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Annette meets Iván who invites her to his apartment. There an erotic game begins between the two, which is interrupted by the arrival of some friends: El Lacra, El Virolo and Fabián. The calm ends when Annette finds in the bathroom a sack that apparently contains the corpse. They decide to take it out and transport it in a cart to a vacant lot. Iván murders El Lacra when he discovers that there was no corpse.

Based on the story written by Augusto Guzmán Martínez, The Cruel Martina chronicles the life of a girl, Martina, who lives in the rural area of ​​Cochabamba. Martina is assaulted by people arriving from the city, and becomes consumed with her desire for revenge.

“This work is an interaction of the space, the symbols and the historical context in which I live as a woman on this side of the continent. It is a rosary of alarm, eternal and circular; the alarm of a woman who desires life, light, truth, and solidarity, but who instead sees and receives death and fear. It is a rejection of all that is destruction, and death, yet is depicted almost attractively as innocence.”

Explores the life and work of Frank Almánzar, a visionary Bauhaus-trained engraver, illustrator, and cultural animator who left an indelible mark in the cultural life of the country.

A documentary on the origins of Changüí.

This was a free concert supported by the Madrid Townhall on the occasion of (the patron saint of Madrid) Saint Isidro's bank holiday. The socialist party was very interested in pop music and wanted to give a boost to a city that was culturally dead. The Spanish were very welcoming and the concert was a success. Morrissey was also very energetic, he danced wildly but wasn't very talkative.

Guillermo, a rock music critic, decides to write a book in which he sets out to tell the truth about John Lennon's death.

Experimental film projected over a sculpture

Documentary about the organization -Mujeres Libres- that narrates, through interviews, their participation in the Spanish civil war and their day-to-day struggle as anarchists and as women, in war and in the revolution. The protagonists talk about how they got involved in the war, about their relationships with other anarchist organizations and about their lives since then. Decades later, Mujeres Libres is still a model of revolutionary feminism.

The Guajiros are a people who have survived the harsh elements of their desert environment and the intervention of outside cultures. Through the centuries, they have learned to interpret the values and laws of those cultures to assure the perpetuation of their race. In this film, their art and ancient ceremonies are intermingled with the economic and sociopolitical realities existing in Latin America.

On the changes from one city to another: from New York to San Juan. The images condense metaphors of displacement, of the out of place, and of accommodating to ambivalent spaces, through scenes animated by lights and frames with changing color filters.

A set of comic sketches. The sequel to Cucarrecord.

Experimental film by the basque painter and filmmaker Ramón de Vargas

Montage documentary on the bombardment of Gernika.

A portrait of the 80s in the Basque country through the men's friendship.

My intention was to explore the landscape where I spent my early life, and to some extent the people who helped me to inhabit it. So I started by flying over this landscape and was filmed while doing so. My new view of a place with which I am very familiar is an important aspect of the film.

Explores the life and work of Francisco A. Palau, believed to have been the first Dominican filmmaker.

The artisan construction of boats in the shipyards of Lekeitio.

"The experiment consists of saying in front of the camera the word self-portrait in an increasingly loud tone of voice until exhausted with a cry, although the mood of the self-portrait is the same at all times" Gerardo Armesto