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Greek painter Domenikos Theotokopoulos (Mel Ferrer) woos a beauty (Rosanna Schiaffino) and faces the Inquisition in 16th-century Spain.

Rasputin was a lusty steppes peasant, a god revealed, a cunning patriot, all that, or a mystifier? An intriguing biography.

In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”

The film in its first part intends to show the alienation of modern man by advertising, then talks to us about the image of women in advertising, society, entertainment, fashion, dreams, fantasies. Its last part is composed of saucy fake scopitones .

Based on Alfredy Jarrry's 1896 play about a greedy, overweight, selfish dude named Pere Ubu. The story follows Ubu on his journey to overthrow the current ruler and become King of Poland. Along the way he betrays many of his followers, taxes the civilians to an unreasonable degree and eventually slaughters everyone. Along his side, is the equally crude but somehow more likable Mere Ubu, who's like a foul mouthed Lady Macbeth.

Homage to the novelist Delly, to celebrate her centenary, a mini-soap opera (silent photo-novel style with bubbles) with Françoise Dorléac in the role of the orphan Garlonne and Jacques Dutronc in that of the young director Alban.

Eager to leave for the United States, two boys steal a collector's mask. They are caught by a young woman who decides to follow them. But the police are already hot on the heels of this carefree trio as they embark on a joyful escape...

A sleeping car employee seeking a well-deserved rest is prevented from doing so by the crowing of his neighbor's rooster. Just as he's about to settle the score, he's presented with a gift: a rubber band around the annoying bird's beak temporarily puts an end to its vocalizations. But the animal can't be left alone, and Pierre has to take it with him on his nocturnal journeys: you can imagine the disturbance it can cause when, after being thrown out of a wagon window, it lands in the next van full of pheasants. The whole little world spills out onto the train, and the conductor is not at all pleased! Pierre manages to get a young passenger to assume ownership of the rooster, but not for long. Every time Pierre tries to get rid of it, it somehow comes back to him.

In London in 1903, during a reception at the German embassy, the legendary swindler Rocambole, thought to have died in the penal colony, helps the British secret service compromise a Prussian diplomat. His mission completed, Rocambole, under the identity of the Comte de Chamery, returns to Paris, where Baron Keller, an arms manufacturer in the service of the Kaiser, entertains the famous prima ballerina Cléo Santelli at Maxim's every evening, with whom he is madly in love. Despite her attentions, the young dancer falls in love with the false Chamery, who seems to have sworn the Baron's doom and ridicules him in the salons.

In this French murder mystery, a young journalist goes from a bad situation to much worse. He has been having problems in his relationship with his girlfriend, and one evening he goes out on a bender. Too drunk to remember how he got that way, he goes home to sleep it off. When he wakes up in the morning, he discovers that his hangover is the least of his problems -- he is now a suspect in a murder investigation. After getting back together with his girlfriend, he decides to hide out with a friend of his and let the heat cool down -- a big mistake, as he soon finds out.

Once upon a time there lived in the same village two men bearing the very same name. One of them chanced to possess four horses, the other had only one horse, so, by way of distinguishing them from each other, the proprietor of four horses was called "Great Claus," and he who owned but one horse was known as "Little Claus"...

A portrait of feuilleton author, Marcel Allain, creator of one of Franju’s favourite heroes: Fantômas.

Stanislas Dubois is the manager of a successful advertising agency. One day, he comes up against an imposing woman who foists on him a cumbersome painting by Cézanne.

Positano is an island of the Amalfi Coast that Neptune would have, according to legend, created for the love of a nymph. Perched on the rocks of the island, the house of Frédéric Pardo and Tina Aumont became in 1968 a meeting place for the underground community. Pierre Clémenti stays there for a while and makes images of dazzling sensuality. Beyond Pierre Clémenti's intimate love of these faces and bodies often naked in this Mediterranean landscape, the film reveals the moving beauty of a utopia where living together could still be achieved in a territory of sharing and permanent creation. Flow of perceptions of consciousness, visual impressions, physical impregnations, the work of Pierre Clémenti is an ode to sensuality and "life-cinema".

The Roman city is essentially a meeting place, a radiant center of Latinity. Gaul is Romanized by road and by the city. The city is a place of residence, of worship, a cultural center of exchanges and leisure. We end up with the Gallo-Roman civilization (source: Média-Scérén)

A man at the feet of a seated woman, who looks like a big doll, licking her whole body.

A kind old lady is not all that she seems to be, and gets more than she bargained for when she rents out a room to a handsome young student.

In September, 1959, six Europeans leave Cook's Bay on the southern coast of Dutch New Guinea, now West Papua or Irian Jaya, to trek north to the far side of the island. The journey (450 miles, as a crow flies) across unmapped territory took seven months; three Muyu porters died. Near both coasts, the expedition met villagers who invited them to observe rituals and live with them. In the interior, all villagers kept them at bay, and they depended on air lifts from Hollandia for food and supplies. They climbed above 10,000 feet, built 14 bridges, and fought leeches and malaria. The narrator focuses on describing Stone Age savages, headhunters, and cannibals.

After five years in the army, Valentin Brû marry a haberdasher. They move to Paris, where Valentin sells frames, while his wife becomes fortune teller. One day, Valentin replaces her, and predict a terrible event which will happen.

Louis Bourdin est employé à la RATP le jour, romancier la nuit, avec une forte prédilection pour le genre policier. Un jour, il rédige un polar situé dans l'univers de la RATP, boudé par les éditeurs. Le livre parvient alors aux yeux d'une bande de criminels...

Cora, the wife of a wealthy Parisian businessman, Daniel, is involved in an affair with Henri, an unscrupulous garage mechanic who has set his sights on Cora's fortune. Daniel becomes suspicious and hires a detective to investigate, but the detective is unsuccessful in pinpointing Cora's extramarital activities.

Episodes in the lives of two country girls at school in Paris and their opinions.

Made for TV by Eric Rohmer.

Four vice-presidents fight among themselves to reach the top post after the president dies. Their wives take part in the various schemes to downgrade the opposition by unorthodox means.

A series of 43 documentary shorts, directed (without credit) by several famous French filmmakers and each running between two and four minutes. Each "tract" espouses a leftist political viewpoint through the filmed depiction of real-life events, including workers' strikes and the events of Paris in May '68.

A couple of hit men set out to kill an old friend.

During World War II, the Frenchman Léon Garros and Boris Vaganov escape from the Nazi concentration camp. After 15 years, Léon, who became a journalist, and his friends came to the USSR to make a report and find Boris in the meantime. In Moscow he doesn't found, and for the sake of meeting with a friend, Garros has to travel around the country by car... The foreigners are accompanied by Nikolai, the translator, who, in turn, is looking for his brother's runaway bride, Natasha.

A French agent goes after a gang of Asian terrorists who plan to blow up an American nuclear aircraft carrier.

Paul works tirelessly day and night to afford the big red car he has been dreaming of for a long time. But the sacrifices to be made to obtain it and the consequences of this obsession will be heavy for him, his wife and his daughter.

Allied and German forces are stranded in desert during WW II and attempt to surrender each other.

Barcelona, 1967. Hans Fromm, a German-born architect, lives an well-ordered everyday life. He has become the target of an antifascist death squad though. Indeed their leader, Julius, whose brother was killed by Schmidt, a merciless S.S., believes, without being absolutely certain, that Fromm and Schmidt are the same man. The team, whose other members are Georges, the son of a deportee liquidated by Schmidt craving for action, Raphaël, a mercenary type, Nils, the photographer and Romain, watch Fromm's every move until Julius, convinced at last that the quiet German is their man, gives the green light for the operation. They manage to lure the former Nazi to an old house but Schmidt/Fromm won't let himself be captured so easily...

In prison in colonial Algeria, shortly after the end of the Second World War, three indigenous cellmates make out. Once free, they attack the authority represented by the triad of the boss, the gendarme and the administrator. “Living the colonial condition,” confided Tewfik Farès, “is something! It’s not sociologically or historically speaking. It’s life. And I think that’s all there in it. [...] For a hundred and thirty years, we wait. We hold back. We push back. We hope. At the same time, on different occasions, there are skirmishes, unrest.

Charles Rouvier, a lawyer, is in jail for trying to save one of his clients, Hedwige. He decides to be revenged on women and his inmates teach him how to seduce and exploit them.As soon as he is released from prison he places a personal ad in a newspaper. This is how the newly self-appointed "cynical Don Juan" will meet three creatures: Florence, Gisèle and Henriette. Who will eat who?

A Docufiction about the twin realities of the Nominingue village in rural quebec, a poverty town turned vacation spot. where the older generation remembers the harsh conditions and poverty that afflicted them, while younger generations and tourist deal with ennui.

Documentary about Jean Dubuffet

An unscrupulous young man uses his "fiancée", who haunts gambling halls, to recruit the collaborators he needs to pull off his scams. When these unlucky gamblers are driven to dishonor by debts, he has his fiancée lend them money, and the next day he has them write checks, which of course bounce. All they have to do then is walk straight ahead, her charm encouraging them to do so. But the carefully planned hold-up at the home of a wealthy American tax dodger is a fiasco. The thief finds the safe already emptied by the very man who reported the bargain. But the unfaithful informer is fooled in turn: the loot he was about to take away in an Air-France suitcase is innocently snatched by a group of nuns who take the wrong luggage and unknowingly take off with 500 million dollars.

Debord’s eighteen-minute Critique of Separation directs its experimental attentions to “the documentary.” Debord draws from a catalogue of newsreel footage and book covers, rephotographed photographs, views of Paris and its neighborhoods, and a catalogue of disabused, seemingly offhand footage of him and his friends in the porous zone comprising the cafe and the street.

Made for TV by Rohmer.

Maroîs, the fairground bon vivant, spends most of his time around a bottle of wine, in the company of his friend Michaux, with whom he was once a sailor. He neglects his wife Monique, a pretty girl much younger than himself. Suffering from this indifference, she seeks imperfect and fleeting consolation, first from Michel, their friend's son, then from Jean-Louis, a young mechanic who has helped out with Maroîs' truck and won his trusting friendship. Michel, jealous, tells the showman of his misfortune. He leaves to kill his wife's lover. The latter, wishing to separate the antagonists, seriously burns herself by knocking over an autogenous welding block, which explodes. Taken to hospital, she asks for and receives her husband's forgiveness.

On prize-giving day, a few dunces recall various incidents that marked their school year.

The life of the world's most famous avenue, day and night, as told by Maurice Pialat and Georges de Caunes.

A young man becomes enraged when his mother remarries his wealthy uncle after his father dies.

Athanase Pernath is a gem cutter in the Prague ghetto. In spite of himself, he becomes embroiled in the lives of his neighbors. Family feuds, swindles, jealousies and revenge lead Pernath to prison, while the threat of the Golem, a monster created by a rabbi and awakening every thirty-three years, hangs over the city.

A beautician inherits a racing stable and a fortune of 160 million, which she can only collect in 5 years, if she has maintained and cared for the horses, including Prince III, preferred by her uncle who made her his heir. The thoroughbred wins a race during which the rival jockey is killed. The police suspect murder.

A mondo-movie on the theme of women, with interviews and mock reports: plastic surgery, transvestites, Victoria Nanquin stripper, divorce and jealousy, dance classes, modeling school, nude modeling, prostitution in the woods, Miss Françoise masseuse, Miss Spaghetti contest.

Black and white unite and are confronted with hatred in two color-line-busting classics from the classic years of exploitation.

A series of disconnected, minimalist vignettes often featuring Raynal herself, deliberately repeating actions and dialogue to challenge traditional storytelling. The film explicitly seeks to deconstruct cinematic meaning and the conventional portrayal of women in film, serving as a radical, self-aware diary film.

In the village of Simiri, Niger, fisherman Daouda is also a priest of the cult of Dongo, the god of Thunder for the Songhay people. He tells the god's legend by illustrating his account with drawings sketched in the sand at his feet.

In a busy, noisy neighborhood, a frustrated young wife in a failing marriage is offered her freedom by her indifferent husband, but has second thoughts after meeting an intriguing stranger.