1,595 Matches Found
The sectors studied are the Yumbo industrial complex (the rainbow of pollution), which threatens to create a fence of smoke and pestilence around the city of Cali. The Mamonal complex (Bahía de Cartagena) and the garbage of the big cities. The film, depending on its geographical direction, is divided into five chapters, namely: air, water, garbage, noise and lack of trees.
Audiovisual about the launch of the newspaper AVUI, the first newspaper entirely in Catalan, recorded on 22 and 23 April 1976.
Recovered Zulueta short.
A sample of the most relevant and characteristic aspects of traditional Navarran culture: carnivals, pilgrimages, crafts involving farm implements and tools, agricultural work, patron saint festivals, and other manifestations of rural society and folklore unfold over 150 minutes at the pace set by the seasons. The film is a reference document of prime importance on traditional Navarrese society, which was beginning to disappear in the years when the film was shot due to the rapid transformation of the region into an industrialized society. More than thirty years later, this process has been almost completely accomplished, giving the film a unique added historical value.
A short film by Iván Zulueta.
A young man roams the streets of Caracas.
Documentary directed by Pío Caro Baroja, divided into eight distinct parts: Man, Stone, Meadows, Trees, Rural Environment, Iron, Sea, and Villages. This eminently ethnographic work is a compendium of the customs and traditions of a people with an ancient history, which today remains a witness to many images that will never again be part of everyday life.
Mara Ordaz, a former film star who lives in an isolated mansion with her husband, her doctor and her money manager, decides to sell the house and return to Buenos Aires; but the three men do not agree with her decision.
A free adaptation of Jesus Christ Superstar. The musical, shot in the Atacama Desert, transfers the action to the context of the indigenous peoples of the Andes and uses arrangements made with musical instruments typical of the region.
"El campo para el hombre" was a politically militant documentary about the small holdings of land in the north of Spain and the large estates in the south of the country. This film portrays the exploitation and misery of the Spanish peasants, but also their class-consciousness and their will to fight for their rights and freedom. The film was shot in the late years of Franco's dictatorship, so it was made in secrecy (the directors were connected to the Spanish Communist Party).
A child plays on the beach; we are in home-movie territory. For years I thought I had made a film-poem, without knowing how to explain it, until Gilles Deleuze created the concept of "perception-image": A character acts on the screen and it is assumed to see the world in a certain way. But simultaneously the camera sees him, and sees his world from another point of view which thinks, reflects, and transforms the viewpoint of the character [...]. In short, perception-image finds its status, as free indirect subjective, from the moment that it reflects its content in a camera-consiousness which has become autonomous ('cinema of poetry'). (Gilles Deleuze, Cinema I: The Movement-Image).
Three individuals find out their experiments into fear and the dead may have gone too far.
Recovered Zulueta short.
A railroad arrives at a dreamlike place called "Hell", where different religious manifestations take place. Evangelicals preaching, Catholics at mass, groups singing and marching with instruments. Suddenly, the railroad leaves the place.
Rich landowner uses a hired gun to exploit the local peasantry more efficiently. It doesn't end well.
M., a right wing priest, discovers through three key meetings - with the army, a bourgeois family and a "third-worldist" priest - that your ideology is out of time.
In a city that has been bombed after a war, a priest, a worker and a student fight against the power of employers and trade unions.
Argentine filmmaker Gerardo Vallejo, exiled in Spain, visits the Salamanca village of Cespedosa de Tormes, where his grandfather was born, and reconstructs the memories of his time with the locals.
Spanisch horror short from 1972.
A documentary about how Republican forces lost to Franco in the Spanish Civil War.
The story of a couple whose relationship is falling apart, with voiceover by two of their friends.
COCHENGO MIRANDA is a portrait of a farmer and his family living in the Pampas region of Central Argentina. Made by Jorge Preloran, Argentina's best-known documentary filmmaker, the film is an example of his unique genre of ethnobiography, in which the story of an individual reveals larger truths about a culture and way of life.
Ethnographic film by Jorge Preloran presents a portrait of a well-preserved colonial church in the small town of Yavi, Jujuy Province, Argentina. A voice over narration by Zenaida Wayar, the church's caretaker for over forty years, provides the history of the church and the region.
Recovered Zulueta short.
It's Thursday, the day to go to the movies in Chile. Families see in the newspapers and advertisements the films that will be shown. Everything is prepared. A man attends a function and sitting in the audience, he gets excited when he sees his favorite images and actors on the big screen. The movie ends and the screen turns off. It is time to return to reality.
Art documentary on the sculptures of the Mediterranean highway.
Recovered Zulueta short.
Composed of images filmed in April 1975, a few months before the Green March, during an expedition of more than 3000 kilometres across the then Spanish Sahara, a unique testimony of the life of this region in an era in which it was preparing for its independence.
Short Film, On display at Museu Nacional d'Art de Catalunya; alongside Pa i fang.
Lost Zulueta's short
Recovered Zulueta short.
It is remake of the film directed by Jorge Mario in 1971. It is a western that takes place in a hypothetical region of Mexico, and narrates the adventures of a man seeking revenge.
Biographical sketch of the heroic guerrilla on the tenth anniversary of his death, made from the evocations of the homonymous poem written by Nicolás Guillén.
How does a country go from a dictatorship to a democracy? A detailed report on the political representation in the heart of the Spanish Transition, only a few months after General Franco’s death, when the sincere democratic vocation of Spanish people must effort to destroy, one heavy brick after another, the wall that those who supported the dictatorship and those who fought it from the exile built with resentment, hatred and prejudices.
Íñigo and Waldo are two friends who share their cinephilia. But one day, at a party, Íñigo meets a girl.
It is a fictional film directed by the amateur director in Super 8 Dr. Jorge N. Mario in 1971. It is a western that takes place in a hypothetical region of Mexico, and narrates the adventures of a man seeking revenge.
A documentary on the Uruguayan leftist urban guerrilla organization named Tupamaros. The documentary was shot during the height of their operations, in their midst. Contains the only known footage of the Prisíon Del Pueblo (the Tupamaros prison facility).
Two salesmen in Honduras are looking everywhere for their lost pal.
A foreign journalist arrives on a small Pacific island 200 miles off the coast of South America. Once a leper colony, the island was later transformed into a prison and then, under U.N. mandate, made into an independent republic. Yet despite democratic structures, the inhabitants--who speak a strange dialect composed of Spanish and English--still obey the old prison rules. After sending back detailed accounts of the torture and repression seen everywhere, the journalist realizes that she has fallen into the trap created for her by the islanders: lacking natural resources, the island's main export is news.