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Do you understand this strange thing that happens between two people who were once inside each other? Sometimes people's heads get stuck in a hole that you don't know where it begins and ends. A thing that exists and goes despite. It insists on I don't know where; without reaching it. Sometimes, since we are made of flesh and blood and word, the body gets on its ass. Finally, love.

In "Chegamos Sozinhos Em Casa - Fragmentos", a musical documentary, the band Tuyo performs all the songs on the album, in an artistic tone, replicating the uniqueness of the live shows.

The vampire Soraya goes to visit Salvador, but is caught off guard by a heat wave.

Reginaldo is a hungry and angry fish that lives in Rio Vermelho, Goiás. He lives indignantly with the garbage that everyone throws there. A playful story that talks about the importance of separating garbage, composting organic waste and selective collection.

For seven days, at exactly 1 pm, someone watches the mountain ahead.

A businessman, Diego Nadal, a Spanish speaker, has decided to spend a weekend in a new city for him, a city in Brazil. The reason is to meet another person and together get to know that city. However, some inconveniences occur during those days and the meeting of both is postponed more and more.

A simple love letter to Fortaleza city.

Faggots have a lot to learn from dykes and vice versa.

A short about Christmas that tells that Santa Claus is on vacation at Christmas and won't deliver presents

"Morada" is an experimental documentary that shows a little about the city of Acari, located in Seridó Potiguar. It has the main participation of Eilson Amarildo, better known as Negão Azul, who unloads fruits, vegetables and groceries in the municipality of Acari and neighboring regions.

Memories of two women experiencing their first love. In this encounter, the apprehension of body image and sexuality are involved through theater and drawings of Antonin Artaud.

Between the first and second waves of COVID-19, Nikolas Candido "wrote" an audiovisual letter to his friend. In a series of obscured fragments, he captures the changing mood of Rio de Janeiro with a digital 8mm camera. Although on the surface, life goes on as normal, the city is slowly sinking into darkness. Just like the whole country, where up to 4,000 people died every day during the most critical stage of the fight against the virus.

A cinematic poem that expands on a key scene in Carlos Hugo Christensen's masterpiece, O Menino de O Vento (1967). Katsuo's film addresses a truly impressive meditation on the suggestion of nudity, or lack thereof, in one of the most important works of Brazilian LGBTQ+ cinema.

"69" is an experimental film made from an extensive Super 8 archive filmed by Edmond Conilh de Beyssac, a French aviator. In context, everything was filmed in March of 1969, on a trip to Brazil. The film was transmuted into the idea of Anarchive, a concept created by the philosopher Erin Manning, activated in a process of audiovisual experimentation.

Five delivery workers tell stories during COVID-19 pandemic in Brazil.

Lilian and her four kids are in search for a better life. She dares to leave her violent husband in Guatemala and joins the migrant caravan in order to make it to the Mexican-US border. Being a single mother, this is her only chance to make the dangerous way through Mexico.

Personal and universal records narrate the irreversible second in which all deep traumas are exposed and created, the second that breaks 'normality'.

Sometimes, finitude frees.

A humming look into a casual and ephemeral day.

A deaf couple chats at a party while everyone else observes the beginning of a beautiful love story. But is the conversation as innocent as it seems?

Caesar wants, but doesn't know, Caesar doesn't know what he wants.

In an exercise of collage and images and sounds interventions collected on the internet, the film portrays the rains that happen every year in Belo Horizonte (…) and its consequences, the environmental destruction in the progress name and, the distance and insensitivity of public authorities in relation to peripheral populations. (Clarissa Campolina)