothel for the first time. He feels uncomfortable and nervous there, until he enters the room with a beautiful woman. After a while, he realizes that his son, a few months old, has been in the room with them since their arrival.
Roma-Brescia-Cannes, made in 1974, could be called a lyrical home movie. P. Adams Sitney defines the lyrical film as one that “postulates the film-maker behind the camera as the first-person protagonist of the film. The images of the film are what he sees filmed in such a way that we never forget his presence and we know how he is reacting to his vision”.
A man travels through the landscapes of the Basque Country, enters a cave, and continues his journey to the sea, where he dives into the emptiness of his inner reality.
Recovered Zulueta short.
Recovered Zulueta short.
Recovered Zulueta short.
A student of peasant origin suffers from the confrontation of the two cultures in which he was educated: the rural and the bourgeois-urban. A camp with his companions near his village, now empty and ruined, causes him a lot of evocations, memories, and a feeling of death and destruction
Branches, leaves, and flowers overlap and mingle. The film closes with a passage from philosopher Zhuang Zhou.
A businessman tired of work and his family life decides to escape for a weekend without any given plan. In a gas station he meets Natalia, a girl bored of his father, who is also trying to escape from a conventional existence. Together they get to a little coastal town, where the inevitable happens.
After arriving on a ship in Valparaíso, Bohr meets Euríspides Chamorro, with whom he begins a trip through Chile, full of sketches, most of them led by the comedy duo Los Capo- rales.
Based on María Vesterinen's drawings, it tells the story of the kidnapping of men and women in Chile and the search for their missing relatives.
While a group of workers demolish a building in the Providencia district, the director of the documentary talks with a stucco worker, accompanying him to his house. The dialogue, which begins with an inquiry into his trade, reveals the frustration of the worker, whose meager salary prevents him from paying the money required to obtain the title deeds to his own house.
After five years in prison the protagonist of the story, Emiliano Trejo, seek to know the truth of his imprisonment, in his wake you will find a "compadre" and a widow with a daughter who were victims of a strange gunman who uses an expansive weapon . Also to his friend and his former love who is married to him.
The Tuna Estudiantil de Cayey interprets several melodies of popular Christmas music. Special emphasis of typical musical instruments such as guitar, mandolin, güiros, and tambourines are made.
Recovered Zulueta short.
The seemingly peaceful life of a Castilian little village hides the most turbid and ardent passions. Calixto, a repairman of television antennas, is required by the fiery housewives to quench their sexual instincts.
A luminous journey through Spain in search of the sun and the many commonalities and differences that for millennia have united and divided the inhabitants of that land of many landscapes, many cultures and many ideas.
Directed by Helena Solberg, this documentary centers on three teenage girls living in a Bolivian reformatory after experiences of sexual violence and exploitation. Through their stories, the film contrasts their circumstances with prevailing social expectations and representations of women.
Two very young women live in a country house in the midst of war. The older of the two is the active one, the one who dominates and controls everything that happens in the house. The younger woman is the victim, dominated by the bombings and her companion's mentality, which forces her to maintain impeccable, unhealthy behavior. This conflict between the two is narrated by a voiceover—that of the younger woman—who, now at a distance, reflects on that period of her life.
Recovered Zulueta short.
Following the Fisga in the solitary journey through the waters and exuberant nature of the Amazon, we witness the patient search for the fish that will feed his family, and his struggle to catch it.
A wealthy heiress living as an invalid in a remote country home is terrorized for obvious reasons.
Recovered Zulueta short.
Riot police act against protesters.
Recollections of Fidel Castro's visit to Chile on November, 1971, and of the historical imperialist exploitation of Latin America.
Report narrated by a local resident about the conflict between residents of the Pilar neighbourhood and the construction of a shopping centre in the area known as La Vaguada by the French company La Henin in 1977. Text taken from La Digitalizadora de la Memoria Colectiva
Portrait of a dark night in Barcelona, where a group of queer people take to the streets and nightclubs to claim their sexual freedom.