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Baby Boom

J.C. Wiatt is a talented and ambitious New York City career woman who is married to her job and working towards partner at her firm. She has a live-in relationship with Steven, a successful investment broker who, along with J.C., agreed children aren't part of the plan. J.C.'s life takes an unexpected turn when a distant relative dies and the will appoints her the caretaker of their baby girl, Elizabeth. The baby's sudden arrival causes Steven to leave, breaking off their relationship. Juggling power lunches and powdered formula, she is soon forced off the fast track by a conniving colleague and a bigoted boss. But she won't stay down for long. She'll prove to the world that a woman can have it all and on her own terms too!

Baby Boom

6.4 1987
Barbarosa

Karl Westover, an inexperienced farm boy, runs away after unintentionally killing a neighbor, whose family pursues him for vengeance. He meets Barbarosa, a gunman of near-mythical proportions, who is himself in danger from his father-in-law Don Braulio, a wealthy Mexican rancher. Don Braulio wants Barbarosa dead for marrying his daughter against the father's will. Barbarosa reluctantly takes the clumsy Karl on as a partner, as both of them look to survive the forces lining up against them.

Barbarosa

5.9 1982
With Aunt It's Not a Sin

The rich Gloria, resident for years in the United States, returns to live in her native country in Sicily, where she is welcomed by her sister-in-law, widow Antonia and her son Saro. The beautiful Gloria does not fail to arouse particular interest in the inhabitants of the place, especially in a building speculator, the engineer De Vita, who intends at all costs to get hold Gloria's land. She will be able to seduce the man, and then allow herself to the sister-in-law and the nephew before leaving for the USA.

With Aunt It's Not a Sin

6.4 1980
Nostalgia

Russian poet Andrei Gorchakov journeys through Italy with his interpreter Eugenia to research the life of an 18th-century Russian composer who once lived abroad. Isolated and consumed by an unrelenting longing for his homeland, Andrei becomes drawn to Domenico, a radical mystic obsessed with spiritual redemption. Through austere imagery and extended temporal rhythms, Tarkovsky examines exile, memory, and the profound melancholy of being unable to belong fully to either place or language.

Nostalgia

7.8 1983