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Der Mann im Schilf

In 1934, young archaeologist Robert returns to his home in Salzburg after spending several years working in Crete. He wants to officially break up with his original fiancée Hannah, as he has fallen in love with his employer's wife. But his personal plans get caught up in the political turmoil of the Austrian coup year. In a small village, he and Hannah find themselves caught between the fronts of the coup plotters and the Home Guard troops. A defenseless deaf-mute is to be lynched as a scapegoat. To protect him, Robert invents a mysterious "man in the reeds." But Hannah also eventually falls victim to the unrest.

Der Mann im Schilf

8.0 1978
Drei Töchter - armer Vater

Master craftsman Richard Gorbacher celebrates his 65th birthday and announces an unusual decision on this day: he wants to adopt Eva, Marion and Renate, three young women from his company. As they are struggling with so many difficulties in their lives, he wants to be their father from now on and support them in all situations. However, the young women react differently to Richard's offer than expected. But Gorbacher perseveres and fights for "his" daughters and their true happiness.

Drei Töchter - armer Vater

10.0 1977
My Frau - dr Chef

Bobby Jucker's soap business is on the brink of collapse. The resigned manufacturer expects to go bankrupt soon. So he doesn't mind letting his wife take the reins and putting on an apron himself. Clara Jucker is tired of being a housewife anyway. Bobby is already gloating over his wife's failure. But Clara turns out to have a talent for business, and instead of impending bankruptcy, her husband now has to cope with his wife's success. What makes the situation even more unbearable is that Clara seems to get along very well with her new assistant, Binggeli-Braun. Bobby Jucker's envy is now compounded by jealousy toward his supposed rival. A fight is inevitable.

My Frau - dr Chef

7.0 1975
Otello

Herbert von Karajan directed this film of Verdi’s Shakespearan masterpiece as well as conducting the Berlin Philharmonic. As the tragic Moor of Venice, arguably his greatest role, John Vickers (in the words of critic David Cairns) "commands both the notes and the moral grandeur of the part. … And he has the aura of greatness – greatness of heart, of bearing, of musical and dramatic conception". Mirella Freni is a heartbreakingly lovely and fragile Desdemona, while the fine English baritone Peter Glossop plays the villainous Jago.

Otello

8.0 1973
The Count of Luxembourg

Der Graf von Luxemburg (The Count of Luxembourg) is an operetta in three acts by Franz Lehár to a German libretto by Alfred Willner, Robert Bodanzky, and Leo Stein. A Viennese take on bohemian life in Paris at the beginning of the 20th century, the story revolves around an impoverished aristocrat and a glamorous opera singer who have entered into a sham marriage without ever seeing each other and later fall in love at first sight, unaware that they are already husband and wife.

The Count of Luxembourg

8.0 1972
Kaskara

An experimental film where a particular space is constantly "present" : there is a complex usage of superim- position, and of split-screen effects. The place shown is a part of a house in the country. Doors and windows are continually shown, emphasizing the film's concern with framing. Other images are present: city-scapes of a particularly sinister nature, implying a sense of ruin, and shots of a chorus on a stage. These shots begin and end the film which is accompanied by a vocal chant on the soundtrack.

Kaskara

7.0 1974
Osceola

Florida, 1830 - Of all eastern Native American tribes, only the Seminoles have resisted being moved to reservations. Having retreated to Florida, they live a simple horticultural life. But white plantation owners, angry at the increasing numbers of black slaves fleeing to Seminole protection, want to take their land. Plantation owner Raynes, in particular, has convinced the military to wipe out the Seminoles. His rival Moore, a sawmill owner from the North who has a Seminole wife, is against slavery and considers it unprofitable. Chief Osceola sees the coming danger; he tries to avoid provoking the whites, but cannot prevent the war that breaks out in 1835.

Osceola

5.2 1971
The Black Angel

Two women, one from Boston and one from Germany, flee their empty lives to seek fulfillment in Mexico. The Black Angel is a transitional film; on one hand, it is a companion piece to Willow Springs, featuring two Schroeter regulars as characters far from home and in extremis; on the other hand, it is a film essay about Mexico and as such a harbinger of Schroeter’s nonfiction work to come. While he clearly shares his characters’ fascination with Mexico, the filmmaker also savages touristic exoticism – the otherworldly appearances of his protagonists and their rapturous reactions to new surroundings contrast sharply with the sober perceptions of Mexican history and economics featured in the documentary segments and in the prosaic presence of a non-professional cast of locals. - Harvard Film Archive

The Black Angel

7.0 1974