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Leguignon the Healer

Having cured the local café owner, Diogène Leguignon becomes convinced that he is a healer and possesses the fluid. His wife sees the benefits of this gift and urges Diogene to exercise his power, particularly on a wealthy old man, M. Coq. Arlette Leguignon, however, is in love with a young doctor, who is violently opposed to her future father-in-law. Leguignon ends up condemned and, disgusted, no longer wants to look after others. When Mr. Coq dies, making him his legatee, Leguignon has to contend with the Coq family. This time, Doctor Martinet comes to his defense. The inheritance is used to build a clinic where Leguignon can carry out his experiments as a magnetizer.

Leguignon the Healer

6.5 1954
The Marriage of Mademoiselle Beulemans

Suzanne Beulemans's fiancé, Séraphin Meulenmeester, once tells her that he has... a mistress and a... son! The bad news falls rather well though given that Suzanne has developed a fondness for Albert Delpierre, a young Frenchman who has come to Brussels to study the brewing methods of her father. She decides to break up amicably but Séraphin does not dare admit it to his father, who becomes angry with the Beulemanses. Suzanne's uncle, a vicar, tries to settle the whole thing but the coronation of King Albert I gives rise to renewed resentment. Suzanne finally finds the way to solve the problem: she takes Meulenmeester apart, reminds him of his own misconduct when he was a young man, asks him to forgive Séraphin while her own father accepts Albert as his son-in-law.

The Marriage of Mademoiselle Beulemans

10.0 1950
Les Tapisseries Des Gobelins

In 1602, King Henri IV decided to develop French manufacturing to limit imports of products such as carpets and tapestries, of which the royal court was a major consumer. In 1662, Colbert (Minister of Louis XIV) bought the buildings and decided to create there the "Royal Manufacture of Crown furniture and tapestries", where upholsterers settled, but also painters, goldsmiths, engravers, cabinetmakers... Reserved to the furnishing of Royal Houses and diplomatic presents. To make this documentary, Alain Pol uses a new process developed by the French Lucien and Armand Roux. They had developed a color cinema technique with the "Rouxcolor" process, a patent filed in 1932. A simple process, which preceded the arrival of the American technicolor, less precise, but requiring special equipment for cinemas, which cut his career short.

Les Tapisseries Des Gobelins

10.0 1951
Le Corbusier, l'architecte du bonheur

Documentary devoted to the architectural and urban planning designs of Le Corbusier. The architect supports his in-depth reflection on the city and its necessary adaptation to modern life with plans, drawings and images, particularly Paris, whose revolutionary development dreamed of by Le Corbusier is exhibited here. Its first projects will remain at the stage of a model: the modernization plan for the city of Algiers. Some will be created by other architects: Ministry of Education in Rio de Janeiro, UN Palace in New York. From the post-war period in less than 10 years, Le Corbusier created large housing units in Marseille, Nantes, a chapel in Ronchamps, a factory in Saint-Dié, a town in Chandigarh in India. Through diagrams, the architect presents his theory of the "radiant city", the mathematical key modulor of his work as well as his project for reorganizing the countryside, industrial and urban cities into a grouping around a cooperative system.

Le Corbusier, l'architecte du bonheur

10.0 1957
Love at Night

Young Monique leaves the preventorium where Doctor Delaunay has lovingly cared for her. A painful return. Her mother Denise lives with Eugène, a handsome, disreputable young man who's easy to please and, on occasion, won't hesitate to steal. He hangs around Monique, excited by her freshness, until the day he is shot on suspicion of the disappearance of a mobster. Monique is reunited with Dr Delaunay, much to the satisfaction of her guardian Gilbert, known as Patte-en-moins, owner of the local bistro.

Love at Night

8.0 1955
Sur Les Traces De Premier De Cordée

"Sur Les Traces De Premier De Cordée", a color documentary from 1952 which will be released the same year as the eponymous photo book published by Arthaud, features Roger Frison-Roche and his sidekick Georges Tairraz II on the Aiguille du Grépon (3482 m) in the Aiguilles massif which overlooks the Chamonix valley. Together they co-produce the images of the ascent. The young Pierre Tairraz, who completed his training in Paris, at the school in the rue de Vaugirard (Cinema promotion in 1953), also took part in this very technical aerial filming as assistant to his father Georges Tairraz II and cameraman.

Sur Les Traces De Premier De Cordée

10.0 1952
Without Trumpet or Drum

For the Marquis Barbezieux de Saint-Rosay, nobility is important. If anything can comfort her, it's her family tree. In order to erase any doubt he invites in his castle a cousin of his established in Scotland, whom he instructs to bring him his titles of nobility. A first person introduces himself, calling himself his cousin, but it's not him. Then one, then two, then three false cousins ​​appear in turn. Will the real Saint-Rosay of Scotland eventually present itself?

Without Trumpet or Drum

5.5 1950
Himalayan Epic

In 1951, the 3rd French expedition to the Himalayas set out to conquer Nanda Devi (7,800 m). The attempt to cross the ridge between the main peak and Nanda Devi East resulted in the death of two members of the expedition. Expedition leader Roger Duplat and Gilbert Vignes disappear on the ridge somewhere below the main peak. Tenzing Norgay is part of a support team on this expedition; he and Louis Dubost climb Nanda Devi Est in search of the two missing people. A few years later, Tenzing discovered that Nanda Devi was the most difficult climb he had ever made.

Himalayan Epic

10.0 1951
Gueule de bois

While the twelve strokes of midnight slowly sound in the night and the lights go out in the windows of old Montmartre, a devil is born in a puddle of rum, thrown by some drunkard. And to do his devilish job conscientiously, without wasting time. A cellar is nearby. The devil invites him to his gala evening. It raises the wind, swirls clouds of dust, and in a Sabbath atmosphere, the guests flock: puppets crumpled with party favors, waste and rejects of all kinds leave the trash cans and hurry towards the promised spectacle. The orchestra – jazz – is headlined by an old accordion player…

Gueule de bois

NR 1954
Passionate Life of Clemenceau

The life and work of French statesman Georges Clemenceau is detailed in this 80-minute documentary. Using family photographs, newspaper layouts, newsreel clips and other such sources, the film traces Clemenceau from his earliest political triumphs to his dotage. Much emphasis is placed upon the subject's involvement with the League of Nations and the Treaty of Versailles. The narration by Yves Furet is counterpointed with excerpts from Clemenceau's most celebrated speeches. The patriotic fervor of La Vie Passionee de Clemenceau tended not to play too well in non-French markets.

Passionate Life of Clemenceau

NR 1953
The Open Window

One of the first European films commissioned by the countries that signes the Brussels treaty and filmed in the museums of Brussels, Amsterdam, Paris, London, Ghent and The Hague. The film shows, by means of 59 works of art, how painting discovered the landscape once it left the strictly religious context behind. Henri storck wrote, "We have tried to eliminate the artificiality of filming. We have tried to hide the camera in order to immerse the audience in the world of the painting and the landscape that it depicts. We want the viewer to discover the feeling of nature for himself, through the artists.... It is not our ambition to make a critical or informative work." This iconic journey from Bosch to Manet and Turner is accompanied by music by Georges Auric.

The Open Window

6.0 1952