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The film uses documentary-style scenes, interviews and animated schematic drawings to expose the problems of the menopause as a natural stage of a woman's life, which is predominantly experienced without symptoms, and names individual problems about which Dr. van de Kamp, head of the outpatient clinic in Werder, is interviewed.
Somewhere in an unknown land of turtles, an old turtle wants to see the world. After hearing a cancan record she wants to dance and decides to take a ship to Europe - to Paris. Once there, she learns how to do the cancan, wears sequinned dresses, stiletto-heeled shoes and net stockings. She loses these wonderful things on her journey home but she still has her memories and the zest for life.
A landscape is filmed with a single-frame camera 48 hours from a point of view.
"Dearest Dziodzio" was filmed using quotes from letters Rosa Luxemburg wrote to her lover, the revolutionary labor leader Leo Jogiches, during her stays in Poland, Germany, France and Switzerland in the years 1893-1905. With historical photo and film montages, mixed with newly shot material, the film tries to give an insight into the life problems, the thoughts and feelings of Rosa Luxemburg. The film is enriched by the recordings of the original letters, which are read out by the director, as well as by drawings, watercolors and herbaria by Rosa Luxemburg.
Documentary about American filmmaker Abraham Polonsky.
Ehreshoven Castle - half an hour from Cologne - is home to 16 countesses, baronesses and baronesses aged between 76 and 88. The moated castle with its old park was bequeathed as a foundation by the last heiress in 1920. Impecunious, unmarried, noble ladies of the Catholic faith are given the opportunity to spend a quiet, dignified retirement there, provided their families are listed in the Gotha.
After his father is murdered by the Nazis in 1938, a young Viennese Jew named Ferry Tobler flees to Prague, where he joins forces with another expatriate and a sympathetic Czech relief worker. Together with other Jewish refugees, the three make their way to Paris, and, after spending time in a French prison camp, eventually escape to Marseille, from where they hope to sail to a safe port.
The compilation film looks back on four decades of East German film production to mark the 40th anniversary of DEFA. Beginning with the founding event of DEFA on May 17, 1946, it continues with film clips from many test recordings of the first feature films after licensing. Well-known directors, screenwriters, actors and musicians accompany the historical newsreel and feature film excerpts and thus bear witness to the reconstruction work in the early post-war years. A documentary that reflects the diversity of DEFA productions in the film and newsreel sector.
Four teenagers in the German Ruhr region try to succeed as a rock band in 1966. A girl tries to join them as a singer but is rejected by them.
Observation of the asylum procedure in the Federal Republic of Germany, not limited to depicting an individual case, but rather tracing a basic fate. The film captivates with unpretentious black-and-white images that are emotionally moving and show camp life as an agonizing wait for a decision by bureaucrats.
Portrait of the singing duo Marianne Rosenberg and Marianne Enzensberger.
Short film about the eighth circle of hell as described in Dante's Inferno
Feature film.
A misunderstood youth is incorrectly placed in a mental hospital.
Drama directed by Gordian Maugg
Documentary about the Swiss director Bernhard Wicki
In 1986, 60% of all machine tools in the GDR were produced by WMW "Fritz Heckert" in Karl-Marx-Stadt. This documentary introduces some of the Heckert workers, especially the youth brigade around Detlef Kalweit.
The film revolves around two characters: a high school student who is intelligent, beautiful, and fulfills all the expectations placed on her by her school, her parents, and society—and a young unskilled worker, a loser, whom she is supposed to take care of and reform. Such sponsorships were commonplace in the GDR and form the basis for a multi-layered, ironic, and profoundly told encounter that deals with conformity and rebellion, social background, and outsiders.
Only a short time left until Max Telligan's diary is finished. Hollywood is already interested in the book's film rights. US producer Terry Wilde makes the successful British author a lucrative offer. But shortly after the negotiations, the American is found dead at the airport and a fierce battle for the diary begins. Telligan's wife Harriet and daughter Marsha also feel the effects. Terrorists, the CIA and Scotland Yard suddenly take an interest in the book. But Telligan's beautiful secretary Liz Ferber defies all threats and saves the manuscript from shady characters and brutal intruders. Will she uncover the secret of the book?
“Why does cinema need death, when it can’t show it?” The filmmaker’s monologue and the discourse of images meet
A traumatized young man, abused by his father, imagines himself as Adolf Hitler when dreaming of revenge. Schlingensief released this film, which follows no linear narrative structure, at a moment when right-leaning German intellectuals argued for a coming to terms of the country’s relation with its Nazi past. Schlingensief disagreed. (MoMA)
Documentary film about a research project that is promising at its time, with which the prerequisites for the production of a new generation of computer modules should be created. Especially in the case of common user computers, the introduction of the "X -ray lithograph" in the semiconductor technology can lead to an even unmistakable upheaval. The film describes the research work and reflects on the importance of such a development insertion. An unusual documentation about a work that has little external in itself. - from 16.
In three parts, the documentary takes a look at the lives of three working mothers in East Berlin. Carola is a nude model and cleaner, Sabine is a singer and Heike is a secretary. All the women have to bring up their children alone, some of them abandoned by their husbands, some of them having consciously broken out of the housewife existence. Their self-determination is repeatedly thwarted by a repressive society. Director Petra Tschörner captures the daily struggle for survival of these women, who also have their say to explain their sometimes precarious situation from their own perspective.
At the beginning of the 16th century, the Christian Martin Luther followed his calling and became an Augustinian monk in Erfurt. However, his life in the monastery confronted him with his fears of a judging God. These were finally taken away from him through the study of his religion, which emphasized a merciful Creator. As a theologian in Wittenberg, he then went public with his 95 theses, which criticized the church's practice of forgiving sins in exchange for money. A momentous dispute began.
Film critic and scholar Helmut Färber recounts the life and work of Robert Bresson
An AIDS counseling center in a German hospital. An employee discusses the problems posed by the impending disease outbreak with five people. The discussion sheds light on five individual fates...
A woman on a train.
Rare documentary footage from around 1900 depicts the mood of life in Berlin at the turn of the century.
Short film by Dagmar Knöpfel.
The "Our Gang" type adventures of German working class kids from a Berlin apartment building (number 67) during the early 1930s. With Nazism's rise, however, their tight-knit group unravels. One leader, Paul, becomes a Nazi.
An abstract look at the changes in a woman's inner self. Married to a down-and-out writer, she is forced into a liaison with a book thief.
Bernd Upnmoor's Dom the title refers to the famous funfair at Hamburg - varies an increasingly meaningless shot of a few minutes on a carousel by exploring all the possibilities of colour film techniques and succeeds (in Upnmoor's words) in "making the viewers' senses tremble and flutter."
August 1914. In the village of Öd, the maid Rumplhanni has a love affair with Simon, son of the farmer Hauser. Before he goes to war, she dizzy to him, she expects a child from him. Simon can persuade his parents to say goodbye to Hanni as a daughter-in-law. Thus she has achieved what she wanted: to come out of the state of an illegitimate maid and to become peasant woman with house and farm. Since the old farmer wants to give her but nothing written, Hanni sets out another plan ...
Documentary about Italian musician and lawyer Paolo Conte.
Aderlaß is a youthful attempt to process the inheritance of the Vienna Actionists through the use of a super 8 camera. In front of the camera is a performance from Armin Schmickl Sebastiano (Peter Tcherkassky). A game with light and sound that explodes out of the calm into a delirium of movement and finally returns, after the "blood-letting", to rigidity. (Irene Judmayer)
In the 1930s, three unsuccessful variety artists dream of making it big. When they hear about the rise of sound films in Hollywood, they see their chance: a language school for silent film stars will bring them fame and success. Full of hope, they travel to California, straight into the exciting world of the first sound film productions. But not everything goes as planned...
The film adaptation of a carnival play by Hans Sachs from 1551. When a lecherous priest, a gullible farmer, a charming farmer's wife, and a hungry scholar come together, the devil can't be far away.
The plot centers around a director’s ruined film – most of which was inadvertently destroyed at the lab. It is a wild mosaic of startling imagery including a safe-sex foot fucking scene with toes in a condom, a woman flasher, and a woman voyeur in a wheelchair who comments on the street life near a public toilet.
The emotional story of an adulterous relationship between a journalist and a teacher.
In her work, Monika Funke Stern operates at the intersection between experimental film and video art. She relies both on a variety of filmic techniques and effects and a powerful dramaturgy of filmic devices. She develops her own visual signature and a great interest in her subjects, which often play with elements of science fiction to develop a critical take on reality. In her comical Zum Glück gibt’s kein Patent she portrays Norma DIN working at the patent office, played by Hella von Sinnen. Norma’s ordinary life and workaday world is shaped by the endless meaninglessness of the neutral abstraction of inventions. The story reaches a climax when Norma is presented with a robot that is intended to replace employees like herself one day. Norma can apply a whole series of bureaucratic policy provisions and classify the robot as not worthy of a patent.
The first part of the film explains human reproduction, the female and male organs and bodily functions. In the second part, the problem of the increase in sexually transmitted diseases in the context of free sexual contact is mentioned and symptoms are explained. In addition to real film scenes, the commentary film contains microscopic shots, cultural-historical depictions and animated drawings. The film was obviously intended to appeal to young men and adolescents in particular. Part of the Du und deine Gesundheit series.
A visual documentary of Einstürzende Neubauten, the German underground band, by Japanese cult director Sogo Ishii, made during their 1985 tour of Japan. The band makes an elaborate and remarkably choreographed appearance in the ruins of an old ironworks which was scheduled for demolition; footage of same was incorporated into the movie and a brief appearance on stage.
The puppet player Sebastian Fußberg moves through the country at the end of the fifties. Despite his age, an unwavering dreamer and idealist. But also a torn person who cannot detach himself from the shadows of his past.
Occupied Estonia on its way to freedom. Demonstrations, public discussions, a "singing revolution". Goal: more self-determination and autonomy. At a time when almost 50% of the population is Russian, Estonians are fighting to rediscover their nationality. There are protests against Russian paternalism, Estonian is to become the national language again. Relations between the peoples shall normalize in order to enable peaceful coexistence.