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Tossed but not Sunk

In the early afternoon of the 11th March 2011, Japan was rocked by a 9.0-magnitude earthquake that caused widespread damage to the country’s eastern coastal region. Just after the earthquake, TV Iwate’s phones had been ringing off the hook with people wanting to know if their families are O.K. As a local broadcasting station, TV Iwate got name lists of evacuees from evacuation centers, took video messages and broadcasted it on their news programs or information programs every day. The length of footages that TV Iwate has shot this region reached approximately 1,850 hours for 10 years. Each victim lives out their life in their way with unresolved grief. Sachiko couldn’t find her husband in the end and took 6 years to accept reality. It was necessary for her to have kept writing countless letters to him. On the other hand, Kayoko and Daisuke couldn’t have a wedding, but they raise twins under the coronavirus crisis. 10 years of progress, we’ll never forget it.

Tossed but not Sunk

NR 2021
8K空撮夜景 SKY WALK (スカイウォーク)TOKYO/YOKOHAMA

Starting from the beautiful Yokohama at twilight, we will introduce the Bay Area with the silhouette of Mt. Fuji in the background and the sky dyed akane red. As night fell, we flew downtown, looking out over the Keihin industrial area and Tokyo International Airport. The container terminal, Odaiba, and Rainbow Bridge are all beautiful with lights shining on the water. Tokyo Tower is decorated in Christmas colors and Shibuya is illuminated. Shinjuku, Ginza, and Tokyo Station are all full of urban atmosphere. You can enjoy expressive aerial night views of Yokohama and Tokyo, as well as the best visual beauty such as the Tokyo Sky Tree towering over a carpet of light.

8K空撮夜景 SKY WALK (スカイウォーク)TOKYO/YOKOHAMA

NR 2021
Three Cities Winter '19

Using a matte box, multiple exposures, and only three rolls of film, Three Cities Winter '19 shows brief but dense portraits of Tokyo, New York and Paris in the same time period approaching the year 2020. While filming the final section in Paris, the camera finally gave out after being rewound dozens of times, leaving the map incomplete. The project was postponed until the artist could return, but going over the footage in 2021 it became clear that they shared a period in time that couldn't be revisited.

Three Cities Winter '19

NR 2021
Sobyō/Eizō

In this performance, Imai remediates photographic images appropriated from popular magazines into a series of line drawings superimposed on each other. Photographs that Imai took with his camera from female fashion magazines and weekly photography magazines are projected one by one on a large white paper attached to the wall using a 35mm color slide projector which displays each image for fifteen seconds. During the fifteen seconds, Imai traces the contour of selected parts of the projected image with a marker pen. Repeating this process for about twenty minutes results in an accumulation of line drawings overlaid on top of each other. Through the process of fragmenting and taking apart each image, Imai seeks to objectify the information environment shaped by today’s mass media.

Sobyō/Eizō

NR 2021
Butterfly

This video series is based on Shasei-cho, a sketchbook by Okyo Maruyama (1733-1795, Japan). The Shasei-cho was copied by various other artists and became a fundamental reference for how Japanese perceive and record the natural world. 蝶 Butterfly was created by photographing actual butterflies in super-slow motion with reference to the composition and drawing style of the Shasei-cho. Each movement is a reflection of the butterfly's behavior, characteristics and personality at the time. This work is a modern-day Shasei-cho that I observed and recorded based on the techniques of the great painters of the past.

Butterfly

NR 2021
Japan, the Beautiful or Ambiguous, and Ourselves

The name of this film refers to the lectures of two Japanese writers Yasunari Kawabata and Kenzaburō Ōe. In their Nobel prize speeches, directed at the Western audience, they meditate on the Japanese identity and how it correlates with their oeuvre. Tomotosi plays up this classic heritage. The artist delicately intervenes in city rituals via six performances and records his fellow citizens' reactions. In this way, he dissects daily life and the unwritten rules of social interaction in Japan.

Japan, the Beautiful or Ambiguous, and Ourselves

NR 2021