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Consequence

Second collaboration with the composers Haro/Fiori. The images refer to the crisis of the representation of reality which emerges with the mass diffusion of electronic images on television and on video in the last decade of the 20th century. The piece also illustrates the discussion relevant at the time (1991-92), and still so today, on the replacement of experimental cinema with video art. The title alludes to a quote from Heinrich Rudolf Hertz, "The consequences of images will be images of consequences."

Consequence

NR 1992
Two Shameless Ghosts

A handsome young millionaire wastes his life in parties and debauchery. When his father dies, he inherits him on the condition that he works and marries, but he gets drunk and dies in an accident. A fat and poor bum in love with the waitress of a restaurant, robs the factory where he works as a watchman and when the police arrive he falls from the roof and dies. Both arrive at the reception of the afterlife and receive a new opportunity. They are given pills to temporarily recover their bodies, but they confuse them and end up exchanging them, which causes trouble and entanglements with their girlfriends and friends.

Two Shameless Ghosts

7.0 1993
Un día perfecto

A glimpse into Europe's future. On 37 Juliembre 2056, one of Europe's 400,000,000 unemployed, a man named Gabe, wins the Grand Lottery: he'll have a job. He phones Susanna, his girlfriend who has recently tried to break things off, and tells her he has a surprise for her. She agrees to meet him in 30 minutes. Then, a perfect day turns sour: Gabe is behind on his rent and is maxed out on his universal credit card, the computer won't let him exit his flat. He phones emergency services, and Filipe, a sixth generation humanoid, is unsympathetic. Will Gabe miss out completely on his good luck? Susanna comes to his door: perhaps she will rescue him and restore the day to perfection.

Un día perfecto

7.2 1998
Seni's Children

Seni Camara lives with her husband and family in the village of Bigona, in the Casamance region in southern Senegal. Working outside the local tradition of making pots and “useful” objects out of clay, Seni claims that through a “gift of God” she has been able to create thousands of bizarre, magnificent creatures — clay sculptures of astonishing originality. Although the villagers don’t know quite what to make of Seni and her art, she continues to work to support her family and to satisfy her own creative urge. The film follows Seni and her husband as they prepare the materials of her art. Together they dig up the hard dirt of the land and slowly mix it with water and sand until the clay is ready to be molded (she tells by taste). While Seni does the intense work of shaping the wet clay into her truly original forms, her husband prepares the final dye bath by harvesting and soaking wild nuts in water. Finally they fire the sculptures and dye them.

Seni's Children

NR 1992