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Marattam

Panicker's one-act play deals with the relation of identification between an actor and his or her role. The action takes place on the eve of the last act of the Kathakali piece Keechakavadham (The Killing of Keechaka). The events surrounding the performance uncannily echo events in the play. One character even claims to have killed the lead actor of the play because he detested the character the man portrayed. However, the three different accounts that are presented of the same plot are never resolved or reconciled with each other. Each version is accompanied by a different style of folk music: the tune and rhythm of southern Kerala’s thampuran pattu, the pulluvan pattu and the ayappan pattu. The performers were drawn from the theatre and from Kathakali. In southern India, with its plethora of politicians using their film images to acquire inordinate wealth and power, Aravindan’s TV film bears on an eminently sensitive political as well as aesthetic issue.

Marattam

9.0 1988
Hatya

After the passing away of his wife, Sheila, and child, Raja, Sagar takes to drinking as well as singing and dancing at weddings and special occasions. Intoxicated heavily after one such event, he comes across a young male child lying in a garbage can, and takes him home. He subsequently comes to know that the child, who he decides to name Raja, is deaf-mute since birth, and decides to adopt him. Sagar's life will be turned upside down when a wealthy businessman, Kailash Nath, files a police complaint alleging that Raja is his grandson, and Sagar may have abducted and killed Raja's mom. Tortured and held in a cell, Sagar does not know that Raja's life is in danger by killer(s) who believe Raja saw them commit a murder.

Hatya

6.8 1988
Humkadam

Indu and Shekar Gupta are an exemplary couple with a young son, who live a harmonious lower middle class life despite of spiraling inflation and costs of living. Their love and respect for each other is put to the test when Shekar's parents, and his unmarried sister decide to move in with them in their tiny apartment. Shekar's income is not enough to take care of their extended family, and to make matters worse, Shekar loses his job. Indu and Shekar decide that Indu must find employment, which she does, much to the dismay of her in-laws. Things get worse when Shekar's dad, Raghunath, witnesses Indu in the company of a male in a fancy restaurant, and thinks that she is having an affair. When told about this incident, Shekar shakes his head with disbelief, then changes his mind when he finds out that Indu has not only being going out with another male, but also with her boss, Mr. Dutt. Shekar must now make a decision about Indu, a decision which may well bring their marriage to an end.

Humkadam

7.0 1980
Kudrat

The setting is in scenic Simla, summer capital of the British Raj in the 1970's. Chandramukhi from Bombay is on holiday with her parents and so is Naresh, a US educated medical professional with his parents. Chandramukhi and Naresh show interest in each other, encouraged by their parents. Choudhary Janak Singh, an important and wealthy man lives with his lawyer daughter Karuna in a lovely colonial period mansion. Their house-guest Mohan, a lawyer from Chandigarh is a protege of Janak Singh. Karuna and Mohan develop a romantic interest. The story of Paro and Madho, who lived in pre-independence India comes to affect the present.

Kudrat

7.0 1981
Kasam Paida Karne Wale Ki

Uday Singh a greedy, criminal sinister torments his nephew Satish for the property, completely making the kid grow-up to being insane. Though assuming Aarti to be his better half Satish gets married to her, but soon to his surprise the fact of her nasty game plan to steal the wealth has been revealed. Despite the fact he shows his genuine love - accepting her, parting her off with the money, on the condition that she agrees to stay life long with him. Having gauged the love she in-stores will power in Satish to fight back the goons for safety and justice, but Uday Singh sighting the danger gets him murdered. She stands up to being a sturdy feminine and decides, his son will be benevolent, yet will fight against injustice, and will disclose the fiasco which had been a nightmare when he is grown up to face the fact. Will she succeed? Will she fulfill her life long ambition?

Kasam Paida Karne Wale Ki

7.6 1984
Kaalia

Kaalia - A name that spells terror in the minds of people and the police, but Kaalia was not always like this. Years ago he was a mere simpleton. Living simply in a shanty chawl with his elder brother, Shyamlal, Bhabhi (Sister- in-law), whom he adored and their daughter Munni. Apart from them there is no one else in Kallu's little world until one day, an enemy in the guise of Shahani Seth appears. Shahani shatters the happiness in Kallu's life. That same day the young Kallu dies, and the dreaded Kaalia is born. Kaalia's main motive in life becomes wealth, and to destroy Shahani. This path of violence leads Kaalia to inspector Raghubir Singh's jail. Outside of jail, Shahani starts reclaiming his power, and inside jail, Kaalia clashes with Raghubir Singh.

Kaalia

6.1 1981
Waqt Ki Awaz

Wealthy Lata I. Prasad refuses to obey her widower father's instructions to get married to equally wealthy Rajan, the second son of Sikanker Lal Thakkar, her dad's business partner. She runs away from home, and shortly thereafter her father locates her living with a truck-driver, Vishwa Pratap, and his pretty sister, Lakshmi. She refuses to return home, and insists on marrying Vishwa. She will soon regret her decision when she finds out that Vishwa has been arrested for killing a male named Billa, and may either spend his life behind bars or be hanged.

Waqt Ki Awaz

6.7 1988
Laila

Bitter hatred had always existed between two Rajput families, namely those of Bharat Singh and Prithviraj Singh, resulting in the death of Bharat's nephew. Years later, Prithviraj's son Dharamraj gets married to Sunaina, who gives birth to a baby boy named Deshraj. On Deshraj's 10th birthday, Prithviraj goes to make peace with Bharat and invites him for a birthday party, which Bharat attends, but there is no end to the animosity - which results in the death of Prithviraj, when his chauffeur, Chandu, is bribed and manipulated by Bharat and his men. (Watch for more)

Laila

5.0 1984
Aai

Salubai a Tamasha dancer wants her daughter Chandan to get education an be a lawyer but during a performance she passes away of heart attack,Chandan then quits her education and steps in her mothers footsteps in order to support her mothers troupe as many would die of hunger.Chandan becomes a well known name during one of her performance she meets with accident and is treated by Dr Pradep Desai during they treatment they get close to each other and decide to get married but Pradeep passes away due to accident leaving Chandan pregnant.Chandan gives birth to a boy Anamik and wants to make him a Doctor like his father and leaves him in care of Guruji by making a promise that his mother is not alive.Chandan continues to perform in the troupe to educate Anamik till her old age and also has to face people who look at females performing in Tamasha group as characterless.

Aai

8.0 1981
Kala Bazaar

In modern secular India corruption, nepotism, caste, and favoritism has taken root all the way from Kashmir to Kanyakumari, sparing no one in it's wake. Bombay Municipal Corporation's employee Kimtilal is one such person who had to pay a bribe to a gynecologist so that his wife, Shanti, can give premature birth to their son, Kamal. When Kamal grew up, Kimtilal had to pay another bribe in the form of a donation to a school for admitting him. Then he had to pay another bribe so that his son could successfully pass his college examination, and go on to join the Bombay Police Force. Finally, he withheld an important municipal license for businessman Sampat, in order to get his consent to marry his advocate daughter, Kamini, with his son.

Kala Bazaar

6.5 1989
Superman

In this Indian take on the classic superhero story, a young baby from the doomed planet Krypton is sent to Earth, where he is adopted by an elderly couple in India who name him Shekhar. After growing to an adult and learning about his origins and powers, he goes to the city in search of his school sweetheart, Gita, who has become a newpaper reporter. At the same time, Verma, Shekhar's rival for Gita's affection in their school days, has gone on to become a crime lord and general super-villain. Verma has hatched at plan to become rich by devastating part of India with natural disasters, then buying up all of the abandoned land. Will Superman/Shekhar be able to put a stop to Verma's evil plan? Will he win Gita's heart? Will he keep his double identity a secret?

Superman

5.0 1987
The Chola Heritage

The film highlighting the Dravidian temple architecture and bronze sculpture which attained the creative pinnacle during the rule of the Cholas in the 10th and the 11th centuries. Cholas were great temple builders. The temple of Vijayalaya Cholesvara is one of the finest examples of the early Chola style. The temple of Nagesvara at Kumbakonam is remarkable for the sculptures found in the niches of its outer walls. The Brihadesvara temple at Thanjavur is a landmark in the evolution of building art in India.Among several such unique temples, Tribhuvanam is the last important temple belonging to the Cholas. Besides temple architecture,the bronze sculpture of the Cholas holds a unique place in the field of art. One of the most important and famous of all Hindu icons,that of the cosmic dance of the Nataraja is intimately associated with the Chola bronzes.

The Chola Heritage

8.0 1980
Sohni Mahiwal

Shahjada Ijjat Beg comes to India with his caravan and settles in a town in Gujrat. Here he falls in love with Sohani, who keeps a shop in metal pots. Ijjat Beg buys pot from her with whatever money he had and they were attracted to each other. Sohni dispensed with her servant and kept Ijjat Beg instead. This gave them more opportunity to meet. This was a scandal in the town and Sohni was perforce married to Rehaman who was slightly off his head. Sohni continued her meeting Ijjat Beg who went out fishing. When the atmosphere became to hot for them they jointly took a water grave for their love.

Sohni Mahiwal

5.4 1984
Aap Ke Saath

Ashok and Vimal are two grandsons of K.k. Vimal is womanizer. Ashok and Ganga are in love but when Ashok was about to propose Ganga for marriage, he finds that Ganga has complained against him in police station for sexual molestation. Ashok pays some money to Ganga and hope never to see her. K K bring home a girl named Deepa as K K want Deepa and Ashok to marry. But Deepa falls in love with Vimal. Vimal frequently visit a courtesan. When Ashok goes to courtesan to bring home Vimal, Ashok finds that courtesan is none other than Ganga.

Aap Ke Saath

4.8 1986