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Pictures from Afghanistan

Photojournalist David Pratt has spent almost forty years capturing indelible images of global conflicts. His career has taken him from Somalia and Syria to Colombia and Croatia. He has retained a special affection for Afghanistan, a country he has visited through decades of changing fortunes stretching from the height of the Soviet invasion in the 1980s through the years of the mujahideen and the rise of the Taliban. Now, he returns to the places and people that have meant so much to him, providing a uniquely personal then and now document of Afghanistan life.

Pictures from Afghanistan

NR 2020
Silicon Glen: From Ships to Microchips

Whatever happened to Scotland's Silicon Glen? US giant IBM arrived at Spango Valley in post-war Greenock, attracted as part of a government effort to replace industrial jobs. For decades the company provided thousands of jobs, often at the leading edge of technology, helping to attract dozens of high-tech investments to Scotland from all over the world. What was it like to work for the company known as Big Blue? The film uncovers the stories of the shop-floor at IBM. And it tells of IBM's supporting role in major events including the Moon landings and the creation of an iconic movie - Stanley Kubrick's 2001: A Space Odyssey.

Silicon Glen: From Ships to Microchips

NR 2020
Lifeline

During lockdown the UK has seen a significant increase in the number of domestic abuse related calls to helplines, with some charities reporting over 200% increase at a time when there was over 70% reduction in service delivery as a result of the pandemic. How did the domestic abuse services sector cope with the pandemic? What were the experiences of the frontline workers of the domestic abuse sector? With a range of interviews recorded on Zoom during and at the end the lockdown period, this film offers for the first time, first-hand accounts of keyworkers and key players of the domestic abuse services from their own voices and images. The interviews offer exclusive stories of keyworkers reflecting on their experiences of vicarious trauma, how they worked selflessly while dealing with the implications of the pandemic themselves.

Lifeline

NR 2020
Who Killed The Princes In The Tower?

In 1483, the twelve-year-old King Edward V and his younger brother were put into the Tower of London by their uncle, Richard. Weeks later, Richard pronounced himself King. The boys were never seen again. For centuries it has been assumed that Richard killed his nephews in a craven attempt at glory. But according to some, Richard was no child-killing monster. Rather, he was the finest King England ever had. Others say nobody killed the princes at all, and they lived anonymously into old age, far away from the cut-throat world of the English court. This film seeks the truth behind the mystery of their fate.

Who Killed The Princes In The Tower?

NR 2020
Cripple

Developing redaction techniques from previous works and taking the form of cut-up poetry and assemblage, "Cripple" explores the idea of idleness in the context of the reality of how disabled people have been pushed further to the margins of society due to austerity. From the outside it may seem like they are lazy or idle and not deserving of help. However without support they are deprived of the human right to enable them to be part of society. Cripplewas commissioned by Phoenix as part of Idle Index, which invites artists to create screensaver works. The work uses several passages from Frances Ryan’s "Crippled" (2019, Verso Books).

Cripple

NR 2020
The Devil Had Other Plans (Act I)

A gut reaction to the Coronavirus apocalypse, made in the first weeks of isolation and confusion in March-April 2020, echoing the shocking, eerie and surreal experience of the pandemic. Reworking the classic Zombie public-domain film from 1968 'Night of the Living Dead' by a mix of deep-learning AI coloring technology, datamosh techniques, re-cutting and sound work. Visions of the invisible found in the horror film images get broken apart and reassembled to become a haunting kaleidoscopic experience.

The Devil Had Other Plans (Act I)

NR 2020
See What I See

"See What I See" is a documentary portrait of Norwegian artist, educator and collector Guttorm Guttormsgaard and his eclectic archive of art, craft, books and ephemera. Guttormsgaard recounts his thoughts on collecting, vision, art and place to filmmaker Sam Williams at home amongst his collection in the small town of Blaker, Norway. Through snippets of dialogue and layered imagery, the film becomes a conversation between the director, Guttormsgaard and the countless objects in the collection. Guttormsgaard passed away shortly after the conversation and this touching portrait offers a unique insight into his world.

See What I See

NR 2020
The Man Who Knew Too Much

The Man Who Knew Too Much is a documentary film by Michael Oswald about Colin Wallace, a former Senior Information Officer at the Ministry of Defence, UK. As part of his work Colin Wallace engaged in PsyOps and spread fake news, he and his colleagues created a witchcraft scare, smeared politicians and attempted to divide and create conflict amongst communities, organisations and individuals. Colin Wallace fell out with sections of the British intelligence community, he was framed for a murder and sentenced to 10 years in prison. 15 years after his conviction the sentence was quashed on appeal after the Home Office coroner admitted his report had been influenced by a member of the intelligence community. The Man Who Knew Too Much is a unique and in-depth look at the smoke and mirrors world of intelligence, psychological warfare and fake news through the eyes of a man who stood proudly at the centre of that world.

The Man Who Knew Too Much

7.0 2020
With Silver Bells

Commissioned for Art in Romney Marsh, "With Silver Bells" dives into Whitebread’s past and present interactions with nature using photograms and both her and her mother’s video footage to try and grasp how we as humans can rethink our interactions with non-humans. The work was created during Whitebread’s self-initiated residency on the Marsh, a place that she often returns to in her work both physically and mentally. Heavily influenced by Derek Jarman’s writings on gardening, Whitebread tries to open up a wider discourse on our role as humans on planet Earth. The film is an experimental video focused on unhinging our commonplace connections between language, images and perceptions of nature by exploring her own sensual and somatic feelings towards the Marsh, experiencing the geography as an important site of creative and ecological insight. Using photograms as a tool enables the artist to play with slow/non-human time and to imagine her own ecological existence.

With Silver Bells

NR 2020
The Phantom Menace

A techno driven stroboscopic climate fiction film written in conversation with various Amazon warehouse workers. Initially inspired by the proposed plans for the U.S. government to install their fragile predictive supercomputers deep underground in order to protect them from these upcoming ancient alien invaders, the film uses once costly low-resolution scientific visualizations produced on these supercomputers to speculate on the role of image labour in the subterranean near future.

The Phantom Menace

NR 2020
Agricultural Machines- Field Giants in Action

Modern agriculture would be inconceivable without them: Huge harvesting machines such as beet and potato harvesters, tractors weighing tons and high-horsepower foragers. Agricultural technology made in Germany is at the forefront of the world market. How do the powerful harvest giants work? Where are they made? In our documentation we take a look around the agricultural technology fair Agritechnica in Hanover, we are present at a harvesting mission in Western Pomerania and show the effort with which the XXL machines are transported.

Agricultural Machines- Field Giants in Action

NR 2020