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Cricket

Through the pattern of this film a ‘Test’ at Lord’s runs like a thread and a broadcast commentary on the match is imposed on the background of cricket as a game, a craft, an interest of a people, a piece of history. The craftsmen are shown who make the ball and the bat–that ‘fourth straight stick’ with which the batsmen defend ‘the other three’. The craftsmen are shown who play the game, from W. G. Grace in the ‘nets’ to D. G. Bradman and Denis Compton in the thread of the ‘Test’. The history of the game is epitomized in the Long Room shots at Lord’s and from there the camera moves to the village green; to the London side- street where the urchins play on a ‘bumping pitch’; to South Africa, and India, where in the ‘blinding light’ there is often ‘an hour to play and the last man in.

Cricket

NR 1950
Calling Scotland Yard: Falstaff's Fur Coat

Because of his luxurious fur coat, a hammy actor becomes involved with crooks. His coat resembles the one that a gang's fence wears, and he is continually finding stolen jewelry in his coat pockets. When the gang learns that he is planning to turn the loot over to Scotland Yard, they go gunning for him and wound him while he is on stage performing 'Falstaff.' And, although wounded, he continues with his performance, trouper that he is that believes the show must go on, while the police are apprehending the gunmen.

Calling Scotland Yard: Falstaff's Fur Coat

NR 1954
Robot Three

Fictional story following the lines of a Frankenstein type horror movie: A grim scientist, when two of the robots he has created fall in love, orders his third robot to destroy the male one. The female robot subsequently seduces her creator scientist into drinking from a poisoned cup, and makes her escape..... Robot Three was awarded the Victor Saville Trophy (for most outstanding film) and the Alfred Hitchcock Cup (for best Fiction Film) at the 1952 Scottish Amateur Film Festival.

Robot Three

NR 1951
Journey Into Spring

Journey into Spring is a 1958 British short documentary film directed by Ralph Keene, and made by British Transport Films. The film -- partly a tribute to the work of the pioneering naturalist and ornithologist Gilbert White (1720-1793), author of The Natural History of Selborne -- features a commentary by the poet Laurie Lee, and camerawork by the wildlife cinematographer Patrick Carey. The journey suggested by the title is through time rather than space. In fact, two such journeys are made: the first back to the eighteenth century to pay tribute to the work of White, and the second studies the changing natural landscape near White's home town of Selborne in Hampshire between a typical March and May. It was nominated for two Academy Awards -- one for Best Documentary Short, and the other for Best Live Action Short.

Journey Into Spring

6.6 1958
Faces

The screening of the short film 'Faces' at the 1961 Edinburgh and London Film Festivals kick started the film career of young McConnell, then studying at Glasgow School of Art. 'Faces', a comment on the personas we adopt, was inspired by a visit to the Brussels Experimental Film Festival of 1958 where McConnell saw the work of many European film makers, films of a genre unseen at that time in Britain. Many were without words, telling their stories in a variety of genres, live action, animation, puppetry, and making social comments on their times.

Faces

NR 1957